SPECIAL FEATURE: Brussels Gallery Weekend

Featured Artists: Simon Deppierraz, Anna Barham, Bruna Canepa, Lionel Estève, Tessa Perutz, Daniel Dewar & Grégory Gicquel, Christiane Blattmann, Miroslaw Balka, Marianne Berenhaut, Gustav Metzger, Anton Reijnders, Koenraad Tinel, Richard Aldrich, Liam Everett, Katinka Bock, Marcin Dudek, Elsa & Johanna, Margaret Lee, Francesco Clemente, Fernando Marques Penteado, Carole Benzaken, David Altmejd

Featured venues: Archiraar Gallery, ARCADE, Ballon Rouge, Baronian Xippas, C L E A R I N G, Damien & The Love Guru, Dvir Gallery, FRACAS, Galerie DYS, Gladstone Gallery, Galerie Greta Meert, Harlan Levey Projects, Galerie La Forest Divonne, LA MAISON DE RENDEZ-VOUS, MARUANI MERCIER, Meessen De Clercq, Mendes Wood DM, Galerie Nathalie Obadia, Xavier Hufkens

Date: September 3 – 9, 2019

Photography: images courtesy of the artists, Brussels Gallery Weekend and galleries

Margaret Lee and Emily Sundblad at Hannah Hoffman Gallery

Artists: Margaret Lee and Emily Sundblad  Exhibition title: You Can Teach an Old Zebra New Tricks Venue: Hannah Hoffman Gallery, Los Angeles, US Date: August 7 – September 12, 2015 Photography: Michael Underwood, images copyright and courtesy of the artists and Hannah Hoffman Gallery, Los Angeles Here we see, the zebra has a new trick up her … Read more

SPECIAL FEATURE: Selection of shows at 1857

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1857 is an artist-run exhibition space occupying a former lumberyard in Grønland, downtown Oslo. It was founded in 2010 by artists Steffen Håndlykken and Stian Eide Kluge, with graphic designers Eriksen / Brown as essential collaborators.

The space consists of a 280 m2 concrete factory hall, with raw concrete walls and 11 metres to a ceiling with beautiful skylights, which has been joined to an older wooden house with a storefront facing the street.

1857 aims to introduce young international artists to a Norwegian audience, and takes advantage of the high degree of freedom that comes from being an artist-run space in terms of how exhibitions are conceptualised, formulated and presented. There is an on-going conversation that runs through all of the shows about how to challenge or disregard conventions that prevail in institutional exhibition making. This approach has lead 1857 to open-ended collaborations with artists as well as characteristic exhibition designs, press releases and cocktails served on the openings.

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