SPECIAL FEATURE: NADA Miami 2020 (part 2)

Featured Artists: Kaja Redkie, Pavla Malinová, Botond Keresztesi, Rafał Zajko, Ieva Kraule-Kūna, Elīna Vītola, Marlene Frontera, Kevin Tobin, James Harrison, Leo Mock, Trevor Shimizu, Margaret Lee, Shimon Minamikawa, Carolyn Salas, Soyeon Shin, Chris Bogia, Panayiotis Loukas, Tahnee Lonsdale, Kandis Williams, Paul Heyer, Khari Johnson-Ricks, Andrea Marie Breiling, Han Bing, littlewhitehead, Tyler Thacker, Margaux Valengin, Rose Barberat, Mildred Howard, Forrest Kirk, Ana Montiel, Tomás Díaz Cedeño, SANGREE, ASMA, Naufus Ramírez-Figueroa, Akira Ikezoe, Zbigniew Rogalski, Olaf Brzeski, Przemysław Matecki, Emilia Kina, Emily Furr, Alta Buden, Ruben Ulises Rodriguez Montoya, Susumu Kamijo, Julien Boudet, Mario Ayala, Léo Luccioni, Nanami Hori

Venue: NADA Miami, Miami, US (online)

Featured Galleries: LETO, Warsaw; lítost, Prague; Low, Riga; Lubov, New York; Lulu, Mexico City; M+B, Mérida; MISAKO & ROSEN, Tokyo; Mrs., New York; Nicelle Beauchene, New York; Night Gallery, Los Angeles; Nir Altman, Munich; PACT, Paris; parrasch heijnen gallery, Los Angeles; PEANA, Monterrey; Proyectos Ultravioleta, Guatemala City; Raster, Warsaw; Sargent’s Daughters, New York; Stems Gallery, Brussels; XYZcollective, Tokyo

Date: December 1 – 5, 2020

Photography: all images courtesy and copyright of the artists, galleries and NADA Miami 

The New Art Dealers Alliance (NADA), is pleased to present NADA Miami, the organization’s annual flagship art fair, in a reimagined format to take place December 1–5, 2020.

The 18th edition of the fair will showcase an international series of presentations from a diverse roster of 47 NADA Members and 27 first-time exhibitors for a total of 97 galleries from 44 cities, both in gallery spaces and online. The fair will feature gallery hubs in multiple locations, including the Bay Area, Brussels, Chicago, Detroit, Lima, Los Angeles, New York, Paris, Riga, Tokyo, Toronto, and Warsaw.

NADA Miami remains dedicated to celebrating rising talents from around the globe. Visitors of the 2020 fair will be invited to experience gallery presentations in person in their local city, and discover the best of contemporary art online through a newly-designed digital platform. Accompanying the fair, the virtual programming series will continue to showcase conversations and performances from the defining voices of contemporary art and culture.

PLEASE VISIT NADA MIAMI 2020

LETO, Warsaw, installation view, NADA Miami, 2020

LETO, Warsaw, installation view, NADA Miami, 2020, courtesy of LETO, Warsaw

Kaja Redkie, Gemstone Treatment, 2019, collage, hand marbled paper on canvas, courtesy of LETO, Warsaw

Kaja Redkie, Gemstone Treatment, 2019, collage, hand marbled paper on canvas, 47.2 × 47.2 inches, courtesy of LETO, Warsaw

Installation view: ‘4I14I26 degrees east’, Avenue Van Volxem 316, 1190 Forest, Brussels – All images courtesy the artists and © Anca Poterasu Gallery, Bucharest & lítost, Prague, courtesy of lítost, Prague

Installation view: ‘4I14I26 degrees east’, Avenue Van Volxem 316, 1190 Forest, Brussels – All images courtesy the artists and © Anca Poterasu Gallery, Bucharest & lítost, Prague, courtesy of lítost, Prague

Pavla Malinová, Hlava #1, 2020, pencil and charcoal on paper , 16 × 11 inches, courtesy of lítost, Prague

Botond Keresztesi, Six feet deep, 2020, acrylic and oil on canvas, 47 × 47 inches, courtesy of lítost, Prague

Rafał Zajko, Filter III (Wet Circuit), 2020, Jesmonite with fresh beeswax, natural beeswax, melted church candles and crystalline wax, 8 × 6 × 1 inches, courtesy of lítost, Prague

Botond Keresztesi, Silent Nude #5, 2020, acrylic and oil on canvas, 40 × 47 inches, courtesy of lítost, Prague

Installation view: ‘4I14I26 degrees east’, Avenue Van Volxem 316, 1190 Forest, Brussels – All images courtesy the artists and © Anca Poterasu Gallery, Bucharest & lítost, Prague, courtesy of lítost, Prague

Botond Keresztesi, Devil is yelling, 2020, acrylic and oil on canvas, 47 × 47 inches, courtesy of lítost, Prague

Installation at PAKT, Amsterdam (photo by Charlott Markus), courtesy of Low, Riga

Installation at PAKT, Amsterdam (photo by Charlott Markus), courtesy of Low, Riga

Installation at PAKT, Amsterdam (photo by Charlott Markus), courtesy of Low, Riga

Installation at PAKT, Amsterdam (photo by Charlott Markus), courtesy of Low, Riga

Ieva Kraule-Kūna and Elīna Vītola, Artist Crisis Center II-B: Fair Gear, 2020, mixed media, 98 × 24 × 1 inches, courtesy of Low, Riga

Ieva Kraule-Kūna and Elīna Vītola, Artist Crisis Center II-B: Fair Gear, 2020, mixed media, 98 × 24 × 1 inches, courtesy of Low, Riga

Marlene Frontera, From Ivette’s to the Diamants’, 2020, Color pencil and gouache on paper, 18.5 × 23.75 inches, courtesy of Lubov, New York

Kevin Tobin, American Princess (Acid Rain), 2019, Oil on canvas, 42 × 21 inches, courtesy of Lubov, New York

Kevin Tobin, Chompers, 2017, Oil on canvas, 20 × 24 inches, courtesy of Lubov, New York

Kevin Tobin, American Princess (Toe-Pincher), 2019, Oil on shaped canvas, 80 × 26 inches, courtesy of Lubov, New York

Marlene Frontera, In the Living Room, 2018, Color pencil and watercolor on paper, 13 × 19 inches, courtesy of Lubov, New York

Lulu, Mexico City, installation view, NADA Miami, 2020, courtesy of Lulu, Mexico City

Lulu, Mexico City, installation view, NADA Miami, 2020, courtesy of Lulu, Mexico City

Lulu, Mexico City, installation view, NADA Miami, 2020, courtesy of Lulu, Mexico City

James Harrison, Summer, 2020, Watercolor and ink on canvas, 20 × 16 inches, courtesy of Lulu, Mexico City

James Harrison, Summer, 2020, Watercolor and ink on canvas, 20 × 16 inches, courtesy of Lulu, Mexico City

James Harrison, Dress, 2020, Watercolor on canvas, 22 × 17 inches, courtesy of Lulu, Mexico City

James Harrison, Hold On, 2020, Acrylic on stretched paper, 27 × 30 inches, courtesy of Lulu, Mexico City

James Harrison, Red Flower, 2020, Oil on canvas, 18 × 13 inches, courtesy of Lulu, Mexico City

M+B, Mérida, Mexico, installation view, NANA Miami, 2020, courtesy of M+B, Mérida

M+B, Mérida, Mexico, installation view, NANA Miami, 2020, courtesy of M+B, Mérida

Leo Mock, “Don’t set me free, I’m as heavy as can be”, 2020, oil, oil stick and Flashe on canvas, 63 × 47 inches, courtesy of M+B, Mérida

Leo Mock, “Did it take long to find me?”, 2020, Flashe on linen, 36.625 × 46.5 inches, courtesy of M+B, Mérida

Leo Mock, “Voilà”, 2020, oil and oil stick on canvas, 16 × 24 inches, courtesy of M+B, Mérida

Leo Mock, “What would you leave us this time?”, 2020, Oil on linen, 31.5 × 19.75 inches, courtesy of M+B, Mérida

Leo Mock, “Did I dream you dreamed about me”, 2020, oil, oil stick and charcoal on canvas, 31.5 × 19.75 inches, courtesy of M+B, Mérida

M+B, Mérida, Mexico, installation view, NANA Miami, 2020, courtesy of M+B, Mérida, courtesy of M+B, Mérida

Leo Mock, “every little voice that told you so”, 2020, oil, oil stick and charcoal on linen, 34.625 × 47.25 inches, courtesy of M+B, Mérida

MISAKO & ROSEN, Tokyo, installation view, NADA Miami, 2020, courtesy of MISAKO & ROSEN, Tokyo

Trevor Shimizu, Grass and Flowers (2), 2020, oil on canvas, 29 × 20 inches

Margaret Lee, Untitled (2 Watches), 2020, watercolor, collage on paper, 7.5 × 5 inches

Margaret Lee, I.C.W.U.M. #12, 2020, Oil paint, newspaper, rope, nails, 62 × 50 inches

Margaret Lee, Untitled (Gingham Tablecloth), 2020, watercolor, collage on paper, 7.5 × 5 inches

Margaret Lee, Untitled (Corn), 2020, watercolor, collage on paper, 7 × 6 inches

Margaret Lee, Untitled (Comforter), 2020, watercolor, collage on paper, 7.5 × 5 inches

Shimon Minamikawa, (Various) Cat (Figurines), 2019, acrylic on cnavas, 18 × 15 inches

Mrs., New York, installation view, NADA Miami, 2020, courtesy of Mrs., New York

Carolyn Salas, TBT, 2020, Water Jet Cut and Powder-Coated Steel, 20.5 × 13 × 8 inches, courtesy of Mrs., New York

Soyeon Shin, Clinton Avenue, 2019, Acrylic on Canvas, 36 × 12 inches, courtesy of Mrs., New York

Soyeon Shin, Emerson Place II, 2020, Acrylic on Canvas, 24 × 20 inches, courtesy of Mrs., New York

Mrs., New York, installation view, NADA Miami, 2020, courtesy of Mrs., New York

Mrs., New York, installation view, NADA Miami, 2020, courtesy of Mrs., New York

Mrs., New York, installation view, NADA Miami, 2020, courtesy of Mrs., New York

Chris Bogia, Fountain V, 2020, Watercolor and Pencil on Paper, 14 × 10 inches, courtesy of Mrs., New York

Soyeon Shin, Emerson Place II, 2020, Acrylic on Canvas, 24 × 20 inches, courtesy of Mrs., New York

Carolyn Salas, TBT, 2020, Water Jet Cut and Powder-Coated Steel, 15.5 × 11.5 × 11.5 inches, courtesy of Mrs., New York

Panayiotis Loukas, Perception vs Persuasion, 2017, Oil on canvas, 79 × 67 inches, courtesy of Nicelle Beauchene, New York

Panayiotis Loukas, Hexensabbat, 2019, Oil on canvas, 79 × 67 inches, courtesy of Nicelle Beauchene, New York

Panayiotis Loukas, Master of Two Servants, 2017, Oil on canvas, 86.5 × 74.75 inches, courtesy of Nicelle Beauchene, New York

Panayiotis Loukas, Late Harvest, 2018, Oil on canvas, 23.5 × 11.75 inches, courtesy of Nicelle Beauchene, New York

Night Gallery, Los Angeles, installation view, NADA Miami, 2020, courtesy of Night Gallery, Los Angeles

Night Gallery, Los Angeles, installation view, NADA Miami, 2020, courtesy of Night Gallery, Los Angeles

Tahnee Lonsdale, Uncoupling, 2020, oil on canvas, 70 × 64 inches, courtesy of Night Gallery, Los Angeles

Night Gallery, Los Angeles, installation view, NADA Miami, 2020, courtesy of Night Gallery, Los Angeles

Kandis Williams, candyman urban threat modeling, becky, karen, nike, athena: a future foreclosed to all but king kong and faye wray, 2020, collage on artificial plant, 60 × 30 × 20 inches, courtesy of Night Gallery, Los Angeles

Kandis Williams, Unlike penal systems, geological formations fail to respect the arbitrary line of state borders., 2020, collage on artificial plant, 60 × 35 × 20 inches, courtesy of Night Gallery, Los Angeles

Paul Heyer, TBC, 2020, oil and acrylic on polyester, 31 × 25 inches, courtesy of Night Gallery, Los Angeles

Night Gallery, Los Angeles, installation view, NADA Miami, 2020, courtesy of Night Gallery, Los Angeles

Khari Johnson-Ricks, Kwabena Lake, 2020, shellac ink and watercolor paint on paper, 67 × 37 inches, courtesy of Night Gallery, Los Angeles

Night Gallery, Los Angeles, installation view, NADA Miami, 2020, courtesy of Night Gallery, Los Angeles

Andrea Marie Breiling, Roadkill (Only the Boys Know), 2020, aerosol spray on canvas, 72 × 59.5 inches, courtesy of Night Gallery, Los Angeles

Han Bing, Doing fine all things considered as they say or otherwise––––Negative, 2020, Oil on linen, 70 × 56 inches, courtesy of Night Gallery, Los Angeles

Nir Altman, Glasgow, installation view, NADA Miami, 2020, courtesy of Nir Altman, Munich

Nir Altman, Glasgow, installation view, NADA Miami, 2020, courtesy of Nir Altman, Munich

littlewhitehead, Autumn Sulcus, 2020, burnt wood, lacquer, 30 × 51 × 55 inches, courtesy of Nir Altman, Munich

littlewhitehead, Like Severed Hands, 2019, porcelain, brass, sugar, 54 × 21 × 9 inches, courtesy of Nir Altman, Munich

littlewhitehead, Hesitant Machine, 2020, aluminium, dried acer leaves, 22 × 11 × 10 inches, courtesy of Nir Altman, Munich

littlewhitehead, Evening Poem, 2020, acrylic on paper, 71 × 47 inches, courtesy of Nir Altman, Munich

littlewhitehead, Till Light Drives Night Back, 2019, printed cotton, aluminium, G9 led lamp, 23 × 10 × 21 inches, courtesy of Nir Altman, Munich

littlewhitehead, Hesitant Machine, 2020, aluminium, dried acer leaves, 22 × 11 × 10 inches, courtesy of Nir Altman, Munich

littlewhitehead, Benign Fruit, 2020, stainless steel, plywood, keyboard keys, artificial fruit, wire, 12 × 42 × 19 inches, courtesy of Nir Altman, Munich

littlewhitehead, Merge Visible, 2018, porcelain, stainless steel, mild steel, spray paint , 20 × 50 × 24 inches, courtesy of Nir Altman, Munich

littlewhitehead, Edge Of Midnight, 2018, digital print on cotton, plastic toggles, snap on buttons, elasticated cord, mild steel, stainless steel, plywood, G9 led, electrical cable, jesmonite, 70 × 47 × 13 inches, courtesy of Nir Altman, Munich

PACT, Paris, installation view, NADA Miami, 2020, courtesy of PACT, Paris

PACT, Paris, installation view, NADA Miami, 2020, courtesy of PACT, Paris

PACT, Paris, installation view, NADA Miami, 2020, courtesy of PACT, Paris

Tyler Thacker, White Bears, 2019, Oil on canvas, 47 × 78 × 1 inches, courtesy of PACT, Paris

Margaux Valengin, Tow, 2020, Acrylic and oil on canvas, 40 × 65 × 1 inches, courtesy of PACT, Paris

Rose Barberat, Les Chercheurs d’Or, 2020, Oil on canvas, 63 × 79 × 1 inches, courtesy of PACT, Paris

PACT, Paris, installation view, NADA Miami, 2020, courtesy of PACT, Paris

parrasch heijnen gallery, Los Angeles, installation view, NADA Miami, 2020, courtesy of parrasch heijnen gallery, Los Angeles

parrasch heijnen gallery, Los Angeles, installation view, NADA Miami, 2020, courtesy of parrasch heijnen gallery, Los Angeles

Mildred Howard, Black, White and Red All Over, 2007, mixed media, 72 × 63 × 14 inches, courtesy of parrasch heijnen gallery, Los Angeles

parrasch heijnen gallery, Los Angeles, installation view, NADA Miami, 2020, courtesy of parrasch heijnen gallery, Los Angeles

Forrest Kirk, Nosey, 2019, acrylic and Gorilla Glue on canvas, 30 × 24 inches, courtesy of parrasch heijnen gallery, Los Angeles

Forrest Kirk, Power Couple, 2020, acrylic and Gorilla Glue on canvas, 30 × 40 inches, courtesy of parrasch heijnen gallery, Los Angeles

Mildred Howard, Méret, 2007, mixed media, 7.5 × 22.5 × 24 inches, courtesy of parrasch heijnen gallery, Los Angeles

Forrest Kirk, Issue, 2020, acrylic and Gorilla Glue on canvas, 40 × 30 inches, courtesy of parrasch heijnen gallery, Los Angeles

parrasch heijnen gallery, Los Angeles, installation view, NADA Miami, 2020, courtesy of parrasch heijnen gallery, Los Angeles

PEANA, Monterrey, installation view, NADA Miami, 2020, courtesy of PEANA, Monterrey

PEANA, Monterrey, installation view, NADA Miami, 2020, courtesy of PEANA, Monterrey

Ana Montiel, ECHO: LE TEMPS NE COULE PLUS. IL JAILLIT (1), 2020, Acrylic on canvas, 47.2 × 39.3 × 2 inches, courtesy of PEANA, Monterrey

Tomás Díaz Cedeño, Hay un fantasma, 2020, Low temperature clay and steel, 28.3 × 22.8 × 1.1 inches & Tomás Díaz Cedeño, Lodo de ciénaga, arena de río, 2020, Low temperature clay and steel, 28.3 × 22.8 × 1.1 inches, courtesy of PEANA, Monterrey

SANGREE, Felino Canopo (Jaguar), 2020, High temperature glazed ceramic, 12.9 × 7.4 × 10.8 inches, courtesy of PEANA, Monterrey

ASMA, Listener, 2020, Brass, silver, resin, 17.7 × 3.9 × 2.3 inches, courtesy of PEANA, Monterrey

Naufus Ramírez-Figueroa, Untitled (Foot with Spadix), 2020, Polystyrene, epoxy resin, fiberglass, acrylic paint, 10.5 × 12 × 5 inches, courtesy of Proyectos Ultravioleta, Guatemala City

Akira Ikezoe, Not So Still Life 2, 2020, oil on canvas, 48 × 48 × 1.5 inches, courtesy of Proyectos Ultravioleta, Guatemala City

Akira Ikezoe, Not So Still Life 5, 2020, oil on canvas, 22 × 30 inches, courtesy of Proyectos Ultravioleta, Guatemala City

Akira Ikezoe, Not So Still Life 3, 2020, oil on canvas, 62 × 50 × 1.5 inches, courtesy of Proyectos Ultravioleta, Guatemala City

Naufus Ramírez-Figueroa, Untitled (Arm), 2020, Polystyrene, epoxy resin, fiberglass, acrylic paint, 29 × 11 × 7 inches, courtesy of Proyectos Ultravioleta, Guatemala City

Akira Ikezoe, Not So Still Life 1, 2020, oil on canvas, 48 × 48 × 1.5 inches, courtesy of Proyectos Ultravioleta, Guatemala City

Zbigniew Rogalski, My Collection (Ruff), 2020, oil on canvas, 57 × 63 × 1 inches, courtesy of Raster, Warsaw

Olaf Brzeski, Untitled, 2020, cast-iron, 10 × 13 × 10 inches, courtesy of Raster, Warsaw

Olaf Brzeski, The Lion and the Emptiness, 2019, ceramics, sgraffito, 16 × 16 × 3 inches, courtesy of Raster, Warsaw

Raster, Warsaw, installation view, NADA Miami, 2020, courtesy of Raster, Warsaw

Przemysław Matecki, Paweł Althamer, Cat, 2020, mixed technique, 45 × 57 × 1 inches, courtesy of Raster, Warsaw

Zbigniew Rogalski, My Collection (Warhol), 2020, oil on canvas, 32 × 39 × 1 inches, courtesy of Raster, Warsaw

Raster, Warsaw, installation view, NADA Miami, 2020, courtesy of Raster, Warsaw

Emilia Kina, Untitled, 2020, oil on canvas, molded loom, 79 × 59 × 3 inches, courtesy of Raster, Warsaw

Emily Furr, Lucy in the Sky with Diamonds 2, 2020, Oil on board, wood frame, 7 × 5 inches, courtesy of Sargent’s Daughters, New York

Sargent’s Daughters, New York, installation view, NADA, Miami, 2020, courtesy of Sargent’s Daughters, New York

Alta Buden, Caught, 2020, Clay, hand blown glass, trapa natans seeds and trash from the Hudson river, 15 × 9 × 7 inches, courtesy of Sargent’s Daughters, New York

Ruben Ulises Rodriguez Montoya, Oct. 23, 2019: Florida man busted feeding iguanas in jail, 2020, Mariachi sombrero, b-grade cow hide, horn tips, bed sheet, silicone, poly fill, trash, circuit board from an illegal desert dump in New Mexico from the Rio Grande, 16.5 × 10 × 5.75 inches, courtesy of Sargent’s Daughters, New York

Emily Furr, Lucy in the Sky with Diamonds, 2020, Oil on board, wood frame, 8 × 8 inches, courtesy of Sargent’s Daughters, New York

Ruben Ulises Rodriguez Montoya, After five days under the River, it filled with gas and rose to the surface, 2020, Mariachi sombrero, b-grade cow hide, horn tips, bed sheet, silicone, poly fill, trash, bone of someone’s farm animal that they sent me through Instagram, 11 × 5.5 × 5.5 inches, courtesy of Sargent’s Daughters, New York

Ruben Ulises Rodriguez Montoya, Oct. 23, 2019: Florida man busted feeding iguanas in jail, 2020, Mariachi sombrero, b-grade cow hide, horn tips, bed sheet, silicone, poly fill, trash, circuit board from an illegal desert dump in New Mexico from the Rio Grande, 16.5 × 10 × 5.75 inches, courtesy of Sargent’s Daughters, New York

Susumu Kamijo, Back From The Sea, 2020, Flashe paint on canvas, 48 × 36 inches, courtesy of Stems Gallery, Brussels

Stems Gallery, Brussels, installation view, NADA Miami, 2020, courtesy of Stems Gallery, Brussels

Stems Gallery, Brussels, installation view, NADA Miami, 2020, courtesy of Stems Gallery, Brussels

Julien Boudet, Swoosh Bra, 2020, Archival print , 140 × 97 inches, courtesy of Stems Gallery, Brussels

Mario Ayala, Registered Noun, 2019, Acrylic on canvas, 46 × 50 inches, courtesy of Stems Gallery, Brussels

Léo Luccioni, Lays nature, 2020, Lays potato chips pack, borax, aluminium powder, epoxy thermic resin, epoxy resin, pigment, food colouring, fabrics, steel stalk, 6.6 × 10.2 × 4.3 inches, courtesy of Stems Gallery, Brussels

Julien Boudet, Juste Fais Le, 2020, Archival pigment print (framed), 70 × 70 inches, courtesy of Stems Gallery, Brussels

Stems Gallery, Brussels, installation view, NADA Miami, 2020, courtesy of Stems Gallery, Brussels

Stems Gallery, Brussels, installation view, NADA Miami, 2020, courtesy of Stems Gallery, Brussels

XYZcollective, Tokyo, installation view, NADA Miami, 2020, courtesy of XYZcollective, Tokyo

Nanami Hori, The hole after castration, 2020, Oil on canvas, 24 × 18 inches, courtesy of XYZcollective, Tokyo

Nanami Hori, Harpy the cephalopod, 2020, Oil on canvas, 20 × 25 inches, courtesy of XYZcollective, Tokyo

Nanami Hori, Extra innings, 2020, Oil on canvas, 24 × 18 inches, courtesy of XYZcollective, Tokyo

Nanami Hori, House Selection, 2020, Oil on canvas, 24 × 19 inches, courtesy of XYZcollective, Tokyo