The New Art Dealers Alliance (NADA), is pleased to present NADA Miami, the organization’s annual flagship art fair, in a reimagined format to take place December 1–5, 2020.
The 18th edition of the fair will showcase an international series of presentations from a diverse roster of 47 NADA Members and 27 first-time exhibitors for a total of 97 galleries from 44 cities, both in gallery spaces and online. The fair will feature gallery hubs in multiple locations, including the Bay Area, Brussels, Chicago, Detroit, Lima, Los Angeles, New York, Paris, Riga, Tokyo, Toronto, and Warsaw.
NADA Miami remains dedicated to celebrating rising talents from around the globe. Visitors of the 2020 fair will be invited to experience gallery presentations in person in their local city, and discover the best of contemporary art online through a newly-designed digital platform. Accompanying the fair, the virtual programming series will continue to showcase conversations and performances from the defining voices of contemporary art and culture.
LETO, Warsaw, installation view, NADA Miami, 2020
LETO, Warsaw, installation view, NADA Miami, 2020, courtesy of LETO, Warsaw
Kaja Redkie, Gemstone Treatment, 2019, collage, hand marbled paper on canvas, courtesy of LETO, Warsaw
Kaja Redkie, Gemstone Treatment, 2019, collage, hand marbled paper on canvas, 47.2 × 47.2 inches, courtesy of LETO, Warsaw
Installation view: ‘4I14I26 degrees east’, Avenue Van Volxem 316, 1190 Forest, Brussels – All images courtesy the artists and © Anca Poterasu Gallery, Bucharest & lítost, Prague, courtesy of lítost, Prague
Installation view: ‘4I14I26 degrees east’, Avenue Van Volxem 316, 1190 Forest, Brussels – All images courtesy the artists and © Anca Poterasu Gallery, Bucharest & lítost, Prague, courtesy of lítost, Prague
Pavla Malinová, Hlava #1, 2020, pencil and charcoal on paper , 16 × 11 inches, courtesy of lítost, Prague
Botond Keresztesi, Six feet deep, 2020, acrylic and oil on canvas, 47 × 47 inches, courtesy of lítost, Prague
Rafał Zajko, Filter III (Wet Circuit), 2020, Jesmonite with fresh beeswax, natural beeswax, melted church candles and crystalline wax, 8 × 6 × 1 inches, courtesy of lítost, Prague
Botond Keresztesi, Silent Nude #5, 2020, acrylic and oil on canvas, 40 × 47 inches, courtesy of lítost, Prague
Installation view: ‘4I14I26 degrees east’, Avenue Van Volxem 316, 1190 Forest, Brussels – All images courtesy the artists and © Anca Poterasu Gallery, Bucharest & lítost, Prague, courtesy of lítost, Prague
Botond Keresztesi, Devil is yelling, 2020, acrylic and oil on canvas, 47 × 47 inches, courtesy of lítost, Prague
Installation at PAKT, Amsterdam (photo by Charlott Markus), courtesy of Low, Riga
Installation at PAKT, Amsterdam (photo by Charlott Markus), courtesy of Low, Riga
Installation at PAKT, Amsterdam (photo by Charlott Markus), courtesy of Low, Riga
Installation at PAKT, Amsterdam (photo by Charlott Markus), courtesy of Low, Riga
Ieva Kraule-Kūna and Elīna Vītola, Artist Crisis Center II-B: Fair Gear, 2020, mixed media, 98 × 24 × 1 inches, courtesy of Low, Riga
Ieva Kraule-Kūna and Elīna Vītola, Artist Crisis Center II-B: Fair Gear, 2020, mixed media, 98 × 24 × 1 inches, courtesy of Low, Riga
Marlene Frontera, From Ivette’s to the Diamants’, 2020, Color pencil and gouache on paper, 18.5 × 23.75 inches, courtesy of Lubov, New York
Kevin Tobin, American Princess (Acid Rain), 2019, Oil on canvas, 42 × 21 inches, courtesy of Lubov, New York
Kevin Tobin, Chompers, 2017, Oil on canvas, 20 × 24 inches, courtesy of Lubov, New York
Kevin Tobin, American Princess (Toe-Pincher), 2019, Oil on shaped canvas, 80 × 26 inches, courtesy of Lubov, New York
Marlene Frontera, In the Living Room, 2018, Color pencil and watercolor on paper, 13 × 19 inches, courtesy of Lubov, New York
Lulu, Mexico City, installation view, NADA Miami, 2020, courtesy of Lulu, Mexico City
Lulu, Mexico City, installation view, NADA Miami, 2020, courtesy of Lulu, Mexico City
Lulu, Mexico City, installation view, NADA Miami, 2020, courtesy of Lulu, Mexico City
James Harrison, Summer, 2020, Watercolor and ink on canvas, 20 × 16 inches, courtesy of Lulu, Mexico City
James Harrison, Summer, 2020, Watercolor and ink on canvas, 20 × 16 inches, courtesy of Lulu, Mexico City
James Harrison, Dress, 2020, Watercolor on canvas, 22 × 17 inches, courtesy of Lulu, Mexico City
James Harrison, Hold On, 2020, Acrylic on stretched paper, 27 × 30 inches, courtesy of Lulu, Mexico City
James Harrison, Red Flower, 2020, Oil on canvas, 18 × 13 inches, courtesy of Lulu, Mexico City
M+B, Mérida, Mexico, installation view, NANA Miami, 2020, courtesy of M+B, Mérida
M+B, Mérida, Mexico, installation view, NANA Miami, 2020, courtesy of M+B, Mérida
Leo Mock, “Don’t set me free, I’m as heavy as can be”, 2020, oil, oil stick and Flashe on canvas, 63 × 47 inches, courtesy of M+B, Mérida
Leo Mock, “Did it take long to find me?”, 2020, Flashe on linen, 36.625 × 46.5 inches, courtesy of M+B, Mérida
Leo Mock, “Voilà”, 2020, oil and oil stick on canvas, 16 × 24 inches, courtesy of M+B, Mérida
Leo Mock, “What would you leave us this time?”, 2020, Oil on linen, 31.5 × 19.75 inches, courtesy of M+B, Mérida
Leo Mock, “Did I dream you dreamed about me”, 2020, oil, oil stick and charcoal on canvas, 31.5 × 19.75 inches, courtesy of M+B, Mérida
M+B, Mérida, Mexico, installation view, NANA Miami, 2020, courtesy of M+B, Mérida, courtesy of M+B, Mérida
Leo Mock, “every little voice that told you so”, 2020, oil, oil stick and charcoal on linen, 34.625 × 47.25 inches, courtesy of M+B, Mérida
MISAKO & ROSEN, Tokyo, installation view, NADA Miami, 2020, courtesy of MISAKO & ROSEN, Tokyo
Trevor Shimizu, Grass and Flowers (2), 2020, oil on canvas, 29 × 20 inches
Margaret Lee, Untitled (2 Watches), 2020, watercolor, collage on paper, 7.5 × 5 inches
Margaret Lee, I.C.W.U.M. #12, 2020, Oil paint, newspaper, rope, nails, 62 × 50 inches
Margaret Lee, Untitled (Gingham Tablecloth), 2020, watercolor, collage on paper, 7.5 × 5 inches
Margaret Lee, Untitled (Corn), 2020, watercolor, collage on paper, 7 × 6 inches
Margaret Lee, Untitled (Comforter), 2020, watercolor, collage on paper, 7.5 × 5 inches
Shimon Minamikawa, (Various) Cat (Figurines), 2019, acrylic on cnavas, 18 × 15 inches
Mrs., New York, installation view, NADA Miami, 2020, courtesy of Mrs., New York
Carolyn Salas, TBT, 2020, Water Jet Cut and Powder-Coated Steel, 20.5 × 13 × 8 inches, courtesy of Mrs., New York
Soyeon Shin, Clinton Avenue, 2019, Acrylic on Canvas, 36 × 12 inches, courtesy of Mrs., New York
Soyeon Shin, Emerson Place II, 2020, Acrylic on Canvas, 24 × 20 inches, courtesy of Mrs., New York
Mrs., New York, installation view, NADA Miami, 2020, courtesy of Mrs., New York
Mrs., New York, installation view, NADA Miami, 2020, courtesy of Mrs., New York
Mrs., New York, installation view, NADA Miami, 2020, courtesy of Mrs., New York
Chris Bogia, Fountain V, 2020, Watercolor and Pencil on Paper, 14 × 10 inches, courtesy of Mrs., New York
Soyeon Shin, Emerson Place II, 2020, Acrylic on Canvas, 24 × 20 inches, courtesy of Mrs., New York
Carolyn Salas, TBT, 2020, Water Jet Cut and Powder-Coated Steel, 15.5 × 11.5 × 11.5 inches, courtesy of Mrs., New York
Panayiotis Loukas, Perception vs Persuasion, 2017, Oil on canvas, 79 × 67 inches, courtesy of Nicelle Beauchene, New York
Panayiotis Loukas, Hexensabbat, 2019, Oil on canvas, 79 × 67 inches, courtesy of Nicelle Beauchene, New York
Panayiotis Loukas, Master of Two Servants, 2017, Oil on canvas, 86.5 × 74.75 inches, courtesy of Nicelle Beauchene, New York
Panayiotis Loukas, Late Harvest, 2018, Oil on canvas, 23.5 × 11.75 inches, courtesy of Nicelle Beauchene, New York
Night Gallery, Los Angeles, installation view, NADA Miami, 2020, courtesy of Night Gallery, Los Angeles
Night Gallery, Los Angeles, installation view, NADA Miami, 2020, courtesy of Night Gallery, Los Angeles
Tahnee Lonsdale, Uncoupling, 2020, oil on canvas, 70 × 64 inches, courtesy of Night Gallery, Los Angeles
Night Gallery, Los Angeles, installation view, NADA Miami, 2020, courtesy of Night Gallery, Los Angeles
Kandis Williams, candyman urban threat modeling, becky, karen, nike, athena: a future foreclosed to all but king kong and faye wray, 2020, collage on artificial plant, 60 × 30 × 20 inches, courtesy of Night Gallery, Los Angeles
Kandis Williams, Unlike penal systems, geological formations fail to respect the arbitrary line of state borders., 2020, collage on artificial plant, 60 × 35 × 20 inches, courtesy of Night Gallery, Los Angeles
Paul Heyer, TBC, 2020, oil and acrylic on polyester, 31 × 25 inches, courtesy of Night Gallery, Los Angeles
Night Gallery, Los Angeles, installation view, NADA Miami, 2020, courtesy of Night Gallery, Los Angeles
Khari Johnson-Ricks, Kwabena Lake, 2020, shellac ink and watercolor paint on paper, 67 × 37 inches, courtesy of Night Gallery, Los Angeles
Night Gallery, Los Angeles, installation view, NADA Miami, 2020, courtesy of Night Gallery, Los Angeles
Andrea Marie Breiling, Roadkill (Only the Boys Know), 2020, aerosol spray on canvas, 72 × 59.5 inches, courtesy of Night Gallery, Los Angeles
Han Bing, Doing fine all things considered as they say or otherwise––––Negative, 2020, Oil on linen, 70 × 56 inches, courtesy of Night Gallery, Los Angeles
Nir Altman, Glasgow, installation view, NADA Miami, 2020, courtesy of Nir Altman, Munich
Nir Altman, Glasgow, installation view, NADA Miami, 2020, courtesy of Nir Altman, Munich
littlewhitehead, Autumn Sulcus, 2020, burnt wood, lacquer, 30 × 51 × 55 inches, courtesy of Nir Altman, Munich
littlewhitehead, Like Severed Hands, 2019, porcelain, brass, sugar, 54 × 21 × 9 inches, courtesy of Nir Altman, Munich
littlewhitehead, Hesitant Machine, 2020, aluminium, dried acer leaves, 22 × 11 × 10 inches, courtesy of Nir Altman, Munich
littlewhitehead, Evening Poem, 2020, acrylic on paper, 71 × 47 inches, courtesy of Nir Altman, Munich
littlewhitehead, Till Light Drives Night Back, 2019, printed cotton, aluminium, G9 led lamp, 23 × 10 × 21 inches, courtesy of Nir Altman, Munich
littlewhitehead, Hesitant Machine, 2020, aluminium, dried acer leaves, 22 × 11 × 10 inches, courtesy of Nir Altman, Munich
littlewhitehead, Benign Fruit, 2020, stainless steel, plywood, keyboard keys, artificial fruit, wire, 12 × 42 × 19 inches, courtesy of Nir Altman, Munich
littlewhitehead, Merge Visible, 2018, porcelain, stainless steel, mild steel, spray paint , 20 × 50 × 24 inches, courtesy of Nir Altman, Munich
littlewhitehead, Edge Of Midnight, 2018, digital print on cotton, plastic toggles, snap on buttons, elasticated cord, mild steel, stainless steel, plywood, G9 led, electrical cable, jesmonite, 70 × 47 × 13 inches, courtesy of Nir Altman, Munich
PACT, Paris, installation view, NADA Miami, 2020, courtesy of PACT, Paris
PACT, Paris, installation view, NADA Miami, 2020, courtesy of PACT, Paris
PACT, Paris, installation view, NADA Miami, 2020, courtesy of PACT, Paris
Tyler Thacker, White Bears, 2019, Oil on canvas, 47 × 78 × 1 inches, courtesy of PACT, Paris
Margaux Valengin, Tow, 2020, Acrylic and oil on canvas, 40 × 65 × 1 inches, courtesy of PACT, Paris
Rose Barberat, Les Chercheurs d’Or, 2020, Oil on canvas, 63 × 79 × 1 inches, courtesy of PACT, Paris
PACT, Paris, installation view, NADA Miami, 2020, courtesy of PACT, Paris
parrasch heijnen gallery, Los Angeles, installation view, NADA Miami, 2020, courtesy of parrasch heijnen gallery, Los Angeles
parrasch heijnen gallery, Los Angeles, installation view, NADA Miami, 2020, courtesy of parrasch heijnen gallery, Los Angeles
Mildred Howard, Black, White and Red All Over, 2007, mixed media, 72 × 63 × 14 inches, courtesy of parrasch heijnen gallery, Los Angeles
parrasch heijnen gallery, Los Angeles, installation view, NADA Miami, 2020, courtesy of parrasch heijnen gallery, Los Angeles
Forrest Kirk, Nosey, 2019, acrylic and Gorilla Glue on canvas, 30 × 24 inches, courtesy of parrasch heijnen gallery, Los Angeles
Forrest Kirk, Power Couple, 2020, acrylic and Gorilla Glue on canvas, 30 × 40 inches, courtesy of parrasch heijnen gallery, Los Angeles
Mildred Howard, Méret, 2007, mixed media, 7.5 × 22.5 × 24 inches, courtesy of parrasch heijnen gallery, Los Angeles
Forrest Kirk, Issue, 2020, acrylic and Gorilla Glue on canvas, 40 × 30 inches, courtesy of parrasch heijnen gallery, Los Angeles
parrasch heijnen gallery, Los Angeles, installation view, NADA Miami, 2020, courtesy of parrasch heijnen gallery, Los Angeles
PEANA, Monterrey, installation view, NADA Miami, 2020, courtesy of PEANA, Monterrey
PEANA, Monterrey, installation view, NADA Miami, 2020, courtesy of PEANA, Monterrey
Ana Montiel, ECHO: LE TEMPS NE COULE PLUS. IL JAILLIT (1), 2020, Acrylic on canvas, 47.2 × 39.3 × 2 inches, courtesy of PEANA, Monterrey
Tomás Díaz Cedeño, Hay un fantasma, 2020, Low temperature clay and steel, 28.3 × 22.8 × 1.1 inches & Tomás Díaz Cedeño, Lodo de ciénaga, arena de río, 2020, Low temperature clay and steel, 28.3 × 22.8 × 1.1 inches, courtesy of PEANA, Monterrey
SANGREE, Felino Canopo (Jaguar), 2020, High temperature glazed ceramic, 12.9 × 7.4 × 10.8 inches, courtesy of PEANA, Monterrey
ASMA, Listener, 2020, Brass, silver, resin, 17.7 × 3.9 × 2.3 inches, courtesy of PEANA, Monterrey
Naufus Ramírez-Figueroa, Untitled (Foot with Spadix), 2020, Polystyrene, epoxy resin, fiberglass, acrylic paint, 10.5 × 12 × 5 inches, courtesy of Proyectos Ultravioleta, Guatemala City
Akira Ikezoe, Not So Still Life 2, 2020, oil on canvas, 48 × 48 × 1.5 inches, courtesy of Proyectos Ultravioleta, Guatemala City
Akira Ikezoe, Not So Still Life 5, 2020, oil on canvas, 22 × 30 inches, courtesy of Proyectos Ultravioleta, Guatemala City
Akira Ikezoe, Not So Still Life 3, 2020, oil on canvas, 62 × 50 × 1.5 inches, courtesy of Proyectos Ultravioleta, Guatemala City
Naufus Ramírez-Figueroa, Untitled (Arm), 2020, Polystyrene, epoxy resin, fiberglass, acrylic paint, 29 × 11 × 7 inches, courtesy of Proyectos Ultravioleta, Guatemala City
Akira Ikezoe, Not So Still Life 1, 2020, oil on canvas, 48 × 48 × 1.5 inches, courtesy of Proyectos Ultravioleta, Guatemala City
Zbigniew Rogalski, My Collection (Ruff), 2020, oil on canvas, 57 × 63 × 1 inches, courtesy of Raster, Warsaw
Olaf Brzeski, Untitled, 2020, cast-iron, 10 × 13 × 10 inches, courtesy of Raster, Warsaw
Olaf Brzeski, The Lion and the Emptiness, 2019, ceramics, sgraffito, 16 × 16 × 3 inches, courtesy of Raster, Warsaw
Raster, Warsaw, installation view, NADA Miami, 2020, courtesy of Raster, Warsaw
Przemysław Matecki, Paweł Althamer, Cat, 2020, mixed technique, 45 × 57 × 1 inches, courtesy of Raster, Warsaw
Zbigniew Rogalski, My Collection (Warhol), 2020, oil on canvas, 32 × 39 × 1 inches, courtesy of Raster, Warsaw
Raster, Warsaw, installation view, NADA Miami, 2020, courtesy of Raster, Warsaw
Emilia Kina, Untitled, 2020, oil on canvas, molded loom, 79 × 59 × 3 inches, courtesy of Raster, Warsaw
Emily Furr, Lucy in the Sky with Diamonds 2, 2020, Oil on board, wood frame, 7 × 5 inches, courtesy of Sargent’s Daughters, New York
Sargent’s Daughters, New York, installation view, NADA, Miami, 2020, courtesy of Sargent’s Daughters, New York
Alta Buden, Caught, 2020, Clay, hand blown glass, trapa natans seeds and trash from the Hudson river, 15 × 9 × 7 inches, courtesy of Sargent’s Daughters, New York
Ruben Ulises Rodriguez Montoya, Oct. 23, 2019: Florida man busted feeding iguanas in jail, 2020, Mariachi sombrero, b-grade cow hide, horn tips, bed sheet, silicone, poly fill, trash, circuit board from an illegal desert dump in New Mexico from the Rio Grande, 16.5 × 10 × 5.75 inches, courtesy of Sargent’s Daughters, New York
Emily Furr, Lucy in the Sky with Diamonds, 2020, Oil on board, wood frame, 8 × 8 inches, courtesy of Sargent’s Daughters, New York
Ruben Ulises Rodriguez Montoya, After five days under the River, it filled with gas and rose to the surface, 2020, Mariachi sombrero, b-grade cow hide, horn tips, bed sheet, silicone, poly fill, trash, bone of someone’s farm animal that they sent me through Instagram, 11 × 5.5 × 5.5 inches, courtesy of Sargent’s Daughters, New York
Ruben Ulises Rodriguez Montoya, Oct. 23, 2019: Florida man busted feeding iguanas in jail, 2020, Mariachi sombrero, b-grade cow hide, horn tips, bed sheet, silicone, poly fill, trash, circuit board from an illegal desert dump in New Mexico from the Rio Grande, 16.5 × 10 × 5.75 inches, courtesy of Sargent’s Daughters, New York
Susumu Kamijo, Back From The Sea, 2020, Flashe paint on canvas, 48 × 36 inches, courtesy of Stems Gallery, Brussels
Stems Gallery, Brussels, installation view, NADA Miami, 2020, courtesy of Stems Gallery, Brussels
Stems Gallery, Brussels, installation view, NADA Miami, 2020, courtesy of Stems Gallery, Brussels
Julien Boudet, Swoosh Bra, 2020, Archival print , 140 × 97 inches, courtesy of Stems Gallery, Brussels
Mario Ayala, Registered Noun, 2019, Acrylic on canvas, 46 × 50 inches, courtesy of Stems Gallery, Brussels
Léo Luccioni, Lays nature, 2020, Lays potato chips pack, borax, aluminium powder, epoxy thermic resin, epoxy resin, pigment, food colouring, fabrics, steel stalk, 6.6 × 10.2 × 4.3 inches, courtesy of Stems Gallery, Brussels
Julien Boudet, Juste Fais Le, 2020, Archival pigment print (framed), 70 × 70 inches, courtesy of Stems Gallery, Brussels
Stems Gallery, Brussels, installation view, NADA Miami, 2020, courtesy of Stems Gallery, Brussels
Stems Gallery, Brussels, installation view, NADA Miami, 2020, courtesy of Stems Gallery, Brussels
XYZcollective, Tokyo, installation view, NADA Miami, 2020, courtesy of XYZcollective, Tokyo
Nanami Hori, The hole after castration, 2020, Oil on canvas, 24 × 18 inches, courtesy of XYZcollective, Tokyo
Nanami Hori, Harpy the cephalopod, 2020, Oil on canvas, 20 × 25 inches, courtesy of XYZcollective, Tokyo
Nanami Hori, Extra innings, 2020, Oil on canvas, 24 × 18 inches, courtesy of XYZcollective, Tokyo
Nanami Hori, House Selection, 2020, Oil on canvas, 24 × 19 inches, courtesy of XYZcollective, Tokyo
