Art Brussels 2022 (Part 1)

Featured Artists: Denie Put, Jens Kothe, Loup Sarion, Asger H. Gjerdevik, Frederik Næblerød, Koenraad Dedobbeleer, Jean-Marie Appriou, Korakrit Arunanondchai, Neïl Beloufa, Meriem Bennani, Sebastian Black, Daniel Dewar & Grégory Gicquel, Aaron Garber-Maikovska, Marguerite Humeau, Marina Pinsky, Loïc Raguénès, Olivier Foulon, Claus Richter, Vanessa Disler, Anastasia Pavlou, Richard Aldrich, Ed Atkins, Alfred d’Ursel, Monika Stricker, Peter Wächtler, Haegue Yang,Caroline Van den Eynden, Joris Vanpoucke, Enrico Castellani, Mateusz Chorobski, Josh Hagler, Giò Pomodoro, Jack Tworkov, Joan Witek, Bea Bonafini, Daniel Gustav Cramer, José Pedro Croft, Joana Escoval, João Queiroz, André Romão, Nathalie Du Pasquier, John Baldessari, Katinka Bock, Johannes Esper, Liam Everett, Jef Geys, Louise Lawler, Robert Mangold, Jean-Luc Moulène, Anne Neukamp, Sophie Nys, Richard Tuttle, Koen van den Broek, Catharina van Eetvelde, Pieter Vermeersch, Didier Vermeiren, Kevin Abosch, Sarah Friend, Kirsi Mikkola, Stefan Müller, Theo Triantafyllidis, Joëlle Tuerlinckx, Luca Vitone, Christine Wang, Heimo Zobernig, Martin Barré, Valérie Belin, Carole Benzaken, Fabrice Hyber, Robert Kushner, Guillaume Leblon, Benoît Maire, Laure Prouvost, Fiona Rae, Andres Serrano, Joris Van de Moortel, Keping Wang, Jérôme Zonde

Featured Exhibitors: Base-Alpha, Berthold Pott, Alice Folker, C L E A R I N G, Clages, Damien & The Love Guru, Hot Wheels Athens, dépendance, DMW Gallery, Eduardo Secci, Fred & Ferry, Galeria Vera Cortês, Galerie Greta Meert, Galerie Nagel Draxler, Galerie Nathalie Obadia

Venue: Art Brussels, Brussels, Belgium

Date: April 28 – May 1, 2022

Photography: images courtesy of the artists, galleries and Art Brussels

C L E A R I N G, installation view, Art Brussels, 2022

Marguerite Humeau, The decomposition of a leaf, 2022, Pigment and charcoal on paper, Frame: sugars, mineral dust, plant-based and synthetic resin, wood, 42 1/8 x 57 7/8 inches, 107 x 147 cm

C L E A R I N G, installation view, Art Brussels, 2022

Koenraad Dedobbeleer at C L E A R I N G, installation view, Art Brussels, 2022

Koenraad Dedobbeleer, The Expanding Caste of Professional Enlighteners of the Masse, 2022, Hand blown glass, brass, 15 3/4 x 11 3/4 ⌀ inches, 40 x 30 ⌀ cm

Koenraad Dedobbeleer, A Refusal to Be Either Recruited or Pushed Aside, 2022, Hand blown glass, brass, 16 1/2 x 15 3/4 ⌀ inches, 42 x 40 ⌀ cm

Denie Put at Base-Alpha, installation view, Art Brussels, 2022, photo: We Document Art

Denie Put, Evenbeeld, 2022, PU-foam, acrylic, metal, styrofoam, resin, 120 x 120 x 320 cm, photo: We Document Art

Denie Put at Base-Alpha, installation view, Art Brussels, 2022, photo: We Document Art

Denie Put, Glyptotek, 2022, Oil and acrylic on canvas, 170 x 240 cm, photo: We Document Art

Denie Put, Backfire, 2022, Oil and acrylic on canvas, 120 x 150 cm, photo: We Document Art

Denie Put, New Dawn Melt Down, 2022, Oil and acrylic on canvas, 120 x 150 cm, photo: We Document Art

Jens Kothe, Loup Sarion at Berthold Pott, installation view, Art Brussels, 2022, photo: GRAYSC

Jens Kothe at Berthold Pott, installation view, Art Brussels, 2022, photo: GRAYSC

Loup Sarion at Berthold Pott, installation view, Art Brussels, 2022, photo: GRAYSC

Alice Folker, installation view, Art Brussels, 2022

Frederik Næblerød, Buste, 2022, Glazed stoneware, 43 x 31 x 30 cm

Asger Harbou Gjerdevik, Interior with bull head, woman and man poking his tongue, 2022, Acrylic on canvas, 210 x 190 cm

Frederik Næblerød, Bad influence, 2022, Enamel paint on canvas, 240 x 200 cm

Asger Harbou Gjerdevik, Bulls and pines, 2022, Acrylic on canvas, 180 x 150 cm

Olivier Foulon and Claus Richter at Clages, installation view, Art Brussels, 2022

Olivier Foulon at Clages, installation view, Art Brussels, 2022

Olivier Foulon, A, C, E, F, J, L, N and O — eight of the 15 versions of Picasso’s ›Les Femmes d’Alger‹ after the two Delacroix versions ›Femmes d’Alger dans leur appartement‹ were exhibited in Berlin last summer at the Museum Berggruen. During my fifth (and last) visit, I made a series of 21 drawings: one each after A, C, E and F, five after J, two after L, five after N and O.

Claus Richter at Clages, installation view, Art Brussels, 2022

Claus Richter, Sisters, wood, electrics, fabric, varnish 110 x 140 cm 2019

dépendance, installation view, Art Brussels, 2022

Alfred d’Ursel, Untitled (dyptich), 2020, oil on wood, 100 x 160 x 2,5cm 39,37 x 62,99 x 0,98 in

Camilla Wills, Puzzlehead, 2022, paper collage, ink, framed, 84 x 59,4 cm (unframed size) 33.07 x 23.39 in (unframed size)

Ed Atkins, Untitled, 2022, quink, colouring pencil, bleach on illustrator board, aluminium frame 23.8 x 32.5 x 3.5 cm (framed), 9.37 x 12.80 x 1.38 in (framed)

Lucie Stahl, Sluice (5), 2022, inkjet print, perspex 150x100cm, 59,05 x 39,37 in

Megan Marrin, Trapeze 1, 2022, oil on canvas on styrofoam, 86.4 x 55.9 cm, 34x22in

Monika Stricker, Noble Suitor, 2022, oil on canvas, 120x100cm, 47,24 x 39,37 in

Richard Aldrich, Untitled, 2021, oil and wax on panel, 52.07 x 33.34 cm 20.5 x 13.125 in

Damien & The Love Guru and Hot Wheels Athens, installation view, Art Brussels, 2022

Anastasia Pavlou, Age of Aquarius, 2021, Oil and water on 160gsm Fabriano Paper, 150 x 200 cm

Anastasia Pavlou, Boy Butterfly, 2020, Oil and water on 160gsm Fabriano Paper, 150 x 200 cm

Vanessa Disler, The Wheel, 2021, Oil on canvas, 200 x 70 cm

Vanessa Disler, Thirst Trap, 2020, Oil, charcoal on canvas, 200 x 70 cm

Vanessa Disler, Nona’s Big Naturals, 2021, Oil on canvas, 200 x 160 cm

Anastasia Pavlou, In Your Eyes Lies a World Unmet, 2022, Acrylic pigment on paper, 129 x 81 cm

DMW Gallery, installation view, Art Brussels, 2022

Caroline Van den Eynden, Guerre de brumes, 2022, Terrazzo, wood, steel, messing & paint, 55 x 45 x 200 cm

Caroline Van den Eynden, Réunion de réflections, 2022, Terrazzo, wood, steel, messing & paint, 55 x 55 x 200 cm

Caroline Van den Eynden, Window I, 2021, Oak, multiplex, glass, messing and paint, 20.5 x 29 x 11 cm (work) 33 x 40 x 11 cm (box)

Caroline Van den Eynden, Window II, 2021, Oak, multiplex, glass, messing and paint, 19 x 29.5 x 11 cm (work) & 33 x 40 x 16 cm (box)

Joris Vanpoucke, Seascape I, 2021, Oil on canvas, 110 x 80 cm

Joris Vanpoucke, Seascape part 2, 2022, Oil on canvas, 150 x 120 cm

Eduardo Secci, installation view, Art Brussels, 2022

NOVO, installation view, Art Brussels, 2022

Maxime Brigou, Liesbeth Henderickx at Fred & Ferry, installation view, Art Brussels, 2022

Galeria Vera Cortês, installation view, Art Brussels, 2022. photo: GRAYSC

Galeria Vera Cortês, installation view, Art Brussels, 2022, photo: GRAYSC

João Queiroz, Untitled, 2022. Oil on canvas. 123 x 168 cm. Photo: GRAYSC

André Romão, Hand (Mercé), 2021. Wooden sculptural fragment (Portugal 1700’s), camelia. 140 x 60 x 50 cm (approx). Photo: GRAYSC

André Romão, Fox song (light), 2021. Sculptural fragment (Portugal c1900), plaster, electrical components. 40 x 40 x 40 approx. Photo: GRAYSC

José Pedro Croft, Untitled, 2009. Zinc plated iron and synthetic paint. 113 x 262 x 6 cm. Photo: GRAYSC

Galerie Greta Meert, installation view, Art Brussels, 2022, courtesy Galerie Greta Meert, Photo: Hugard & Vanoverschelde

Jef Geys, BMW tomaat, 1980s, fiberglass, car paint Ø 79,5 x 16 cm, courtesy Galerie Greta Meert, Photo: Hugard & Vanoverschelde

Richard Tuttle, Story VII, 2020, plywood, spray paint, pine, 84 x 74 x 5 cm, courtesy Galerie Greta Meert, Photo: Hugard & Vanoverschelde

Nathalie Du Pasquier, Untitled, 2019, oil on canvas, 25 x 35 cm, courtesy Galerie Greta Meert, Photo: Hugard & Vanoverschelde

Jean-Luc Moulène, S.T. 005, 2018, silver leaf and graphite on panel, 121 x 91 cm, courtesy Galerie Greta Meert, Photo: Hugard & Vanoverschelde

Galerie Nagel Draxler, installation view, Art Brussels, 2022, courtesy Galerie Nagel Draxler, Berlin/Cologne/Munich, photo: Ben Van den Berghe

Sarah Friend, Lifeform Display Surface #1 (Second Generation) and Lifeform Display Surface #2 (Second Generation), 2022, 18 x 12 x 10 cm, courtesy Galerie Nagel Draxler, Berlin/Cologne/Munich, photo: Ben Van den Berghe

Sarah Friend, Lifeform Display Surface #3 (Second Generation), 2022, 18 x 12 x 10 cm, courtesy Galerie Nagel Draxler, Berlin/Cologne/Munich, photo: Ben Van den Berghe

Sarah Friend, Lifeform Display Surface #1 (Second Generation), 2022, 18 x 12 x 10 cm, courtesy Galerie Nagel Draxler, Berlin/Cologne/Munich, photo: Ben Van den Berghe

Stefan Müller, Untitled, 2022, Ink, acrylic and oil on canvas, 215 x 190 cm, courtesy Galerie Nagel Draxler, Berlin/Cologne/Munich, photo: Ben Van den Berghe

Galerie Nathalie Obadia, installation view, Art Brussels, 2022, courtesy of Galerie Nathalie Obadia Paris / Brussels, photo: We Document Art

Nú Barreto, Fraternidade, 2021, Collages (carton, papier, tissus), crayon céramique, pastel mi-gras, papier recyclé, 94 x 133 x 7,5 cm, courtesy of Galerie Nathalie Obadia Paris / Brussels, photo: We Document Art

Martin Barré, 91 – 120 x 160 – A, 1991 Acrylic on canvas, 120 x 160 cm, courtesy of Galerie Nathalie Obadia Paris / Brussels, photo: We Document Art

Keping Wang, Femme, 2008, Wood carving / Maple 109 x 36 x 45 cm, courtesy of Galerie Nathalie Obadia Paris / Brussels, photo: We Document Art