Alison Yip at Noah Klink, Berlin
Alison Yip at Noah Klink, Berlin
Alison Yip at Noah Klink, Berlin
Alison Yip at Noah Klink, Berlin
Alison Yip at Noah Klink, Berlin
Alison Yip at Noah Klink, Berlin
Alison Yip at Noah Klink, Berlin
Alison Yip at Noah Klink, Berlin
Alison Yip at Noah Klink, Berlin
Mili Herrera at Parallel Oaxaca, Oaxaca de Juárez
Mili Herrera at Parallel Oaxaca, Oaxaca de Juárez
Mili Herrera at Parallel Oaxaca, Oaxaca de Juárez
Mili Herrera at Parallel Oaxaca, Oaxaca de Juárez
Mili Herrera at Parallel Oaxaca, Oaxaca de Juárez
Mili Herrera at Parallel Oaxaca, Oaxaca de Juárez
Guillaume Valenti at Parliament, Paris
Guillaume Valenti at Parliament, Paris
Guillaume Valenti at Parliament, Paris
Guillaume Valenti, Blank, 2022, Oil on canvas, 150 x 200 cm
Guillaume Valenti, Le corps et le code III, 2022, Oil on canvas, 162 x 114 cm
Guillaume Valenti, Le corps et le code IV, 2022, Oil on wood, 60 x 80 cm
Guillaume Valenti, Séville, 2022, Oil on wood, 20 x 30 cm
Tomás Díaz Cedeño at PEANA, Monterrey/Mexico City
Tomás Díaz Cedeño at PEANA, Monterrey/Mexico City
Tomás Díaz Cedeño at PEANA, Monterrey/Mexico City
Tomás Díaz Cedeño at PEANA, Monterrey/Mexico City
Tomás Díaz Cedeño at PEANA, Monterrey/Mexico City
Tomás Díaz Cedeño at PEANA, Monterrey/Mexico City
Tomás Díaz Cedeño at PEANA, Monterrey/Mexico City
Cassidy Toner at PHILIPPZOLLINGER, Zurich. Photo: Gina Folly
Cassidy Toner at PHILIPPZOLLINGER, Zurich. Photo: Gina Folly
Cassidy Toner at PHILIPPZOLLINGER, Zurich. Photo: Gina Folly
Cassidy Toner at PHILIPPZOLLINGER, Zurich. Photo: Gina Folly
Cassidy Toner at PHILIPPZOLLINGER, Zurich. Photo: Gina Folly
Constanza Giuliani at PIEDRAS, Buenos Aires
Constanza Giuliani at PIEDRAS, Buenos Aires
Constanza Giuliani at PIEDRAS, Buenos Aires
Constanza Giuliani at PIEDRAS, Buenos Aires
Constanza Giuliani at PIEDRAS, Buenos Aires
Constanza Giuliani, Ensoñaciones y fantasías de una estudiante series, 2022 Acrylic on fabric, airbrush, 48 x 34 cm / 19 x 13.5 in
Constanza Giuliani, Ensoñaciones y fantasías de una estudiante series, 2022 Acrylic on fabric, airbrush, 48 x 34 cm / 19 x 13.5 in
Constanza Giuliani, Ensoñaciones y fantasías de una estudiante series, 2022 Acrylic on fabric, airbrush, 48 x 34 cm / 19 x 13.5 in
Constanza Giuliani, Ensoñaciones y fantasías de una estudiante series, 2022 Acrylic on fabric, airbrush, 48 x 34 cm / 19 x 13.5 in
Zuza Golińska at Piktogram, Warsaw
Zuza Golińska at Piktogram, Warsaw
Zuza Golińska at Piktogram, Warsaw
Zuza Golińska at Piktogram, Warsaw
Zuza Golińska, Ties (Claws and Rose), 2022, painted steel, satine, c. 190 x 260 x 220 cm (dimensions variable)
Zuza Golińska, Three Claws, 2022, painted steel, silk, satine, c. 250 x 100 x 65 cm (dimensions variable)
Zuza Golińska, Ties (Blue Madonna), 2022, painted steel, silk, satine, c. 235 x 75 x 30 cm (dimensions variable)
Zuza Golińska, Ties (Lilac), 2022, painted steel, satine, c. 150 x 95 x 50 cm (dimensions variable)
Zhang Miao, Raluca Milescu, Nicoleta Mures, Natasha Shulte at Sandwich, Bucharest
Zhang Miao, Raluca Milescu, Nicoleta Mures, Natasha Shulte at Sandwich, Bucharest
Zhang Miao, Raluca Milescu, Nicoleta Mures, Natasha Shulte at Sandwich, Bucharest
Raluca Milescu, Racewinner, digital collage, print on photographic paper, 2021, 43×31 cm
Nico Mures, Surrender, 3d animation and wallpaper, 2021, dimensions variable
Natasha Shulte, from the series Only Dogs are Allowed, 2022, oil on canvas, 46×48 cm
Natasha Shulte, from the series Only Dogs are Allowed, 2022, oil on canvas, 100×80 cm
Hamish Pearch at Sans titre (2016), Paris. Photo: Gina Folly
Hamish Pearch at Sans titre (2016), Paris. Photo: Gina Folly
Hamish Pearch at Sans titre (2016), Paris. Photo: Gina Folly
Hamish Pearch at Sans titre (2016), Paris. Photo: Gina Folly
Hamish Pearch at Sans titre (2016), Paris. Photo: Gina Folly
Hamish Pearch, Transference, 2022, aluminum, epoxy resin, epoxy putty, paint, 18 x 8 x 15 cm
Hamish Pearch, 16:15, 2022, resin, paint, 10 x 10 x 8 cm
Hamish Pearch, I, amygdala soup, 2022, aluminum, epoxy resin, epoxy putty, paint, 50 x 50 x 65 cm
Hamish Pearch, Fruit of dumb growth, 2022, aluminum, epoxy resin, alder, walnut, beech, oak, ash, cherry, apple, birch, 50 x 50 x 90 cm
Hamish Pearch, It’s in the roots not branches, 2022, bronze, 30 x 35 x 55 cm
Hamish Pearch, Lost Stressball, 2020, pencil on paper, aluminum frame, 61 x 76 x 3.5 cm
Hamish Pearch, Lost Picnic, 2020, pencil on paper, aluminum frame, 61 x 76 x 3.5 cm
Nevine Mahmoud, foreplays, Installation view at Liste Art Fair, Basel Courtesy the artist and Soft Opening, London. Photography: Studio Shapiro
Nevine Mahmoud, foreplays, Installation view at Liste Art Fair, Basel Courtesy the artist and Soft Opening, London. Photography: Studio Shapiro
Nevine Mahmoud, foreplays, Installation view at Liste Art Fair, Basel Courtesy the artist and Soft Opening, London. Photography: Studio Shapiro
Nevine Mahmoud, M (donuts), 2022, Belgian black marble, aluminium shelf, 12.7 × 20.3 × 12.7 cm (5 × 8 × 5 in), Courtesy the artist and Soft Opening, London Photography Paul Salveson
Nevine Mahmoud, M (Red stage), 2022, Turkish Afyon marble, tinted polyester resin, aluminium shelf, 17.8 × 15.2 × 12.7 cm (7 × 6 × 5 in), Courtesy the artist and Soft Opening, London Photography Paul Salveson
Nevine Mahmoud, M (Romance of the Pear), 2022, Pink alabaster, aluminium shelf, 20.3 × 16.5 × 10.2 cm (8 × 6.5 × 4 in) Courtesy the artist and Soft Opening, London Photography Paul Salveson
Nevine Mahmoud, M (Maiden, in wait), 2022, Pink Portuguese marble, tinted polyester resin, glass, aluminium shelf, 27.9 × 20.3 × 10.2 cm (11 × 8 × 4 in) Courtesy the artist and Soft Opening, London Photography Paul Salveson
Anna Schachinger and Jala Wahid at Sophie Tappeiner, Vienna. Photo: Gina Folly
Anna Schachinger and Jala Wahid at Sophie Tappeiner, Vienna. Photo: Gina Folly
Anna Schachinger and Jala Wahid at Sophie Tappeiner, Vienna. Photo: Gina Folly
Jala Wahid, Ablaze and Sashaying, 2019, jesmonite, fibreglass, mica, 91 x 40 x 38 cm. Photo: Gina Folly
Jala Wahid, Turning Fibre to Fire, 2019, jesmonite, fibreglass, mica, 89 x 42 x 32 cm. Photo: Gina Folly
Anna Schachinger, Seppi, 2021, oil and ink on printed cotton, 155 x 50 cm. Photo: Gina Folly
Anna Schachinger, Kind, 2021, oil and acrylic on different layers of cotton with printed patterns, 155 x 50 cm. Photo: Gina Folly
Olga Pedan and Daphne Ahlers at Sundy, London
Olga Pedan and Daphne Ahlers at Sundy, London
Olga Pedan and Daphne Ahlers at Sundy, London
Daphne Ahlers, Brains on My Tongue, 2022 plaster, varnish, plastic, aluminium 14 x 8.5 x 6.5 cm
Daphne Ahlers, Feelings in my Mouth, 2022, plaster, varnish, porcelain, aluminium 14 x 9 x 9 cm
Daphne Ahlers, Skinny Brain ( 8:14), 2022, plaster, pigment, wristwatch, aluminium 12 x 9.5 x 5.5 cm
Olga Pedan, Spring, 2022, distemper on aluminium 56 x 100 cm
Olga Pedan, Vegetation, 2022 distemper on aluminium 56 x 100 cm
Elise Corpataux at suns.works, Zurich
Elise Corpataux at suns.works, Zurich
Elise Corpataux, Untitled (from ALL YOU HAVE IS NOW), 2022, Oil and acrylic on canvas, 33 x 26.5 cm
Elise Corpataux, Untitled (from ALL YOU HAVE IS NOW), 2022, Oil and acrylic on canvas, 33 x 26.5 cm
Elise Corpataux, Untitled (from ALL YOU HAVE IS NOW), 2022, Oil and acrylic on canvas, 33 x 26.5 cm
Elise Corpataux, Untitled (from ALL YOU HAVE IS NOW), 2022, Oil and acrylic on canvas, 33 x 26.5 cm
mountaincutters and Darya Koltsova at Suprainfinit, Bucharest
mountaincutters, Incomplete Venus (detail), 2022, blown-glass, brass, variable dimensions
mountaincutters, Objet-Horizon, 2021, steel, copper, leather, ceramic, coca bean, magnet, 40 x 25 x 35cm
Darya Koltsova, …and I would put them back to poetry if I only knew how, 2022, stained glass, metal, 180 x 80 x 5cm
Sofia Defino Leiby at Sweetwater, Berlin
Sofia Defino Leiby at Sweetwater, Berlin
Sofia Defino Leiby at Sweetwater, Berlin
Sofia Defino Leiby at Sweetwater, Berlin
Sofia Defino Leiby, Untitled, 2022, Collage and pencil on wood panel 11 1/8 x 8 5/8 in, 28 x 22 cm
Sofia Defino Leiby, Mirror Neurons, 2022, Silkscreen, ink and watercolour on wood panel 15 3/4 x 19 3/4 in, 40 x 50 cm
Sofia Defino Leiby, Accident with Wider Consequences, 2022 Preserved flowers, lacquer, silkscreen ink, tissue paper, and paper on Alu-Dibond, 16 1/2 x 23 5/8 in, 42 x 60 cm
Lúa Coderch at The Ryder, Madrid
Lúa Coderch at The Ryder, Madrid
Lúa Coderch at The Ryder, Madrid
Lúa Coderch at The Ryder, Madrid
Agnieszka Polska, Martin Aagaard Hansen, Nova Jiang at Union Pacific, London
Agnieszka Polska, Martin Aagaard Hansen, Nova Jiang at Union Pacific, London
Agnieszka Polska, Martin Aagaard Hansen, Nova Jiang at Union Pacific, London
Agnieszka Polska, Martin Aagaard Hansen, Nova Jiang at Union Pacific, London
Viola Leddi at VIN VIN, Vienna
Viola Leddi at VIN VIN, Vienna
Viola Leddi at VIN VIN, Vienna
Viola Leddi at VIN VIN, Vienna
Viola Leddi at VIN VIN, Vienna
Viola Leddi at VIN VIN, Vienna
Viola Leddi at VIN VIN, Vienna
Viola Leddi at VIN VIN, Vienna
Veit Laurent Kurz at Weiss Falk, Basel
Veit Laurent Kurz at Weiss Falk, Basel
Veit Laurent Kurz, Blumentöpflein (SA Series), 2022 Plaster concrete, acrylic, earth and plants, 25 x 11x 70cm
Veit Laurent Kurz, Steinteppich (SA Series), 2022, Plaster concrete, acrylic, earth, and plants 262 x 235 x 80cm
Veit Laurent Kurz, Wand #3 (SA Series), 2022 Cork, plaster, acrylic medium, acrylic, industrial glue, oil paint, plastic and styrofoam 200 x 102 x 10 cm
Cudelice Brazelton IV at Wschód, Warsaw
Cudelice Brazelton IV at Wschód, Warsaw
Cudelice Brazelton IV at Wschód, Warsaw
Cudelice Brazelton IV at Wschód, Warsaw
Cudelice Brazelton IV, Gate Leaf, 2022, Cardboard, metal, 21,5 × 18,5 × 7 cm (8 1/2 × 7 1/4 × 2 3/4 in)
Cudelice Brazelton IV, Proof., 2022, acrylic, magnetic primer on canvas 148 × 110 cm (58 1/4 × 43 1/4 in)