Artists: Mathis Gasser, Emily Jones, Guy Lee, Hannah Lees, Michael Ray-Von, Yuri Pattison, Hayley A. Silverman, Sydney Shen, Jasmin Werner, Bruno Zhu
Exhibition title: Safety Deposit Box
Co-curated by: Celena Ohmer
Venue: Lock Up International, Frankfurt, Germany
Date: March 4 – 11, 2016
Photography: all images copyright and courtesy of the artists and Lock Up International
Artists: Martina Alemani, Enrico Boccioletti, Lucy Chinen, Rosa Ciano, Nina Cristante, Adam Cruces, Leon Eisermann, Michele Gabriele, Ilja Karilampi, Lucia Leuci, Kareem Lofty, Quintessa Matranga, Jan Broz & Richard Nikl, Ella Plevin, Fabio Santacroce, Anna Solal, Bianca Stoppani, Marco Tempesta. Pieter Vermeulen, Bruno Zhu
Exhibition title: KELLY BAR
Curated by: PANE
Venue: Cafè al 5, Milan, Italy
Date: January 13 – 17, 2016
Photography: images copyright and courtesy of the artists and PANE, Milan
Artists: Spencer Ashby, Harm van den Dorpel, Bruno Zhu Exhibition title: Politics are personal Curated by: Domenico de Chirico Venue: Exo Exo, Paris, France Date: October 23 – 30, 2015 Photography: images copyright and courtesy of the artist and Exo Exo, Paris Jacques Derrida (1930-2004), french philosopher. For Derrida the «animals issue» represents « the limit where all … Read more
The final project of the Curatorial Programme 2014 – 2015 at de Appel arts centre opened with two exhibitions: Spell to Spelling ** Spelling to Spell and Your Time Is Not My Time.
Spell to Spelling ** Spelling to Spell emerges in the spaces between the linguistic and associative relations of the notions of the spell and the spelling. The exhibition investigates various facets and rituals dealing with voluntary, involuntary and removed memory of the author, the visitors and the artworks themselves. Many ways of unfolding references, sources, stories and histories behind the objects are explored within the exhibition.
Your Time Is Not My Time lays the question of blurred boundaries between viewer, author and user within the current habitual fear of missing out and hyper-circulation of images. The exhibition uncovers a thorough pace and tacit admission within the changing lexicon of the public sphere, data-driven economies and forms of usership.
