The New Art Dealers Alliance (NADA), is pleased to present NADA Miami, the organization’s annual flagship art fair, in a reimagined format to take place December 1–5, 2020.
The 18th edition of the fair will showcase an international series of presentations from a diverse roster of 47 NADA Members and 27 first-time exhibitors for a total of 97 galleries from 44 cities, both in gallery spaces and online. The fair will feature gallery hubs in multiple locations, including the Bay Area, Brussels, Chicago, Detroit, Lima, Los Angeles, New York, Paris, Riga, Tokyo, Toronto, and Warsaw.
NADA Miami remains dedicated to celebrating rising talents from around the globe. Visitors of the 2020 fair will be invited to experience gallery presentations in person in their local city, and discover the best of contemporary art online through a newly-designed digital platform. Accompanying the fair, the virtual programming series will continue to showcase conversations and performances from the defining voices of contemporary art and culture.
12.26, Dallas, installation view, NADA Miami, 2020, courtesy of 12.26, Dallas
J.A. Feng, Early Spring, 2020, Oil on jute, 66 × 48 inches, courtesy of 12.26, Dallas
J.A. Feng, Painter’s Palette (Tools of the Trade), 2020, Acrylic and flashe on linen, 16 × 20 inches, courtesy of 12.26, Dallas
A.ROMY, Zurich, installation view, NADA Miami, 2020, courtesy of A.ROMY, Zurich
A.ROMY, Zurich, installation view, NADA Miami, 2020, courtesy of A.ROMY, Zurich
A.ROMY, Zurich, installation view, NADA Miami, 2020, courtesy of A.ROMY, Zurich
A.ROMY, Zurich, installation view, NADA Miami, 2020, courtesy of A.ROMY, Zurich
Ellande Jaureguiberry, Bliss VII, 2020, Color pencil on paper, 11.8 × 8.2 inches, courtesy of A.ROMY, Zurich
Lauren Coullard, Bleary Eyed, 2020, Oil on canvas, 25.6 × 21.3 inches, courtesy of A.ROMY, Zurich
Wendy Cabrera Rubio installation, anonymous gallery, New York, NY, 2020, courtesy of anonymous gallery, New York
Wendy Cabrera Rubio installation, anonymous gallery, New York, NY, 2020, courtesy of anonymous gallery, New York
Wendy Cabrera Rubio installation, anonymous gallery, New York, NY, 2020, courtesy of anonymous gallery, New York
Bradley Ertaskiran, Montreal, installation view, NADA Miami, 2020
Bradley Ertaskiran, Montreal, installation view, NADA Miami, 2020
Bradley Ertaskiran, Montreal, installation view, NADA Miami, 2020
Bradley Ertaskiran, Montreal, installation view, NADA Miami, 2020
Stephanie Temma Hier, The Prickly Part, 2020, Oil on linen with glazed stoneware sculpture, 13 × 16 × 16 inches, courtesy of Bradley Ertaskiran, Montreal
Preston Pavlis, your skin behing the lattice, 2020, acrylic, oil pastel and embroidery on unstretched canvas, 66 × 69 inches, courtesy of Bradley Ertaskiran, Montreal
Stephanie Temma Hier, Will You Still Need Me, 2020, 20 × 22 × 4 inches, courtesy of Bradley Ertaskiran, Montreal
Preston Pavlis, The Organist, 2020, acrylic, oil and thread on unstretched canvas, 120 × 120 inches, courtesy of Bradley Ertaskiran, Montreal
Stephanie Temma Hier, Invitation to Bruise, 2020, Oil on linen with glazed stoneware sculpture, 22 × 18 × 3 inches, courtesy of Bradley Ertaskiran, Montreal
Preston Pavlis, lucky to be me, 2019, acrylic, embroidery & fabric on unstretched canvas, 72 × 72 inches, courtesy of Bradley Ertaskiran, Montreal
Oreka James, Their Shadows Danced Across Walls in her Light, 2020, Oil and acrylic on Stonehenge oil paper, 30 × 22.75 inches, courtesy of COOPER COLE, Toronto
Dodi King, Aries (Psychic Knight), 2020, Oil on canvas, 36 × 48 inches, courtesy of COOPER COLE, Toronto
Sylvia Limbana, Best Day of My Life!!!, 2018, Acrylic and gouache on thick cardstock paper, 12 × 14 inches, courtesy of COOPER COLE, Toronto
Sylvia Limbana, Love Is Out There Waiting For You, 2019, Acrylic and gouache on thick cardstock paper, curtain fabric, metal rod, 24 × 18 inches, courtesy of COOPER COLE, Toronto
Eden Seifu, There Is A Place Where The Dogwood Can Be Big, 2020, Acrylic on paper and cardboard, 28 × 22 inches, courtesy of COOPER COLE, Toronto
Eden Seifu, Comin Book Exile, 2020, Acrylic on paper, 28 × 22 inches, courtesy of COOPER COLE, Toronto
Damien & The Love Guru, Brussels, installation view, NADA Miami, 2020, courtesy of Damien & The Love Guru, Brussels
Damien & The Love Guru, Brussels, installation view, NADA Miami, 2020, courtesy of Damien & The Love Guru, Brussels
Damien & The Love Guru, Brussels, installation view, NADA Miami, 2020, courtesy of Damien & The Love Guru, Brussels
Damien & The Love Guru, Brussels, installation view, NADA Miami, 2020, courtesy of Damien & The Love Guru, Brussels
Mickael Marman, untitled, 2020, painting, 15.75 × 23.62 inches, acrylics, paper and spray paint on canvas, courtesy of Damien & The Love Guru, Brussels
Mickael Marman, Female Painter, 2020, painting, 15.75 × 23.62 inches, acrylics, paper and spray paint on canvas, courtesy of Damien & The Love Guru, Brussels
Mickael Marman, B.Painting / L-V / Hunger, 2018, divers material on plastic bag, 66 x 54 cm / 25.98 x 21.26, courtesy of Damien & The Love Guru, Brussels
Mickael Marman, B.Painting / Entrance, 2018, divers material on plastic bag, 66 x 54 cm / 25.98 x 21.26 in, courtesy of Damien & The Love Guru, Brussels
Deli Gallery, New York, installation view, NADA Miami, 2020, courtesy of Deli Gallery
Kat Lyons, Catch Day (Living Testament), 2020, Oil on canvas, 48 × 36 inches, courtesy of Deli Gallery
Kat Lyons, Outline to Everywhere (NYC Landscape), 2020, Oil on canvas, 48 × 60 × 1 inches, courtesy of Deli Gallery
Kat Lyons, Happy Ingest (Procession), 2020, Oil on canvas, 36 × 48 × 1 inches, courtesy of Deli Gallery
Kat Lyons, New Moon Night, 2020, Oil on canvas, 57.5 × 58.5 × 1 inches, courtesy of Deli Gallery
Kat Lyons, butterfly diptych (The rain and the sun), 2020, Oil on canvas, 48 × 72 × 1 inches, courtesy of Deli Gallery
Melissa Brown, Problematic Sanctuary, 2020, Flashe, acrylic, and oil on Dibond, 54 × 72 inches, courtesy of Derek Eller Gallery, New York
Jameson Green, Untitled, 2020, oil on panel, 18 × 14 inches, courtesy of Derek Eller Gallery, New York
David Korty, Dutch Totem #1, 2020, paper, ink, Flashe, color pencil on panel, 40 × 30 inches, courtesy of Derek Eller Gallery, New York
Derek Eller Gallery, New York, installation view, NADA Miami, 2020, courtesy of Derek Eller Gallery, New York
Jiha Moon, Peach Face Jug (Banana), 2020, porcelain, underglaze, glaze, 8.5 × 6 × 6.5 inches, courtesy of Derek Eller Gallery, New York
Austin Martin White, Victory Whirl, 2020, burlap, screen, 3m reflective fabric, pigment, rubber, graphite, vinyl, 46 × 26 inches, courtesy of Derek Eller Gallery, New York
Derek Eller Gallery, New York, installation view, NADA Miami, 2020, courtesy of Derek Eller Gallery, New York
DOCUMENT, Chicago, installation view, NADA Miami, 2020, courtesy of DOCUMENT, Chicago
DOCUMENT, Chicago, installation view, NADA Miami, 2020, courtesy of DOCUMENT, Chicago
DOCUMENT, Chicago, installation view, NADA Miami, 2020, courtesy of DOCUMENT, Chicago
Katy Cowan, sky, transition, rope, 2020, Oil and enamel paint, graphite on cast aluminum, 20 × 8 × 0.5 inches, courtesy of DOCUMENT, Chicago
Katy Cowan, transitions of days upon nights upon days upon ropes upon strands, 2020, Oil and enamel paint, colored pencil, and graphite on paper, 20 × 15 inches, courtesy of DOCUMENT, Chicago
DOCUMENT, Chicago, installation view, NADA Miami, 2020, courtesy of DOCUMENT, Chicago
Katy Cowan, the collecting and tumbling and entangling of light upon mountains, water, sky, and strands, 2020, Oil and enamel paint, colored pencil, and graphite on paper, 20 × 15 inches, courtesy of DOCUMENT, Chicago
Elijah Wheat Showroom, Newburgh, New York, installation view, NADA Miami, 2020, courtesy of Elijah Wheat Showroom, Newburgh, New York
Elijah Wheat Showroom, Newburgh, New York, installation view, NADA Miami, 2020, courtesy of Elijah Wheat Showroom, Newburgh, New York
Ani Liu, “Pixelated Slaps to the Heart (Remnants of Ghosts in the Meat Machine) #2, & #1,” 2020. Installation diagonal view of back row center column at Elijah Wheat, Newburgh, NY
Ani Liu, “Pixelated Slaps to the Heart (Remnants of Ghosts in the Meat Machine), #5 & #2 & #4,” 2020. Installation side view of center work with live twitter feed with others in background at Elijah Wheat, Newburgh, NY
Ani Liu, Pixelated Slaps to the Heart (Remnants of Ghosts in the Meat Machine) #2, 2020, Welded oxidized steel with a Glass vitrine 23 1/2 x 11 3/4 x 16 in (60 x 30 x 40 cm), Tank Volume: 17.1GL (64.7L) Glass Thickness: 6mm Crystal Clear Low Iron Glass >91 Percent Transparency, silicone, fluorescent light, food grade mineral oil, usb cords, power strip, zip ties, 3d printed copper, selfie ring, cellular phone tripod with bendable arm, mirror 152.4cm x 74cm x 54cm, 65 × 29 × 21 inches, The selfie light has a dimmer with a warm and cool option. The work is documented with the ‘cool’ tone, courtesy of Elijah Wheat Showroom, Newburgh, New York
Ani Liu, Pixelated Slaps to the Heart (Remnants of Ghosts in the Meat Machine) #8, 2020, Welded oxidized steel with a Glass vitrine 23 1/2 x 11 3/4 x 16 in (60 x 30 x 40 cm), Tank Volume: 17.1GL (64.7L) Glass Thickness: 6mm Crystal Clear Low Iron Glass >91 Percent Transparency, Silicone, acrylic model, fluorescent light, power strip, zip ties, mirrored laser-cut plexi-glass, 3-D printed mixed media: printed nylon sculpture (Selective Laser Sintering) of Corona Virus with protein spikes, & found plexiglass masks, 62 × 29 × 21 inches, courtesy of Elijah Wheat Showroom, Newburgh, New York
EMBAJADA, New York, installation view, NADA Miami, 2020, courtesy of EMBAJADA, San Juan
EMBAJADA, New York, installation view, NADA Miami, 2020, courtesy of EMBAJADA, San Juan
Gabriella Torres-Ferrer, Relentless.com (from the series Mine Your Own Business), 2020, online marketplace gift box, video rental vhs case, top net worth live display, 5 × 7.5 × 4 inches, courtesy of EMBAJADA, San Juan
Manuel Mendoza Sánchez, All you can eat, 2020, concrete, inkjet printed images, water based paint, sealed with car resin, 11.5 × 11 × 11 inches, courtesy of EMBAJADA, San Juan
Claudia Peña Salinas, Castillo X, 2020, photocopy and wax on wood panel, 20 × 16 × 0.5 inches, courtesy of EMBAJADA, San Juan
Radamés “Juni” Figueroa, Calcetines Cocos Fríos a 2.00$, 2020, Acrylic on towel mounted on wood panel, 52 × 18 × 0.5 inches, courtesy of EMBAJADA, San Juan
Jorge González, Toali (study), 2020, Lampblack drawing on fabric, 7 × 9 inches, courtesy of EMBAJADA, San Juan
Anthony Olubunmi Akinbola, CAMOUFLAGE #020 (Chorus), 2020, Durags, acrylic on wood panel, 96 × 96 × 2 inches, courtesy of False Flag, New York
Anthony Olubunmi Akinbola, Untitled #78, 2020, Durags, acrylic on wood panel, 55 × 45 inches, courtesy of False Flag, New York
Anthony Olubunmi Akinbola, CAMOUFLAGE #041 (ICY), 2020, Durags, acrylic on wood panel, 48 × 48 inches, courtesy of False Flag, New York
Anthony Olubunmi Akinbola, “Untitled,” 2020, courtesy of False Flag, New York
Anthony Olubunmi Akinbola, Chopped and Screwed #01, 2020, Ibejii, wave brush, screws, 15 × 9 × 2 inches, courtesy of False Flag, New York
Patricia Ayres, Untitled, 2020, Stained Elastic, Found Metal Hardware, Wood, Foam, Cinder Blocks, Correctional Institution Paint, 22 × 14 × 8 inches, courtesy of Fragment, Moscow
Patricia Ayres, Untitled (Large Sculpture No. 2), 2018, Elastic, metal hooks, women’s undergarment hardware, wood, foam rubber, coffee, dye, coconut oil, iodine, 92 × 48 × 36 inches, courtesy of Fragment, Moscow
Patricia Ayres, Untitled (Large Sculpture No. 2), 2018, Elastic, metal hooks, women’s undergarment hardware, wood, foam rubber, coffee, dye, coconut oil, iodine, 92 × 48 × 36 inches, courtesy of Fragment, Moscow
Patricia Ayres, Barricade, 2018, Plaster, Steel, Elastic, Oil, Coffee, Iodine, Thread, 31 × 120 × 24 inches, courtesy of Fragment, Moscow
Franz Kaka, Toronto, installation view, NADA Miami, 2020, courtesy of Franz Kaka, Toronto
Franz Kaka, Toronto, installation view, NADA Miami, 2020, courtesy of Franz Kaka, Toronto
Franz Kaka, Toronto, installation view, NADA Miami, 2020, courtesy of Franz Kaka, Toronto
Elif Saydam, There’s many a slip ’twixt the cup and the lip, 2020, Laminated flowers and inkjet prints on acetate; steel rings, 86.6 × 36.6 × 1.75 inches, courtesy of Franz Kaka, Toronto
Franz Kaka, Toronto, installation view, NADA Miami, 2020, courtesy of Franz Kaka, Toronto
Elif Saydam, Gluck frame (The wrong side of the tracks), 2020, Pencil, gesso on canvas; wood and wall paint, 22.3 × 27.25 × 2.5 inches, courtesy of Franz Kaka, Toronto
Galerie Derouillon, Paris, installation view, NADA Miami, 2020, courtesy of Galerie Derouillon, Paris
Galerie Derouillon, Paris, installation view, NADA Miami, 2020, courtesy of Galerie Derouillon, Paris
Galerie Derouillon, Paris, installation view, NADA Miami, 2020, courtesy of Galerie Derouillon, Paris
Galerie Derouillon, Paris, installation view, NADA Miami, 2020, courtesy of Galerie Derouillon, Paris
Galerie Derouillon, Paris, installation view, NADA Miami, 2020, courtesy of Galerie Derouillon, Paris
Vojtech Kovarik, Apollo with Laurel Wreath, 2020, Acrylic and sand medium on canvas, 79 × 79 inches, courtesy of Galerie Derouillon, Paris
Vojtech Kovarik, Hermes And His Theft of Sacred Cattle And Pastures, 2020, Acrylic on canvas, 98 × 79 inches, courtesy of Galerie Derouillon, Paris
Vojtech Kovarik, The Necklace of Harmonia, 2020, Acrylic on canvas, 55 × 47 inches, courtesy of Galerie Derouillon, Paris
Vojtech Kovarik, God of the Polis, 2020, Acrylic on canvas, 79 × 79 inches, courtesy of Galerie Derouillon, Paris
Vojtech Kovarik, Forest of Dryads, 2020, Acrylic on canvas, 79 × 79 inches, courtesy of Galerie Derouillon, Paris
Current site of Dr. Charles Smith’s African-American Heritage Museum and Black Veterans Archive (AAHM&BVA) in Hammond, Louisiana outside of New Orleans, courtesy of Gildar / Good Weather, Chicago
Original site of Dr. Charles Smith’s African-American Heritage Museum and Black Veterans Archive (AAHM&BVA) in Aurora Township outside of Chicago, Illinois, courtesy of Gildar / Good Weather, Chicago
Installation view of “Marcus Garvey” in Dr. Charles Smith’s exhibition “On I-55” presented by Gildar and Good Weather episodically across several key sites from November 22, 2020–January 16, 2021, courtesy of Gildar / Good Weather, Chicago
Installation view of “Marcus Garvey” in Dr. Charles Smith’s exhibition “On I-55” presented by Gildar and Good Weather episodically across several key sites from November 22, 2020–January 16, 2021, courtesy of Gildar / Good Weather, Chicago
Dr. Charles Smith, Twins of the Hurricane (2), 2002, Concrete, paint, mixed media, 38 × 15 × 14 inches, courtesy of Gildar / Good Weather, Chicago
Dr. Charles, Inseparable , 1984, Concrete, paint, mixed media, 39.5 × 12 × 16 inches, courtesy of Gildar / Good Weather, Chicago
Dr. Charles Smith, Gordon Parks, 1986, Concrete, paint, mixed media, 34 × 13 × 8 inches, courtesy of Gildar / Good Weather, Chicago
Kahlil Robert Irving, Music Memorial in Film [(Greeting Screening Chained ) Daily Ritual & tribute (TERROR)], 2019, Personally constructed decal on industrial ceramic tile, 14.25 × 10 inches, courtesy of Independent Curators International (ICI), New York
Martine Syms, Baphomet, 2019, Powder coated steel, 2.5 × 3 × 3 inches, courtesy of Independent Curators International (ICI), New York
Ebony G. Patterson, Who is missing…, 2020, Dye sublimation on poly fabric tablecloth, 56 × 90 inches, courtesy of Independent Curators International (ICI), New York
Angel Otero, Caja de Leche, 2020, Glazed ceramic, 8.5 × 10.5 × 10.5 inches, courtesy of Independent Curators International (ICI), New York
Jack Barrett, New York, installation view, NADA Miami, 2020, courtesy of Jack Barrett, New York
Jack Barrett, New York, installation view, NADA Miami, 2020, courtesy of Jack Barrett, New York
Quay Quinn Wolf, Untitled, 2020, Quartz/ face cradle, Dimensions variable, courtesy of Jack Barrett, New York
Dylan Vandenhoeck, Plein Air XXIII, 2019, Oil on canvas on board , 16 × 12 inches, courtesy of Jack Barrett, New York
Amy Brener, Flexi-Shield Therm, 2018, Silicone and found objects, 76 × 22 × 4 inches, courtesy of Jack Barrett, New York
Monsieur Zohore, Something About Charline von Heyl, 2019, Jade 711, bleach, fabric dye, paper towel, on canvas, 48 × 36 × 2.5 inches, courtesy of Jack Barrett, New York
Blair Whiteford, Blossom Flowers on the Ocean of Ash, 2020, Oil on canvas, 52 × 49 inches, courtesy of Jack Barrett, New York
Timothy Lai, After an Abrupt Realization, 2020, Oil on canvas, 72 × 66 inches, courtesy of Jack Barrett, New York
Paul Rouphail at Jack Barrett, NADA Miami 2020, courtesy of Jack Barrett, New York
Jack Barrett, New York, installation view, NADA Miami, 2020, courtesy of Jack Barrett, New York
Kate Werble Gallery, New York, installation view, NADA Miami, 2020, courtesy of Kate Werble Gallery, New York
Kate Werble Gallery, New York, installation view, NADA Miami, 2020, courtesy of Kate Werble Gallery, New York
Kate Werble Gallery, New York, installation view, NADA Miami, 2020, courtesy of Kate Werble Gallery, New York
Luke Stettner, Guns (Bushmaster XM-15), 2020, Photo collage, 20 × 28.5 inches, courtesy of Kate Werble Gallery, New York
Luke Stettner, Guns (Glock 41), 2020, Photo collage, 20 × 28.5 inches, courtesy of Kate Werble Gallery, New York
Luke Stettner, /of, 2020, Photo collage, 22.5 × 27.5 inches, courtesy of Kate Werble Gallery, New York
Luke Stettner and Sandra Erbacher, Zepplins & Phalluses, 2020, Photo collage, diptych, 20 × 24.25 inches, courtesy of Kate Werble Gallery, New York
Luke Stettner and Sandra Erbacher, Zepplins & Phalluses, 2020, Photo collage, diptych, 20 × 24.25 inches, courtesy of Kate Werble Gallery, New York
Luke Stettner, to/, 2020, Photo collage, 22.5 × 27.5 inches, courtesy of Kate Werble Gallery, New York
Luke Stettner, Pentagon, 2020, Photo collage, 25 × 25 inches, courtesy of Kate Werble Gallery, New York
Luke Stettner, uav’s & paper airplanes, 2020, Photo collage, 20 × 11.5 inches, courtesy of Kate Werble Gallery, New York
Luke Stettner, of/, 2020, Photo collage, 22.5 × 27.5 inches, courtesy of Kate Werble Gallery, New York
KAYOKOYUKI, Tokyo, exhibition view, NADA Miami, 2020, courtesy of KAYOKOYUKI, Tokyo
Michi Suwa, Front View of the Island, 2020, oil and acrylic on canvas, 25.7 × 25.7 inches, courtesy of KAYOKOYUKI, Tokyo
Michi Suwa, Front View of the Island, 2020, oil and acrylic on canvas, 25.7 × 25.7 inches, courtesy of KAYOKOYUKI, Tokyo
Michi Suwa, Front View of the Island, 2020, oil and acrylic on canvas, 25.7 × 25.7 inches, courtesy of KAYOKOYUKI, Tokyo
Emi Otaguro, sun bath, 2019, lambda print, chewing gum on the cat, 79.4 × 60 inches, courtesy of KAYOKOYUKI, Tokyo
Indriķis Ģelzis, Composition without grapes, 2020, Stainless steel, varnish, 16.53 × 11.81 × 1.18 inches, courtesy of Kim?, Riga
Indriķis Ģelzis, Still life with Pencil Neck and Gigglemug, 2019, Steel, MDF, veneer, metal primer, varnish, 61.02 × 54.33 × 8.26 inches, courtesy of Kim?, Riga
Indriķis Ģelzis, Cherry Condition, 2020, Steel, MDF, veneer, 59.05 × 39.37 × 3.93 inches, courtesy of Kim?, Riga
Kim?, Riga, installation view, NADA Miami, 2020, courtesy of Kim?, Riga
Elza Sīle, Top-down and the vertical becomes negative, 2020, Gelatine, graphite lead, waterslide transfer, correction marker and oil paint on hand-tapped aluminum plate, 15.94 × 13.18 inches, courtesy of Kim?, Riga
Kim?, Riga, installation view, NADA Miami, 2020, courtesy of Kim?, Riga
Elza Sīle, Viva Belarus, 2020, Waterslide transfer, toothpaste and oil paint on hand-tapped aluminum plate, 24.6 × 17.71 inches, courtesy of Kim?, Riga
Anjuli Rathod, Digestion II, 2020, Acrylic and flashe on canvas, 30 × 26 inches, courtesy of Kristen Lorello, New York
Kristen Lorello, New York, installation view, NADA Miami, 2020, courtesy of Kristen Lorello, New York
Nadia Haji Omar, Pink Grid, 2020, Acrylic, dye and malachite on panel, 24 × 18 inches, courtesy of Kristen Lorello, New York
Anjuli Rathod, Digestion I, 2020, Acrylic and flashe on canvas, 30 × 26 inches, courtesy of Kristen Lorello, New York
Florencia Escudero, Psychic Frequencies, 2020, Hand-sewn, digitally printed, machine-sewn and painted satin, upholstery foam, found crocodile-embossed straps, resin cast from prosthetic silicone ear, found metal purse chain, cast resin with lavender, fake dreadlock, murrini, pigment, and dehydrated kale, metal, 71.75 × 36 × 32 inches, courtesy of Kristen Lorello, New York
Florencia Escudero, Hyperbodies, 2020, Hand-sewn, digitally printed, machine-sewn and painted satin and anti-surveillance fabric, upholstery foam, found crocodile-embossed straps, found metal purse chain, resin cast from prosthetic nose and mouth, and cast resin with bee pollen, pyrite, copper shavings, clear marbles, found plastic diamonds, necklace, and wire flowers, 25.75 × 25 × 11.5 inches, courtesy of Kristen Lorello, New York
Kristen Lorello, New York, installation view, NADA Miami, 2020, courtesy of Kristen Lorello, New York
Michael Dotson, Special Assistance, 2020, Acrylic on panel, 24 × 30 inches, courtesy of Kristen Lorello, New York
