Whitney Claflin at Bodega

Artist: Whitney Claflin

Exhibition title: ADD SHOT

Venue: Bodega, New York, US

Date: October 30 – December 19, 2020

Photography: all images copyright and courtesy of the artist and Bodega, New York

Fabric paint on a former skirt, various paints and magazine clippings on linen, a found patch on found fabric, Nat Sherman’s MCDs and ash with ink on enamel on fabric, oil on linen with sequins and glitter on an older sanded down painting from 2015. Through all the material oscillations in Whitney’s work, it’s often useful to think of the work as “mostly painting.” Similarly, the gallery in ADD SHOT is “mostly a gallery,” but the Whitney-esque avatar listening to a 20 minute mix of club, folk punk, pop, and hardcore wearing a custom printed vintage polo that says “LOVE” on the back also turns the gallery into a Barneys-meets-thrift store retail space. Nearby, a painted frame on a small landscape painting centered over the radiator is a cute nod to Upper East Side domesticity and a photocopy wheat pasted to the wall slightly below the center hanging line of the rest of the gallery (a $5 each edition of 100) recalls the earnest moralism of a DIY music scene.

The power of Whitney’s work and the shape of this exhibition is that the work functions like a guide, a mix tape of its own sort, asking you to consider one thing and then the next while you still have the last thing stuck in your head. There’s a ominous beauty in VAMP U.S.A., a painting of drippy red and needley blue lines over a white spiral that stays in your head if you then turn to the happy yellow painting of a beautifully rendered kitty licking its paw, a painting imbued with optimistic love. It’s these tensions that point us back and forth through the gallery and throughout the work. Whitney gives body to conflict, amplifies subjectivity, and highlights the feedback-looping maximallisms of the moment. Perhaps now is the time to add a shot, whether it’s espresso to your latte, or tequila to your Texas Size Famous Frozen Raspberry Margarita.

Whitney Claflin (b. 1983, Providence, RI) lives and works in New York, NY. Recent solo exhibitions include Drei, Cologne; Central Fine, Miami; Real Fine Arts, Brooklyn; and Green Gallery, Milwaukee. Recent group exhibitions include Bodega, New York; Galerie Buchholz, New York; Croy Nielsen, Vienna; Greene Naftali Gallery, New York; Mitchell Algus Gallery, New York; and Dawid Radziszewski, Warsaw.

Whitney Claflin, ADD SHOT, 2020, exhibition view, Bodega, New York

Whitney Claflin, Mime in a Merry-Go-Round, 2020, Custom shirt, skirt, bra, underwear, bag, mannequin, plinth, 20:18 audio mix, headphones, 75 x 59 x 53 in (190.5 x 149.9 x 134.6 cm)

Whitney Claflin, ADD SHOT, 2020, exhibition view, Bodega, New York

Whitney Claflin, ADD SHOT, 2020, exhibition view, Bodega, New York

Whitney Claflin, Mime in a Merry-Go-Round, 2020, Custom shirt, skirt, bra, underwear, bag, mannequin, plinth, 20:18 audio mix, headphones, 75 x 59 x 53 in (190.5 x 149.9 x 134.6 cm)

Whitney Claflin, All signal, no noise (!!!), 2020, Fabric paint on former skirt, 11 x 16 in (27.9 x 40.6 cm)

Whitney Claflin, All signal, no noise (!!!), 2020, Fabric paint on former skirt, 11 x 16 in (27.9 x 40.6 cm)

Whitney Claflin, VAMP U.S.A., 2020, Oil, ink, enamel, magazine clippings, thread on linen, 48 x 36 in (121.9 x 91.4 cm)

Whitney Claflin, Spaces, 2020, Oil and ink on linen, 12 x 16 in (30.5 x 40.6 cm)

Whitney Claflin, Life (‘s like this), 2020, Nat Sherman’s MCDs, ash, alcohol ink, enamel on found fabric, 20 x 30 in (50.8 x 76.2 cm)

Whitney Claflin, Life (‘s like this), 2020, Nat Sherman’s MCDs, ash, alcohol ink, enamel on found fabric, 20 x 30 in (50.8 x 76.2 cm)

Whitney Claflin, LOVE (!!!), 2020, Found patch on found fabric, 32 x 30 in (81.3 x 76.2 cm)

Whitney Claflin, LOVE (!!!), 2020, Found patch on found fabric, 32 x 30 in (81.3 x 76.2 cm)

Whitney Claflin, three stars/ one rose (night sky/ a wall), 2020, Oil, acrylic, ink, carbon transfer, fabric paint, colored pencil on linen, 11 x 16 in (27.9 x 40.6 cm)

Whitney Claflin, Stranger Danger, 2020, Photocopy on paper, Edition of 100, 8.5 x 11 in (21.6 x 27.9 cm)

Whitney Claflin, I prefer walking (Veeza), 2020, Oil, ink, enamel, eye shadow, glitter, sequins on linen, 48 x 36 in (121.9 x 91.4 cm)

Whitney Claflin, Sigh Co., 2020, Magazine clipping on knife, 75 x 8 x .5 in (1.9 x 20.3 x 1.3 cm)