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Post-Fair Paris 2026

FSRG3794 HD photo © Gregory Copitet

Post-Fair is delighted to announce the launch of its inaugural Paris edition, taking place from 19–24 October 2026 to coincide with Art Basel Paris. Marking the fair’s first expansion beyond Los Angeles, Post-Fair Paris will present 34 ambitious solo and duo exhibitions by galleries from New York, Tokyo, Los Angeles, São Paolo, London, Paris, Buenos Aires and beyond staged across two neighbouring locations on Rue du Temple in the Marais, one of the city’s most historic and culturally vibrant districts.

Conceived as an alternative model for exhibiting contemporary art, Post-Fair champions focused presentations, thoughtful curation and meaningful exchange. Building on the success of its Los Angeles debut in 2025, the Paris edition will bring together an international community of galleries, artists, collectors and curators through a fair model designed to prioritise artistic ambition, accessibility and sustainability. Rather than reading as a conventional commercial fair, Post-Fair is conceived to feel more like a curated exhibition, encouraging visitors to experience each presentation within a cohesive, thoughtfully designed environment.

Founded by American gallerist Chris Sharp in the historic Santa Monica Post Office, Post-Fair was established in response to the escalating costs and increasing pressures of the conventional art fair model. Rather than prioritising scale, the fair focuses on carefully curated solo presentations within an open-plan exhibition format that encourages deeper engagement between artworks, exhibitors and audiences.

The decision to launch Post-Fair in Paris is rooted in Sharp’s longstanding connection to the city. Having lived and worked in Paris for eight years as a writer and curator, Sharp developed close relationships with its galleries, institutions and art professionals. The fair’s expansion builds on those ties, bringing Post-Fair’s alternative model to a city that has long shaped his thinking about contemporary art.

Since its launch, Post-Fair has established itself as a compelling alternative for emerging and mid-sized galleries, project spaces and independent exhibitors seeking an international platform that reflects the realities of operating with smaller teams and more limited resources. The Paris edition represents the next step in that vision, extending the fair’s ethos to one of the world’s most important centres for contemporary art while fostering new international connections across the global gallery community.

“We are thrilled to launch the first international edition of Post-Fair in Paris during Art Basel Paris,” says Chris Sharp, Founder and Director of Post-Fair. “Like our inaugural fair in Santa Monica, this new edition has grown directly from conversations with emerging and mid-sized galleries and project spaces looking for more equitable, responsive ways to present ambitious programmes, connect with new audiences and build lasting international relationships.

Paris is one of the world’s great contemporary art cities. The strength of its galleries, institutions and artistic community makes it an ideal setting for Post-Fair. By reducing barriers to participation, we hope to create the conditions for stronger exhibitions, richer dialogue and a more sustainable ecosystem for contemporary art. We are equally committed to taking place in beautiful architectural settings for viewing contemporary art. The character of these spaces is integral to the experience, allowing the fair to unfold more like an exhibition than a traditional art fair. We’re excited to become part of the city’s cultural landscape at such an energising moment.”

The fair will be staged across two historic spaces on Rue du Temple in the Marais, forming a connected exhibition route through one of Paris’s most architecturally rich and culturally active neighbourhoods. The buildings, both emblematic of the Marais’ layered artistic and architectural history, will be transformed into a unified environment for contemporary art. Embracing the distinctive architecture of each site, Post-Fair creates exceptional conditions for viewing contemporary art, encouraging visitors to move fluidly between presentations and experience the fair as a single curated exhibition while engaging with the surrounding cultural fabric of the district.

About Post-Fair
Founded by gallerist Chris Sharp, Post-Fair is an alternative contemporary art fair launched in Los Angeles in 2025. Designed to reduce costs for galleries while improving the visitor experience, Post-Fair reimagines the traditional art fair through an open-plan exhibition format centred on focused solo presentations. By prioritising accessibility, collaboration and sustainability, and by creating exhibition environments that foreground architecture as well as art, Post-Fair offers a viewing experience that feels closer to a curated exhibition than a conventional art fair, creating a more engaging environment for galleries, artists, collectors and the wider public.

FSRG3777 HD photo © Gregory Copitet
Post-Fair Paris 2026, installation view, photo: ©Gregory Copitet
FSRG3781 HD photo © Gregory Copitet
Post-Fair Paris 2026, installation view, photo: ©Gregory Copitet
FSRG3788 HD photo © Gregory Copitet
Post-Fair Paris 2026, installation view, photo: ©Gregory Copitet
FSRG3792 HD photo © Gregory Copitet
Post-Fair Paris 2026, installation view, photo: ©Gregory Copitet
FSRG3794 HD photo © Gregory Copitet
Post-Fair Paris 2026, installation view, photo: ©Gregory Copitet
FSRG3799 HD photo © Gregory Copitet
Post-Fair Paris 2026, installation view, photo: ©Gregory Copitet
FSRG3800 HD photo © Gregory Copitet
Post-Fair Paris 2026, installation view, photo: ©Gregory Copitet
FSRG3803 HD photo © Gregory Copitet
Post-Fair Paris 2026, installation view, photo: ©Gregory Copitet
FSRG3821 HD photo © Gregory Copitet
Post-Fair Paris 2026, installation view, photo: ©Gregory Copitet
FSRG3839 HD photo © Gregory Copitet
Post-Fair Paris 2026, installation view, photo: ©Gregory Copitet
FSRG3850 HD photo © Gregory Copitet
Post-Fair Paris 2026, installation view, photo: ©Gregory Copitet
FSRG3869 HD photo © Gregory Copitet
Post-Fair Paris 2026, installation view, photo: ©Gregory Copitet
FSRG3881 HD photo © Gregory Copitet
Post-Fair Paris 2026, installation view, photo: ©Gregory Copitet
FSRG3897 HD photo © Gregory Copitet
Post-Fair Paris 2026, installation view, photo: ©Gregory Copitet
April April, Pittsburgh
Al Svoboda, 2026, Arrangements at April April, Pittsburgh
April April, Pittsburgh
Al Svoboda, 2026, Arrangements at April April, Pittsburgh
April April, Pittsburgh
Al Svoboda, 2026, Arrangements at April April, Pittsburgh
Arthur Coquelin, Paris
Andreas Amble, Gustav & Andreas II, 2026, Ballpen, crayon and color pencils on paper, 49 x 36 cm (framed). Courtesy Arthur Coquelin and the artist.
BROWNIE Project, Shanghai
Tan Mu, Mapping 03, 2026, Circuit board mounted on wood panel, 30 x 28 x 4 cm, courtesy the artist and BROWNIE Project
BROWNIE Project, Shanghai
Zishi Han, xoxo (coercion III), 2025, Honeysuckle wood, insect-bored apple wood, stainless steel, 220 x 28 x 18 cm, courtesy the artist and BROWNIE Project
BUREAU, New York
Erica Baum, Exclamation Point, 2025, Archival pigment print, 47.63 × 40.64 cm, courtesy BUREAU and the artists
BUREAU, New York
Patricia Treib, Violet Volute Variation, 2025, Oil on paper, 19 x 14 cm, courtesy BUREAU and the artist
Chris Sharp Gallery, Los Angeles
Richard Rezac , Untitled (25-08), 2025, Cast bronze and aluminum and painted wood, 24.5 x 22.5 x 2.25 in, courtesy if the artist and Chris Sharp Gallery, Los Angeles
Chris Sharp Gallery, Los Angeles
Anna Glantz, Woolly, 2025, Oil on dyed canvas over panel, 21 x35 in, courtesy if the artist and Chris Sharp Gallery, Los Angeles
Cooper Cole, Toronto
Gabrielle L’Hirondelle Hill, You are what you eye, 2026, Watercolour, crisco, oil pigments, paper cutouts on paper, 35.5 x 28.8 x 3.8 cm (framed), courtesy Cooper Cole and the artist
Cooper Cole, Toronto
Jenine Marsh, Proximity’s Flowers (46), 2019, Flowers, synthetic rubber, acrylic varnish, wire, 19 x 2.5 x 5 cm, courtesy Cooper Cole and the artist
Galerie Tschudi, Zurich & Zuoz
Katie Paterson, IDEAS (A solar flare containing all the light in the universe), 2015, Micro-waterjet-cut sterling silver, 10.8 x 28.7 x 0.3 cm. Courtesy the artist and Galerie Tschudi
Galerie Tschudi, Zurich & Zuoz
Anouk Tschanz, Blatt, 2019, Gelatin silver print on baryta paper, 31 × 21 cm. Courtesy the artist and Galerie Tschudi
Agosto Machado Untitled (Downtown) Altar, 2026 Mixed media assemblage 8¾ x 12 x 12 in
Agosto Machado, Untitled (Downtown)_Altar, 2026, Mixed media assemblage, 8¾ x 12 x 12 in. Courtesy the artist and Gordon Robichaux
Deondre Davis Untitled, 2026 Pencil, oil, and gouache on canvas mounted to wood panel 7 x 7 ¾ in
Deondre Davis, Untitled, 2026, Pencil, oil, and gouache on canvas mounted to wood panel, 7 x 7 ¾ in. Courtesy the artist and Gordon Robichaux
Munehiro Yoshimura The Headache, 2026 oil on canvas 45.5 x 38 cm
Munehiro Yoshimura The Headache, 2026 oil on canvas 45.5 x 38 cm, courtesy of the artist and KAYOKOYUKI
Ayako Ohno Family (five), 2026 marble, tuff 38 x 20 x 25 cm
Ayako Ohno Family (five), 2026 marble, tuff 38 x 20 x 25 cm, courtesy of the artist and KAYOKOYUKI
Kerlin SiobhánHapaska The Thought of Blood on Concrete Concrete canvas, jesmonite, epoxy resin, mirror 40.5 x 22 x 13 cm
Siobhán Hapaska, The Thought of Blood on Concrete 2, 2026, Concrete canvas, jesmonite, epoxy resin, mirror, 40.5 x 22 x 13 cm. Images courtesy of the artist and Kerlin
1 Vasiljeva
Evita Vasiļjeva, Spilling of Red Light, 2026, From the series Peripheral Vision Silkscreen on cotton paper, ink, pencil, photographs from the artist’s personal archive, and text, 100 × 24 cm (unframed), 110 × 32 × 4 cm (framed). Courtesy of the artist and Kim?
4 Vasiljeva
Evita Vasiļjeva, Because sometimes it is not important to see where things are, but it is enough to know they exist, 2026, From the series Peripheral Vision Silkscreen on cotton paper, ink, pencil, photographs from the artist’s personal archive, and text, 100 × 24 cm (unframed), 110 × 32 × 4 cm (framed). Courtesy of the artist and Kim?
6 Kim EvitaVasiljeva Domesticated Ruins I
Evita Vasiljeva, Domesticated Ruins I, 2026, Cast concrete, plexiglass, steel, plastic, prints on textile, ink, lamp, electricity wire. Size: H 84 cm x 46 cm x 46 cm. Courtesy of the artist and Kim?
Screenshot
Lucia di Luciano, Untitled, 2024, 60×60 cm. Images courtesy of the artist and Lovay Fine Arts
Pascal Vonlanthen Unchauucteur 2022 50x70cm
Pascal Vonlanthen, Unchauucteur, 2022, 50x70cm. Images courtesy of the artist and Lovay Fine Arts
Gina Proenza, Toi et ta bande,
Gina Proenza, Toi et ta bande, 2025, Installation view, Gina Proenza, Rêve générale at Treignac Projet, 2025. Courtesy of the artist and Treignac Projet. Photo: Sam Basu
Jill Tate, Let Go, 2026, (JT26002)
Jill Tate, Let go, 2026. Courtesy of the artist and Margot Samel, NY. Photo: Jill Tate
Teelah George Window 1 9 2026 Thread linen bronze Dimensions variable Neon Parc
Teelah George, Window 1-9, 2026, Thread, linen, bronze, Dimensions variable, Courtesy of the artist and Neon Parc. Photo: Andrew Curtis
© Sawako Goda A Merry Go Round at the Ruins of a Fire, 1970 Courtesy the artist and Nonaka Hill (01)
Sawako Goda, A Merry-Go-Round at the Ruins of a Fire, 1970, Xerox paper, 14 5/16 x 10 1/8 in, 36.4 x 25.7 cm. Courtesy the artists and Nonaka-Hill
©Kentaro Kawabata Spoon 2025 Courtesy the artist and Nonaka Hill (02)
Kentaro Kawabata, Spoon スプーン, 2025, Porcelain, glass, slag, platinum, silver, 18 1/8 x 9 1/4 x 4 3/8 in, 46 x 23.5 x 11 cm. Courtesy the artists and Nonaka-Hill
Dial
Thornton Dial, The Two-Legged Bear, c.1989, Oil and enamel on wood, 24 x 36 x 1 1/4 inches (61 x 91 x 3 cm). Images are courtesy Parker Gallery, Los Angeles. Photographer: Paul Salveson
Khoury
Sahar Khoury, Untitled (green crown on snake skin head with holes), 2026, Glazed stoneware, textile, wire, 14 1/2 x 9 x 8 inches (37 x 23 x 20 cm). Images are courtesy Parker Gallery, Los Angeles. Photographer: Paul Salveson
Bombshell I
Augustine Paredes, Bombshell I, 2026, Photographic Print on Archival Paper, 80 x 80 cm. All images courtesy the artist and Paulina Caspari
Mattia Guarnera
Mattia Guarnera, The One With Many Heads, 2026, Acrylic on canvas, 90 x 65 cm. All images courtesy the artist and Paulina Caspari
Susan Te Kahurangi King, Untitled, c. 1967, graphite, crayon and coloured pencil on paper, 37.5 x 25cm
Susan Te Kahurangi King, Untitled, c. 1967, graphite, crayon and coloured pencil on paper, 37.5 x 25cm. Images courtesy of the artist and Robert Heald
IMG
Nicola Gunnarsson, Matcha, 2022, Oil and gemstones on pleather, 20 x 20 x 1.5cm. Courtesy the artist and Roland Ross
Install other tyger Sea View Shuangyi Li DSF9461 Edit 2 Med Res copy
Shuangyi Li, Other Tyger, 2026, Acrylic on linen, 59 x 39 1/2 in (150 x 100 cm). Courtesy the artist and Sea View, Los Angeles. Photo: Fred Borghesi
TATSUROKISHIMOTO MikaKasai untitled
Mika Kasai, untitled, 2025, acrylic on canvas, 39.7 x 28.6 cm. Courtesy of the artist and TATSURO KISHIMOTO, Tokyo. Photo by Yohei Watanabe
RT 26 19 B0097653
Ryu Takeda, Vein, 2026, Ceramic, glaze, 9 x 4 x 3.5 in. Courtesy of the artist and The Green Gallery, Milwaukee
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Hannah Taurins, Studio Visit, 2026, Colored pencil, acrylic gouache, soft pastel on wood panel, 40 x 30 in., 101.6 x 76.2 cm. Image courtesy the artist and Tureen, Dallas

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