Artist: Magnhild Øen Nordahl
Exhibition title: Unmaking Abstractions
Venue: Entrée, Oseana, Bergen, Norway
Date: February 5 – March 13, 2022
Photography: Bent René Synnevåg / all images copyright and courtesy of the artist and Entrée, Bergen
Magnhild Øen Nordahl, Exploded Mesh I with Secret Support # 5. Installation view, Oseana. All photos by Bent René Synnevåg
Magnhild Øen Nordahl, Exploded Mesh I (in front), Exploded Mesh II (behind)
Magnhild Øen Nordahl, Exploded Mesh I (in front), Exploded Mesh II (behind)
Magnhild Øen Nordahl, Exploded Mesh II with Secret Support # 7
Magnhild Øen Nordahl, Unmaking Abstractions, Oseana
Magnhild Øen Nordahl, Objects at Hand
Magnhild Øen Nordahl, Secret Support # 2
Magnhild Øen Nordahl, Secret Support # 1
Magnhild Øen Nordahl, Secret Support # 5
Magnhild Øen Nordahl, Secret Support # 6
Magnhild Øen Nordahl, Secret Support # 7
Magnhild Øen Nordahl, Secret Support # 1
Magnhild Øen Nordahl, Unmaking Abstractions, Oseana
Magnhild Øen Nordahl, Unmaking Abstractions, Oseana
Magnhild Øen Nordahl, Holder I
Magnhild Øen Nordahl, Holder III
Magnhild Øen Nordahl, Holder II
Fusion 360 for Digital Fabrication, Beginner CAM Project, Instructional film from Youtube by Product Design Online, 25:43 min (loop); Tape Holder Modeling + Manufacture Simulate, Fusion 360 for Digital Fabrication, Instructional film from Youtube by Mufasu CAD, 18:10 (loop); Make a wooden sculpture- Design to Manufacturing using Autodesk Fusion 360- Part1 , Instructional film from Youtube by Design Sangam, 21:36 (loop); Make a wooden sculpture- Design to Manufacturing using Autodesk Fusion 360 – Part 2, Instructional film from Youtube by Design Sangam, 09:45 (loop)
Magnhild Øen Nordahl, Unmaking Abstractions, Oseana
Magnhild Øen Nordahl, Unmaking Abstractions, Oseana
Magnhild Øen Nordahl, Unmaking Abstractions, Oseana
Magnhild Øen Nordahl, Exploded Mesh II with Secret Support # 7
Exterior, Unmaking Abstractions, Oseana
The project continues at gallery Entrée, where Magnhild Øen Nordahl has transformed the traditional white cube into a flexible structure consisting of walls, shelves, tables, and stools made of stained, painted, and laminated poplar and spruce. The new interior has been designed to temporarily transform the white cube into a room for social and discursive art projects for a longer period. The shelves and furniture are made in a system that can be reorganized to facilitate workshops, lectures, libraries, and other forms of presentations. In parallel with the exhibition Unmaking Abstractions, invited guests Patrícia Šichmanová, Sidsel Christensen, N. Kathrine Hayles, Gabriele de Seta, and Felipe R Pena, will give lectures at Entrée in relation to Øen Nordahl’s field of artistic research
The project continues at gallery Entrée, where Magnhild Øen Nordahl has transformed the traditional white cube into a flexible structure consisting of walls, shelves, tables, and stools made of stained, painted, and laminated poplar and spruce. The new interior has been designed to temporarily transform the white cube into a room for social and discursive art projects for a longer period. The shelves and furniture are made in a system that can be reorganized to facilitate workshops, lectures, libraries, and other forms of presentations. In parallel with the exhibition Unmaking Abstractions, invited guests Patrícia Šichmanová, Sidsel Christensen, N. Kathrine Hayles, Gabriele de Seta, and Felipe R Pena, will give lectures at Entrée in relation to Øen Nordahl’s field of artistic research
The project continues at gallery Entrée, where Magnhild Øen Nordahl has transformed the traditional white cube into a flexible structure consisting of walls, shelves, tables, and stools made of stained, painted, and laminated poplar and spruce. The new interior has been designed to temporarily transform the white cube into a room for social and discursive art projects for a longer period. The shelves and furniture are made in a system that can be reorganized to facilitate workshops, lectures, libraries, and other forms of presentations. In parallel with the exhibition Unmaking Abstractions, invited guests Patrícia Šichmanová, Sidsel Christensen, N. Kathrine Hayles, Gabriele de Seta, and Felipe R Pena, will give lectures at Entrée in relation to Øen Nordahl’s field of artistic research
The project continues at gallery Entrée, where Magnhild Øen Nordahl has transformed the traditional white cube into a flexible structure consisting of walls, shelves, tables, and stools made of stained, painted, and laminated poplar and spruce. The new interior has been designed to temporarily transform the white cube into a room for social and discursive art projects for a longer period. The shelves and furniture are made in a system that can be reorganized to facilitate workshops, lectures, libraries, and other forms of presentations. In parallel with the exhibition Unmaking Abstractions, invited guests Patrícia Šichmanová, Sidsel Christensen, N. Kathrine Hayles, Gabriele de Seta, and Felipe R Pena, will give lectures at Entrée in relation to Øen Nordahl’s field of artistic research
The project continues at gallery Entrée, where Magnhild Øen Nordahl has transformed the traditional white cube into a flexible structure consisting of walls, shelves, tables, and stools made of stained, painted, and laminated poplar and spruce. The new interior has been designed to temporarily transform the white cube into a room for social and discursive art projects for a longer period. The shelves and furniture are made in a system that can be reorganized to facilitate workshops, lectures, libraries, and other forms of presentations. In parallel with the exhibition Unmaking Abstractions, invited guests Patrícia Šichmanová, Sidsel Christensen, N. Kathrine Hayles, Gabriele de Seta, and Felipe R Pena, will give lectures at Entrée in relation to Øen Nordahl’s field of artistic research
The project continues at gallery Entrée, where Magnhild Øen Nordahl has transformed the traditional white cube into a flexible structure consisting of walls, shelves, tables, and stools made of stained, painted, and laminated poplar and spruce. The new interior has been designed to temporarily transform the white cube into a room for social and discursive art projects for a longer period. The shelves and furniture are made in a system that can be reorganized to facilitate workshops, lectures, libraries, and other forms of presentations. In parallel with the exhibition Unmaking Abstractions, invited guests Patrícia Šichmanová, Sidsel Christensen, N. Kathrine Hayles, Gabriele de Seta, and Felipe R Pena, will give lectures at Entrée in relation to Øen Nordahl’s field of artistic research
