Artists: Victoria Adam, Adriano Amaral, Noah Barker, Luis Miguel Bendaña, Patrizio di Massimo, Justin Fitzpatrick, Lisa Holzer, Isaac Lythgoe, Vanessa Safavi
Exhibition title: Lonesome Wife
Organized by: Attilia Fattori Franchini
Venue: Seventeen, London, UK
Date: September 30 – November 5, 2016
Photography: images copyright and courtesy of the artists and Seventeen, London
Note: Press release can be found here
Victoria Adam, Sleeping eye tutorial, 2016, Plaster polymer, graphite powder, eyeshadow, aluminium, steel rod, metal fixing, (50 x 37 x 10 cm; 19.6 x 14.5 x 4 inches)
Victoria Adam, Lost and sad (Diana), 2016, Bearded wheat, wheat, oat, elastic, beeswax, name-on-a-chain, 78 x 16 x 16 cm (30.7 x 6.3 x 6.3 in) / hanging hight variable
Victoria Adam, Lost and sad (Diana), 2016 (detail), Bearded wheat, wheat, oat, elastic, beeswax, name-on-a-chain, 78 x 16 x 16 cm (30.7 x 6.3 x 6.3 in) / hanging hight variable
Victoria Adam, Sunset bathrooms thrifty, 2016, Ceramic, aromatherapy calming massage oil, body piercing, 21 x 11 x 3 cm (8.2 x 4.3 x 1 in)
Victoria Adam, Sunset bathrooms thrifty (saturdays), 2016, Ceramic, aromatherapy calming massage oil, body piercing, 27 x 17 x 3 cm (10.6 x 6.7 x 1 in)
Victoria Adam, Mermaidoil plumage crease, 2016, Aluminum foil tray, perspex, resin, Jesmonite, glass, Dimensions variable
Victoria Adam, Mermaidoil plumage crease, 2016, Aluminum foil tray, perspex, resin, Jesmonite, glass, Dimensions variable
Victoria Adam, New Coil, 2016, Jesmonite, wheat, grass, glass, copper wire, dried beans, leather, 33 x 15 x 5.5 cm (13 x 6 x 2.2 in) / hanging hight variable
Victoria Adam, New Coil, 2016 (detail), Jesmonite, wheat, grass, glass, copper wire, dried beans, leather, 33 x 15 x 5.5 cm (13 x 6 x 2.2 in) / hanging hight variable
Adriano Amaral, Untitled, 2016, Aluminium, aluminium powder, prosthetic rubber, water, 6.5 x 33.5 x 9.5 cm (2.5 x 13 x 3.7 in)
Luis Miguel Bendaña, Rusalka; I’ve been plunged into the abyss of solitude, 2016, Custom machine knit polyester, polyurethane, acrylic, liquid latex on paper ca. 2014, 232 x 75 cm (91.3 x 29.5 in)
Luis Miguel Bendaña, Putrid Flower (Sandinistas), 2015, Custom machine knit polyester, polyurethane, Xerox print from 2012, 211 x 69 cm (83 x 27.1 in)
Luis Miguel Bendaña, Kill the Vegetarian (Nicaraguan Flag), 2015, Custom machine knit polyester, polyurethane, oil pastel on animation paper ca. 2014, pen on receipt, 205 x 70.5 cm (80.7 x 27.7 in)
Luis Miguel Bendaña, Daisy, the most frightened rabbit, 2016
Custom machine knit polyester, polyurethane, pencil on animation paper circa 2008, 154 x 75.5 cm (60.6 x 29.7 in)
Luis Miguel Bendaña, Cherry (2016)
Powder coated cast bronze, 7.5 x 2 x 2 cm (3 x 0.7 x 0.7 in)
Patrizio Di Massimo, Inductive Deductive (Mundus Muliebris), 2016
63 maiolica tiles, copper oxides, 360 x 280 cm (141 3/4 x 110 1/4 in), each tile: 40 x 40cm (15 3/4 x 15 3/4 in)
Justin Fitzpatrick, 2 guys dirt bike up the digestive tract of a hammerhead shark, 2016, Silicone and talcum powder on jesmonite, 77 x 73 x 4 cm (30 x 29 x 1.5 in)
Justin Fitzpatrick, 2 guys go camping inside a lab rat, 2016, Pigment and lacquer on jesmonite, 84 x 72 x 5 cm (33 x 38 x 2 in)
Justin Fitzpatrick, A rabbit imagines what his insides look like, 2016, Acrylic on canvas, 91.5 x 71 cm (36 x 28 in)
Justin Fitzpatric, Nothing Compares 2 U, 2016, Oil on canvas, 91.5 x 71 cm (36 x 28 in)
Lisa Holzer, Inducement, 2016, Pigment print on cotton paper, Crystal Clear 202/1 polyurethane on glass, 92 x 72 cm (36 x 28 in)
Lisa Holzer, Inducement, 2016, Pigment print on cotton paper, Crystal Clear 202/1 polyurethane on glass, 92 x 72 cm (36 x 28 in)
Isaac Lythgoe, blustery drags on the cigarette, 2016, Perspex, led neon, crampons, 180 x 100 x 40 cm (70.8 x 39.3 x 15.7 in)
Isaac Lythgoe, blustery drags on the cigarette, 2016 (detail), Perspex, led neon, crampons, 180 x 100 x 40 cm (70.8 x 39.3 x 15.7 in)
Isaac Lythgoe, Over ownership, over outsourced opinions, over enigmas, 2016, UV print on faux leather, 45 x 140 cm (17.7 x 55 in)
Isaac Lythgoe, Over ownership, over outsourced opinions, over enigmas, 2016, UV print on faux leather, 45 x 140 cm (17.7 x 55 in)
Vanessa Safavi, No Omelette Without Breaking Eggs, (Holding Substitute IV), 2016, metal, paint, soft PVC, cotton straps, foam, ginger biscuit, chop sticks, 98 x 13 x 6 cm (38 x 5 x 2 in)
Vanessa Safavi, So Many Banana Skins in the Pathway (Holding Substitue I), 2016, Metal, paint, silicone, cotton straps, buckle, 98 x 13 x 6 cm (38 x 5 x 2 in)
Vanessa Safavi, So Many Banana Skins in the Pathway, (Holding Substitue II), 2016, Metal, paint, cotton straps, buckle, 98 x 13 x 6 cm (38 x 5 x 2 in)
Noah Barker, (Voiceover), 2016, Adapted Press Release, 21 x 29.7 cm (8 x 11.7 in)
Noah Barker, (Courtyard), 2012, Crushed oyster shell, Dimensions variable
Noah Barker, (Courtyard), 2012, Crushed oyster shell, Dimensions variable