↳ Exhibitions

Lonesome Wife at Seventeen

November 1, 2016

Artists: Victoria Adam, Adriano Amaral, Noah Barker, Luis Miguel Bendaña, Patrizio di Massimo, Justin Fitzpatrick, Lisa Holzer, Isaac Lythgoe, Vanessa Safavi

Exhibition title: Lonesome Wife

Organized by: Attilia Fattori Franchini

Venue: Seventeen, London, UK

Date: September 30 – November 5, 2016

Photography: images copyright and courtesy of the artists and Seventeen, London

Note: Press release can be found here

Victoria Adam, Sleeping eye tutorial, 2016, Plaster polymer, graphite powder, eyeshadow, aluminium, steel rod, metal fixing, (50 x 37 x 10 cm; 19.6 x 14.5 x 4 inches)

Victoria Adam, Lost and sad (Diana), 2016, Bearded wheat, wheat, oat, elastic, beeswax, name-on-a-chain, 78 x 16 x 16 cm (30.7 x 6.3 x 6.3 in) / hanging hight variable

Victoria Adam, Lost and sad (Diana), 2016 (detail), Bearded wheat, wheat, oat, elastic, beeswax, name-on-a-chain, 78 x 16 x 16 cm (30.7 x 6.3 x 6.3 in) / hanging hight variable

Victoria Adam, Sunset bathrooms thrifty, 2016, Ceramic, aromatherapy calming massage oil, body piercing, 21 x 11 x 3 cm (8.2 x 4.3 x 1 in)

Victoria Adam, Sunset bathrooms thrifty (saturdays), 2016, Ceramic, aromatherapy calming massage oil, body piercing, 27 x 17 x 3 cm (10.6 x 6.7 x 1 in)

Victoria Adam, Mermaidoil plumage crease, 2016, Aluminum foil tray, perspex, resin, Jesmonite, glass, Dimensions variable

Victoria Adam, New Coil, 2016, Jesmonite, wheat, grass, glass, copper wire, dried beans, leather, 33 x 15 x 5.5 cm (13 x 6 x 2.2 in) / hanging hight variable

Victoria Adam, New Coil, 2016 (detail), Jesmonite, wheat, grass, glass, copper wire, dried beans, leather, 33 x 15 x 5.5 cm (13 x 6 x 2.2 in) / hanging hight variable

Adriano Amaral, Untitled, 2016, Aluminium, aluminium powder, prosthetic rubber, water, 6.5 x 33.5 x 9.5 cm (2.5 x 13 x 3.7 in)

Luis Miguel Bendaña, Rusalka; I’ve been plunged into the abyss of solitude, 2016, Custom machine knit polyester, polyurethane, acrylic, liquid latex on paper ca. 2014, 232 x 75 cm (91.3 x 29.5 in)

Luis Miguel Bendaña, Putrid Flower (Sandinistas), 2015, Custom machine knit polyester, polyurethane, Xerox print from 2012, 211 x 69 cm (83 x 27.1 in)

Luis Miguel Bendaña, Kill the Vegetarian (Nicaraguan Flag), 2015, Custom machine knit polyester, polyurethane, oil pastel on animation paper ca. 2014, pen on receipt, 205 x 70.5 cm (80.7 x 27.7 in)

Luis Miguel Bendaña, Daisy, the most frightened rabbit, 2016
Custom machine knit polyester, polyurethane, pencil on animation paper circa 2008, 154 x 75.5 cm (60.6 x 29.7 in)

Luis Miguel Bendaña, Cherry (2016)
Powder coated cast bronze, 7.5 x 2 x 2 cm (3 x 0.7 x 0.7 in)

Patrizio Di Massimo, Inductive Deductive (Mundus Muliebris), 2016
63 maiolica tiles, copper oxides, 360 x 280 cm (141 3/4 x 110 1/4 in), each tile: 40 x 40cm (15 3/4 x 15 3/4 in)

Justin Fitzpatrick, 2 guys dirt bike up the digestive tract of a hammerhead shark, 2016, Silicone and talcum powder on jesmonite, 77 x 73 x 4 cm (30 x 29 x 1.5 in)

Justin Fitzpatrick, 2 guys go camping inside a lab rat, 2016, Pigment and lacquer on jesmonite, 84 x 72 x 5 cm (33 x 38 x 2 in)

Justin Fitzpatrick, A rabbit imagines what his insides look like, 2016, Acrylic on canvas, 91.5 x 71 cm (36 x 28 in)

Justin Fitzpatric, Nothing Compares 2 U, 2016, Oil on canvas, 91.5 x 71 cm (36 x 28 in)

Lisa Holzer, Inducement, 2016, Pigment print on cotton paper, Crystal Clear 202/1 polyurethane on glass, 92 x 72 cm (36 x 28 in)

Isaac Lythgoe, blustery drags on the cigarette, 2016, Perspex, led neon, crampons, 180 x 100 x 40 cm (70.8 x 39.3 x 15.7 in)

Isaac Lythgoe, blustery drags on the cigarette, 2016 (detail), Perspex, led neon, crampons, 180 x 100 x 40 cm (70.8 x 39.3 x 15.7 in)

Isaac Lythgoe, Over ownership, over outsourced opinions, over enigmas, 2016, UV print on faux leather, 45 x 140 cm (17.7 x 55 in)

Vanessa Safavi, No Omelette Without Breaking Eggs, (Holding Substitute IV), 2016, metal, paint, soft PVC, cotton straps, foam, ginger biscuit, chop sticks, 98 x 13 x 6 cm (38 x 5 x 2 in)

Vanessa Safavi, So Many Banana Skins in the Pathway (Holding Substitue I), 2016, Metal, paint, silicone, cotton straps, buckle, 98 x 13 x 6 cm (38 x 5 x 2 in)

Vanessa Safavi, So Many Banana Skins in the Pathway, (Holding Substitue II), 2016, Metal, paint, cotton straps, buckle, 98 x 13 x 6 cm (38 x 5 x 2 in)