Artist: Henk Visch
Exhibition title: There were no empty chairs
Venue: Tim Van Laere Gallery, Antwerp, Belgium
Date: March 11 – April 24, 2021
Photography: all images copyright and courtesy of the artist and Tim Van Laere Gallery, Antwerp
Tim Van Laere Gallery presents its sixth solo exhibition of Henk Visch. In this exhibition, Henk Visch shows a series of new sculptures in various materials together with a new series of drawings.
The work of Henk Visch (b. 1950 in Eindhoven, the Netherlands; lives and works in Eindhoven and Berlin) impresses, moves and evokes a series of memories and associations. The quiet, introverted force of his works makes us pause and transports us to a new dimension that feels both familiar and strange. Henk Visch observes, researches and archives, and this has led to a well-founded knowledge of the most diverse subjects, ranging from the traditions of sculpture, literature, myths and world history to psychologies and natural sciences. This knowledge is tangible in his works, but not immediately recognizable. Like a magician, Henk Visch throws us off the track and misleads us in a playful manner that can often lead to misunderstandings. According to Henk Visch, the misunderstanding falls within the logical apparatus, but does not quite fit in. And that is what makes Henk Visch interesting. With poetic finesse and an intuitive approach, he represents his own memories and associations in different forms and materials. These materials can vary from bronze, aluminium and rebar to fake fur, synthetic hair and polystyrene.
One of the most central subjects in Henk Visch’s work is the human body. According to him, our body is an archive in which everything is stored, from emotions and social interactions to memories and associations. That information manifests itself in the manufacturing process of a sculpture where parts are twisted, distorted or stretched. He often leaves out body parts. In the words of Jan Hoet: ‘His work ends where a great work should end. When first confronted with it, you don’t notice that arms are missing. Everything is so intimidating that you imagine you have a complete figure before you. The figure is completely pushed into itself and is totally cut off from the outside world. And yet, as viewers, we can project ourselves into it. You experience a moment of modesty and silence. You have the impression that it is breathing and even moving.’ The sculpture’s infusion of energy and poetic force irradiates the space it occupies, engaging in a conversation not only with the other sculptures, but also with the surrounding architecture or nature and the viewers who enter the space around them. The fact that Henk Visch is very conscious of this process can be seen in the work Enigma of the Western World, in which the glass balls ensure that the surroundings are absorbed into the work and become a conscious part of it.
Henk Visch’s use of language is also remarkable. He often gives his intrinsic sculptures poetic and enigmatic titles that can trigger a whole stream of associations and meanings in the viewer, without harming the true aura of the work itself. In this way, language and sculpture work together in a very special manner and reinforce each other.
The work of Henk Visch has been exhibited internationally and is part of public collections such as the Rijksmuseum Amsterdam (Amsterdam), Bonnefantenmuseum (Maastricht), Centraal Museum (Utrecht), Municipal Museum of Contemporary Art Ghent – S.M.A.K. (Ghent), Middelheimmuseum Antwerp (Antwerp), Museum of Contemporary Art Antwerp – M HKA (Antwerp), Van Abbemuseum (Eindhoven), De Pont Museum (Tilburg), Rijksmuseum Twenthe (Twenthe), De Stichting Art & Heritage ABN AMRO (Amstelveen), Fries Museum (Leeuwarden), Kröller-Müller Museum (Otterlo), Kunstcollectie Provincie Gelderland (Arnhem), Leiden University Medical Centre (Leiden), Museum Arnhem (Arnhem), National Archives (The Hague),Textile Museum (Tilburg), Sprengel Museum, Hanover (Germany), MARTA Herford Museum, Herford (Germany), Fondation Maeght, Saint-Paul-de-Vence (France), Universität Ulm (Germany), Datong Art Museum, Datong (China), Collection FRAC du Loire (France). His work is also part of the public space in Munich (Egyptian Museum), Fellbach, Mannheim, Nordhorn, Le Havre, Beijing, Rousselaere, Antwerp, Singapore, Amsterdam, Rotterdam, Nijmegen, Groningen, Amersfoort and Maastricht.
Henk Visch, There were no empty chairs, 2021, exhibition view, Tim Van Laere Gallery, Antwerp
Henk Visch, There were no empty chairs, 2021, exhibition view, Tim Van Laere Gallery, Antwerp
Henk Visch, There were no empty chairs, 2021, exhibition view, Tim Van Laere Gallery, Antwerp
Henk Visch, There were no empty chairs, 2021, exhibition view, Tim Van Laere Gallery, Antwerp
Henk Visch, There were no empty chairs, 2021, exhibition view, Tim Van Laere Gallery, Antwerp
Henk Visch, There were no empty chairs, 2021, exhibition view, Tim Van Laere Gallery, Antwerp
Henk Visch, There were no empty chairs, 2021, exhibition view, Tim Van Laere Gallery, Antwerp
Henk Visch, There were no empty chairs, 2021, exhibition view, Tim Van Laere Gallery, Antwerp
Henk Visch, There were no empty chairs, 2021, exhibition view, Tim Van Laere Gallery, Antwerp
Henk Visch, There were no empty chairs, 2021, exhibition view, Tim Van Laere Gallery, Antwerp
Henk Visch, There were no empty chairs, 2021, exhibition view, Tim Van Laere Gallery, Antwerp
Henk Visch, There were no empty chairs, 2021, exhibition view, Tim Van Laere Gallery, Antwerp
Henk Visch, There were no empty chairs, 2021, exhibition view, Tim Van Laere Gallery, Antwerp
Henk Visch, There were no empty chairs, 2021, exhibition view, Tim Van Laere Gallery, Antwerp
Henk Visch, There were no empty chairs, 2021, exhibition view, Tim Van Laere Gallery, Antwerp
Henk Visch, There were no empty chairs, 2021, exhibition view, Tim Van Laere Gallery, Antwerp
Henk Visch, There were no empty chairs, 2021, exhibition view, Tim Van Laere Gallery, Antwerp
Henk Visch, There were no empty chairs, 2021, exhibition view, Tim Van Laere Gallery, Antwerp
Henk Visch, There were no empty chairs, 2021, exhibition view, Tim Van Laere Gallery, Antwerp
HENK VISCH, Homo Universalis 2021, 2021, wood, aluminium, mixed media, 140 x 49,5 x 49,5 cm
HENK VISCH, De Mantel, 2021, bronze, polyester, 60,3 x 31 x 33,5 cm
HENK VISCH, Who Stands Between Me and Chaos, 2021, aluminum, mixed media, 100 x 105 x 40 cm
HENK VISCH, De brief, 2020, bronze, 111 x 98,5 x 28 cm, edition of 2 and 1 A.P.
HENK VISCH, The Doorman, 2021, aluminium, paint, 207 x 94,5 x 37 cm
HENK VISCH, The young get younger and the old get older, 1988, acrylic glass, 42 x 67,5 x 40,5 cm
HENK VISCH, Monument to Commemorate Sympathy, 2021, metal, wood, styrodor, 253,5 x 84,7 x 71,3 cm
HENK VISCH, Springtime, 2020, metal, styropor, 90,5 x 18,5 x 14,5 cm
HENK VISCH, Exit, 1990, bronze, 64 x 52 x 4 cm
HENK VISCH, Dancing Bear, 2020, bronze, rope, paint, 137,5 x 81 x 85 cm, edition of 2 and 1 A.P.
HENK VISCH, Im Simulationsraum, 2019, bronze, paint, 66,5 x 131 x 55,5 cm, edition of 2 and 1 A.P.
HENK VISCH, Monologue, 2020, metal, polyester, 37 x 61 x 27,5 cm
HENK VISCH, Enigma of The Western World, 2021, bronze, stainless steel, polyester, 167 x 141 x 55 cm
HENK VISCH, Nezahualcoyotl, 2020, metal, mixed media, 220,5 x 50 x 50 cm
HENK VISCH, Daytripper, 2018-2021, bronze, copper, 61,5 x 64 x 54 cm, edition of 2 and 1 A.P.
HENK VISCH, Return, 2020, bronze, 180 x 215 x 150 cm
HENK VISCH, La dynamique inconnue de l’imagination, 2020, mixed media, 153 x 43 x 53,5 cm
HENK VISCH, A dancing bear, 2021, ink, crayon, and pencil on paper, 42 x 29,7 cm
HENK VISCH, Road to the body #2, 2021, crayon, and pencil on paper, 42 x 29,7 cm
HENK VISCH, Egyptian dance, 2021, ink, acrylic, and pencil on paper, 65 x 49 cm
HENK VISCH, Modern times #2, 2016, ink, and pencil on paper, 42 x 29,7 cm
HENK VISCH, The conflict, 2021, watercolor, crayon, and pencil on paper, 42 x 29,7 cm
HENK VISCH, Real life, 2021, watercolor, crayon, and pencil on paper, 42 x 29,7 cm
HENK VISCH, The cave man, 2021, ink, and pencil on paper, 42 x 29,7 cm
HENK VISCH, Dance for a young friend, 2021, watercolor, ink and pencil on paper, 42 x 29,7 cm
HENK VISCH, Modern times #1, 2016, ink, and pencil on paper, 42 x 29,7 cm
HENK VISCH, No birthday, 2021, ink, acrylic, and pencil on paper, 42 x 29,7 cm
HENK VISCH, Black mountain, 2021, watercolor, ink and pencil on paper, 42 x 29,7 cm
HENK VISCH, Some stories don’t end, 2021, ink, crayon, and pencil on paper, 42 x 29,7 cm
HENK VISCH, Stories of the present, 2021, ink, acrylic, and pencil on paper, 42 x 29,7 cm
HENK VISCH, Dance for an old friend, 2021, ink, acrylic, crayon, and pencil on paper, 42 x 29,7 cm
HENK VISCH, Rain, 2021, watercolor, ink and pencil on paper, 42 x 29,7 cm
