D’Ette Nogle (b. 1974, United States of America) lives and works in Los Angeles. She received her MFA from The University of California, Los Angeles. Recent solo exhibitions include MATERIALOUTPOST: IN-COUNTRY at American Legion Post 206, Hannah Hoffman, Los Angeles, CA (2024); ˙|˙, Sweetwater, Berlin, Germany (2020); Bleeding Canvas, Bodega (Derosia), New York, NY (2019); D’Ette Nogle, 2019, Hannah Hoffman, Los Angeles, CA (2019). Recent group exhibitions include Every lie has an audience, curated by Attilia Fattori Franchini and Felix Gaudlitz, Marsèll, Milan, Italy (2022); The Art of Critique, Franz Hals Museum, Haarlem, Netherlands (2022); Time Without End, Fluentum, Berlin, Germany (2021); When There Is No Laughing Matter, Laughter Matters, Halle für Kunst, Lüneburg, Germany (2021); An Artist Age Mess, Bodega (Derosia), New York, NY (2020); Can You Feel It?, Last Tango, Zurich, Switzerland (2020); Maskulinitäten, Bonner Kunstverein, Bonn; A story forms, Bel Ami, Los Angeles, CA (2019); and Not Quite Verbatim, Hessel Museum, CCS Bard, Annandale-on-Hudson, NY (2019).
D’Ette Nogle, Surely Goodness and Mercy, 2024, Mp3, digital audio player, power amplifier receiver, speakers, Running time: 00:09:03, Hymn is looped with ambient music for the exhibition., Music arranged by Scott Hsiung.
Photos: all images copyright and courtesy of the artist and Derosia, New York