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D’Ette Nogle (b. 1974, United States of America) lives and works in Los Angeles. She received her MFA from The University of California, Los Angeles. Recent solo exhibitions include MATERIALOUTPOST: IN-COUNTRY at American Legion Post 206, Hannah Hoffman, Los Angeles, CA (2024); ˙|˙, Sweetwater, Berlin, Germany (2020); Bleeding Canvas, Bodega (Derosia), New York, NY (2019); D’Ette Nogle, 2019, Hannah Hoffman, Los Angeles, CA (2019). Recent group exhibitions include Every lie has an audience, curated by Attilia Fattori Franchini and Felix Gaudlitz, Marsèll, Milan, Italy (2022); The Art of Critique, Franz Hals Museum, Haarlem, Netherlands (2022); Time Without End, Fluentum, Berlin, Germany (2021); When There Is No Laughing Matter, Laughter Matters, Halle für Kunst, Lüneburg, Germany (2021); An Artist Age Mess, Bodega (Derosia), New York, NY (2020); Can You Feel It?, Last Tango, Zurich, Switzerland (2020); Maskulinitäten, Bonner Kunstverein, Bonn; A story forms, Bel Ami, Los Angeles, CA (2019); and Not Quite Verbatim, Hessel Museum, CCS Bard, Annandale-on-Hudson, NY (2019).
D’Ette Nogle, Surely Goodness and Mercy, 2024, Mp3, digital audio player, power amplifier receiver, speakers, Running time: 00:09:03, Hymn is looped with ambient music for the exhibition., Music arranged by Scott Hsiung.
Photos: all images copyright and courtesy of the artist and Derosia, New York
We are currently updating our website. Visitors may notice inconsistencies throughout the site. We are addressing these issues and will have the site updated as soon as possible.