2817 – Homage to Georges Perec at Dvir Gallery

Artists: Mircea Cantor, Latifa Echakhch, Simon Fujiwara, Douglas Gordon, Shilpa Gupta, Matan Mittwoch, Jonathan Monk, Sarah Ortmeyer, Florian Pumhösl, Ariel Schlesinger

Exhibition title: 2817 – Homage to Georges Perec

Venue: Dvir Gallery, Brussels, Belgium

Date: January 30 – March 16, 2019

Photography: all images copyright and courtesy of the artist and Dvir Gallery

Kathmandu Triennale 2017

Artists: Lida Abdul, Waseem Ahmed, Leonardiansyah Allenda, Francis Alÿs, Kader Attia, Leyla Aydoslu, Massimo Bartolini, Kasper Bosmans, Ricardo Brey, Michael Candy, Sujan Chitrakar, Paulo Climachauska, Honoré d’O, Sujan Dangol, Saurganga Darshandhari, Gerry De Smet, Ronny Delrue, Anno Dijkstra, Song Dong, Peter Downsborough, Belu Simion Fainaru, Alice Fox, Shilpa Gupta, Hit Man Gurung, Majd Abdel Hamid, Laxman Karmacharya, Bidhata KC, Lee Kit, Surasi Kusolwong, Laxman Bazra Lama, Mani Lama, Mekh Limbu, Tayeba Begum Lipi, Bart Lodewijks, Jorge Macchi, Sanjeev Maharjan, Sunita Maharjan, Youdhister Maharjan, Youdhister Maharjan, Kiran Maharjan, Ciprian Muresan, Oscar Murillo, Sana Nasir, Daniel Arthur Panjwaneey, Jupiter Pradhan, Mahbubur Rahman, Tushikur Rahman, Sheelasha Rajbhandari, Ashmina Ranjit, Michael Ross, Salam Atta Sabri, Mithu Sen, Ang Tsherin Sherpa, Bikash Shrestha, Karan Shrestha, Prithvi Shrestha, Kailash K Shrestha, Kailash K Shrestha, Manish Lal Shrestha, Birendra Pratap Singh, Nedko Solakov, S.C. Suman, Setsu Suzuki, Masae Suzuki, Diana Tamane, Kunjan Tamang, Javier Tellez, Pratima Thakali, Bhuwan Thapa, Martin Travers, Carole Vanderlinden, Henk Visch, Lois Weinberger, Lois Weinberger

Curated by: Philippe Van Cauteren

Venue: Kathmandu Triennale, Kathmandu, Nepal

Date: March 24 – April 9, 2017

Photography: all images copyright and courtesy of the artists and Kathmandu Triennale

Note: Kathmandu Triennale booklet can be found here

Kathmandu Triennale is Nepal’s premier international platform for global contemporary art. It is the latest iteration of the pioneering Kathmandu International Art Festival (KIAF), which nurtured several historical outcomes for Nepali arts and the city of Kathmandu. Like the precursory Festivals (2009, 2012), the Triennale is thematically engaged with particular social issues and seeks to advance a nuanced approach that encapsulates the pedagogical potential of contemporary arts.

The mission of the platform is to promote Nepali arts and culture and to establish Kathmandu as a cultural hub for socially aware art practices.

Through the facilitation of the platform, organizer Siddhartha Arts Foundation (SAF) employs the arts to present multiple perspectives on contemporary themes in order to educate audiences and engage society in critical dialogue.