Superamas at C L E A R I N G

Artists: Harold Ancart, Jean-Marie Appriou, Koenraad Dedobbeleer, Marguerite Humeau, Valérie Keane, Sveta Mordovskaya, Eduardo Paolozzi, Marina Pinsky, Loïc Raguénès, Lili Reynaud-Dewar, Margaux Schwarz, David Weiss

Exhibition title: Superamas

Venue: C L E A R I N G, Brussels, Belgium

Date: May 6 – June 6, 2021

Photography: all images copyright and courtesy of the artists and C L E A R I N G

Superamas, 2021, exhibition view, C L E A R I N G, Brussels

Loïc Raguénès, La brûlante matinée de février au cours de laquelle mourut Beatriz Viterbo, après une impérieuse agonie qui pas un seul instant ne se rabaissa au sentimentalisme ni à la peur, je remarquai que sur les porte-affiches en fer de la place de la Constitution on avait renouvelé je ne sais quelle annonce de cigarettes de tabac blond ; le fait me peina, car je compris que l’incessant et vaste univers s’éloignait d’elle désormais et que ce changement était le premier d’une série indéfinie, 2021, Tempera on canvas, 26 3/4 x 30 3/4 inches, 64 x 78 cm

Superamas, 2021, exhibition view, C L E A R I N G, Brussels

Margaux Schwarz, To Land or not to Land, 2021, Script, archival, storage box

Jean-Marie Appriou, Toga Astronaut II, 2020, Bronze, aluminum, glass, 53 1/8 x 33 3/4 x 15 inches, 135 x 86 x 38 cm

Superamas, 2021, exhibition view, C L E A R I N G, Brussels

Harold Ancart, Untitled, 2021, Oil stick and pencil on canvas, artist’s frame, 85 1/4 x 69 1/4 inches, 216,9 x 176,2 cm

Superamas, 2021, exhibition view, C L E A R I N G, Brussels

Jean-Marie Appriou, Seated astronaut I, 2021, Bronze, hand blown glass, 27 1/8 x 23 1/4 x 8 1/4 inches, 69 x 59 x 21 cm

Superamas, 2021, exhibition view, C L E A R I N G, Brussels

Jean-Marie Appriou, Standing astronaut VI, 2021, Bronze, hand blown glass, 47 5/8 x 20 7/8 x 13 3/8 inches, 121 x 53 x 34 cm

Superamas, 2021, exhibition view, C L E A R I N G, Brussels

Lili Reynaud-Dewar, TEETH GUMS MACHINE FUTURE SOCIETY (Gironcoli), 2017, HD Video, 4’26’’ looped

Lili Reynaud-Dewar, TEETH GUMS MACHINES FUTURE SOCIETY (One Body, Two Souls), 2017, HD Video, 4’34’’, looped

Superamas, 2021, exhibition view, C L E A R I N G, Brussels

Marina Pinsky, Gest, 2015, Wood (5 parts) on aluminum foam base, 31 1/2 x 47 5/8 x 4 3/4 inches, 80 x 121 x 12 cm

Marguerite Humeau, The Origin of Humankind II, 2019, Black ink pen on layout paper, 18 1/4 x 21 3/4 inches, 46.5 x 55.2 cm

Superamas, 2021, exhibition view, C L E A R I N G, Brussels

Sveta Mordovskaya, Bioconversion, frontal method, 2020, Ceramic and found objects, 12 5/8 x 19 1/4 x 4 3/8 inches, 32 x 49 x 11 cm

Sveta Mordovskaya, Punks on Mars, 2020, Ceramic and found objects, 13 x 3/4 x 16 1/2 x 4 inches, 35 x 42 x 10 cm

Superamas, 2021, exhibition view, C L E A R I N G, Brussels

David Weiss, Die zerstören noch den ganzen Würfel!, 1975, felt-tip pen on paper, 11 3/4 x 16 1/2 inches, 29,7 x 42 cm

Superamas, 2021, exhibition view, C L E A R I N G, Brussels

Koenraad Dedobbeleer, Victims of Structural Change Can Also Be Intolerant, 2019, Powder-coated steel, pickles, 55 x 22 x 22 inches, 140 x 58 x 58 cm

Koenraad Dedobbeleer, What Is Manipulated Is the Real Rather Than the Symbolic – Made in China, 2019, Powder coated stainless steel, chrome plated stainless steel, brass, plastic, 78 3/4 x 118 x 23 1/2 inches, 200 x 300 x 60 cm

Superamas, 2021, exhibition view, C L E A R I N G, Brussels

Koenraad Dedobbeleer, The Trompe l’oeil of a Peaceful, Moderate and Consensual Society, 2019, Powder-coated steel, pickles, 29 1/2 x 10 x 10 inches, 75 x 25 x 25 cm