Sam Pulitzer at 15 Orient

Artist: Sam Pulitzer

Exhibition title: If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?

Venue: 15 Orient, New York, US

Date: May 7 – June 10, 2022

Photography: all images copyright and courtesy of the artist and 15 Orient, New York

15 Orient is delighted to present a solo exhibition of new works by artist Sam Pulitzer. The show is his first with the gallery and his frst in New York since 2016.

• “Science as the way to know Nature” would sound like blasphemy to many. If anything, most would call for the reverse: “Salvation from the intellectualism of science! Return to one’s own nature and thus to Nature itself!” As for analytical knowledge as the path to art? This we needn’t even bother to refute.

• The rst idea that one derives from two things is that they are not the same; it often takes a great deal of time to observe what they have in common.

• A statement of distrust is neither true nor false: it is rather in the nature of a permanent hypothesis.
• It is the absurdity not of an illusion, but of reality itself, and to this extent it is an absurdity which is true.

• To name the world is to make the representation of the world coincide with the world itself; to name oneself is to make the representation that one has of the world coincide with the representation that one conveys to others.

• The invention of man makes it possible for “men” to exist by establishing the equality within inequality, the sameness within dierence of civil society, in which the anxious truth of the origin is domesticated by the illusion of identity.

• Conceptual language, the foundation of civil society, appears as a lie superimposed upon an error. One can therefore hardly expect science to be straightforward.

• If science can do anything, it is precisely to uproot and destroy the belief that the world has any such thing as a “meaning”! • All science would be superfluous if the outward appearance and the essence of things directly coincided.

• In order to be able to operate with the clean, clear concepts it brags about, science establishes such concepts and makes its judgments without regard for the fact that the life of the subject matter for which the concept is intended does not exhaust itself in conceptual specification.

• Have no dread of supernatural power; never suer the pleasures of the past to fade away, constantly renew their enjoyment in recollection and one’s lot will be one which will not admit further improvement. That which is not itself a means to anything else, but to which all else is a means, is the nal goal—the chief good is to live agreeably.

• What will be the object of theatrical representation? What will be shown in a staged entertainment? Nothing, if you please. With liberty, wherever abundance reigns, well-being also reigns. Plant a stake crowned with flowers in the middle of a square; gather the people together there, and you will have a festival. Do better yet; let the spectators become an entertainment to themselves; make them actors themselves; do it so that each sees and loves oneself in the others so that all will be better united.

• To speak in images: If you decide to take this stance, you will serve this god and offend this other god, for if you remain true to yourself, you will necessarily arrive logically at such and such meaningful consequences.

• Freedom is the appreciation of necessity. Far from assuming fatalism, determinism provides a basis for reasonable action.

• States would perish if their laws were not often stretched to meet necessity, but belief has never tolerated or practiced such a thing. So either compromises or miracles are needed.

• The anxious research that is learning is nothing but the pause between two pleasures.

The work presented in this exhibition is a sequence of captioned photographs of New York City made between 2019 and the present. Some of these photographs have been exhibited before in a similar fashion but are now assigned a different interrogative objective. In their earlier presentation, these staged and quotidian views were paired with a question that directly addressed its viewer. This stood as an attempt to identify an individual’s capacity for refusal vis-a-vis a demand to articulate one’s rational self interest with either a ‘yes’ or a ‘no’—“Can you afford yourself?”, “Can you fuck up and still get paid?”, “Can you explain how you earn a living to a child?”, etc. However, for the present iteration, the burden upon the viewer is eased as the interrogated gure pivots to the concept of necessity. The formula located within the sentence italicized above—that is, “If essence and appearance were identical, would there be any need for science?”—becomes a phrasal template to entertain a hypothetical absolution of the everyday from the consequences of deductive reasoning. In a tone that is as broad as it is ironic, this play of words seeks to dramatize the antinomies of everyday life with the absence of contradiction instead of the presence of dierence. The authorial intent of this querying is to bring to mind the auto affection secured by a rubber cage over that of the alienation caused by an iron one: daydreams of a world so good that there never would have been a need to dispute miracles.

The exhibition will also occasion the NY launch of The Premise of a Better Life; a book published by After 8 Books to commemorate Pulitzer’s exhibition by the same name at Kunsthaus Glarus (2019-2020).

Sam Pulitzer (b. 1984) is an artist based in New York. Pulitzer has presented exhibitions at Kunsthaus Glarus, Glarus, CH; Hamburger Bahnhof, Berlin, DE; Établissement d’en face, Brussels, BE; Artists Space, New York, US; in addition to a number of galleries on either side of the North Atlantic. A catalog of the exhibition at Kunsthaus Glarus, “The Premise of a Better Life,” was published in 2022 by After 8 books, Paris, FR

Sam Pulitzer, “If the wealth of nations and the muck of ages were identical would there be any need for a weekend?, 2022, installation view, 15 Orient, New York. Courtesy of the artist and 15 Orient

Sam Pulitzer,“If shareholders and stakeholders were identical, would heaven be missing angels?” , 2019/2022 C-print,ink on mat board, framed

Sam Pulitzer,“If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?” , 2019/2022 C-print,ink on mat board, framed

Sam Pulitzer,“If the water were to be trusted to remain where it is, would there be any need for a higher ground?” , 2019/2022 C-print,ink on mat board, framed

Sam Pulitzer,“If there were not enough of everything, would nothing be enough?” , 2019/2022 C-print,ink on mat board, framed

Sam Pulitzer,“If one were to undo by right that which price commands, would there be any need to keep up appearances?” , 2019/2022 C-print,ink on mat board, framed

Sam Pulitzer,“If one were to undo by price that which right commands, would there be any need to roll with the punches?” , 2019/2022 C-print,ink on mat board, framed

Sam Pulitzer,“If diculty were meant to be paradoxical, would everything be quite easy?” , 2019/2022 C-print,ink on mat board, framed

Sam Pulitzer,“If there were no endings, would it be a relief to not have to fret over a good one?” , 2019/2022 C-print,ink on mat board, framed

Sam Pulitzer,“Can a ghost story frighten the one who tells it?” , 2019/2022 C-print,ink on mat board, framed

Sam Pulitzer,“If one were the victim of the most dignied dream, would the prots of an ordinary reality hold any value?”, 2019/2022 C-print,ink on mat board, framed

Sam Pulitzer,“If one cannot jump over one’s shadow, must one cast its source from the cavity of night?” , 2019/2022, C-print,ink on mat board, framed

Sam Pulitzer,“If one were never to have climbed a tree, would one be entitled to boast of having never fallen from one?”, 2019/2022 C-print,ink on mat board, framed

Sam Pulitzer,“Would one never see the sun if one’s vision weren’t itself sunlike?” , 2019/2022 C-print,ink on mat board, framed

Sam Pulitzer,“If one were made by that which one makes, would a pat on the back be as meaningful as it is needless?” , 2019/2022 C-print,ink on mat board, framed

Sam Pulitzer,“If one were never to have been unjust, would one always have been innocent?” , 2019/2022 C-print,ink on mat board, framed

Sam Pulitzer,“If carpe diem and amorfati were identical, would there be any need for a memento mori?” , 2019/2022, C-print,ink on mat board, framed

Sam Pulitzer,“If the days gone by were a world to come, would a gravedigger rely on a separate income?” , 2019/2022, C-print,ink on mat board, framed

Sam Pulitzer,“If one were possessed by that which they possess, would the cry ‘Thief!’ be as natural as a bird’s song?”, 2019/2022 C-print,ink on mat board, framed

Sam Pulitzer,“If essence and appearance were identical, would there be any need to keep the lights on?” , 2019/2022, C-print,ink on mat board, framed

Sam Pulitzer,“If everything under heaven were merchandise, would everyone have a right to a rich inner life?” , 2019/2022 C-print,ink on mat board, framed

Sam Pulitzer,“If there were two sides to every question, would only one be right?” , 2019/2022 C-print,ink on mat board, framed

Sam Pulitzer,“If utopia and jubilee were identical, would a ash of light that snakes across one’s eld of vision assume the shape of day?” , 2019/2022 C-print,ink on mat board, framed

Sam Pulitzer,“If one were to bury one’s head so deeply in the earth that it sprouts from the other side, would a view from nowhere be dead by dawn?” , 2019/2022 C-print,ink on mat board, framed

Sam Pulitzer,“If the best of all possible worlds were as good as good can be, would the society of the equal and free call for a transaction fee?” , 2019/2022 C-print,ink on mat board, framed