Artist: Pablo Accinelli
Exhibition title: Cae la tarde (Evening Falls)
Venue: Galeria Luisa Strina, São Paulo, Brazil
Date: November 22, 2016 – January 28, 2017
Photography: images copyright and courtesy of the artist and Galeria Luisa Strina, São Paulo
Paving stones, city, step, feet, country, earth
ground
meters, paving stone, earth.
paving stone, city, joints, cement, lime.
city, cement, bricks, lime earth.
rug, kilometers.
walls earth stakes, rug.
wall, ground, streets, sidewalks, doors.
country, earth cement.
doors.
room, walls, lime, paint
door
chair table, paintings, glasses, bottles, walls, ground.
continuation, houses, street
earth, flower pot, small room , hand, desk.
minutes, earth
hand, ditch, earth.
plain, dust, earth
dust, wind, movement
sun, grain, earth, light, dust, ground.
surface, ground, light, millimeters, particles, darkness
foot earth, darkness
direction, walls.
tree, light, trunk, side shadow.
light, trunk, ground.
tree, leaves, colors.
tree, leaves earth
tree, earth, trunk wood shadow, light, leaves
leaves, tree, light
table lamp, room.
door, sidewalk, walls, direction, house, friend
Ricardo Carreira (Poems, Editorial Atuel, 1996)
Cae la tarde [Evening Falls] proposes repetition as method to occupy forms and wait as means to produce thought. A state of mind that we find in a bar, at siesta time, or when traffic is heavy, those places where signs compress into inhabitable geometries and durations, and where opinions are located at the edges of more visible activities like underlining a newspaper, breaking an object, or playing cards.
The works here are not static, or entirely finished, but rather open to the orchestration of the details that appear in them and that end up shaping a zenithal landscape at an intermediate moment of the day—neither too late nor too early. A zone of drifting described in the poem by Argentine writer Ricardo Carreira translated into ideograms by a software program that Accinelli developed in 2013 and in the hexagonal screws that make reference to the system used by the characters in Tarkovsky’s Stalker to identify radioactivity in the air.
Cae la tarde is the artist’s third solo exhibition at Galeria Luisa Strina. Recent individual exhibitions include: “Por aqui tudo é novo” (Inhotim, Brazil, 2016); “Técnicas Pasivas” (Galerija Gregor Podnar, Berlin, 2016); “Extension du domaine du jeu” (Nouveau Festival, Centre Pompidou, Paris, 2015); “Future Light – Escaping Transparency” (Vienna Biennial, MAK, 2015); “United States of Latin America” (MOCAD, Detroit, 2015), “No importa mi nombre” (Universidad Torcuato Di Tella, Buenos Aires, 2013); “When Attitudes Became Form Become Attitudes” (CCA Wattis, San Francisco, 2013); 30th São Paulo Biennial (2012).
Pablo Accinelli, Filtros (Filters), 2016, vinyl, Edition: 1/1 + 1AP, 64 x 45 cm
Pablo Accinelli, Cae la tarde (Evening falls), 2016, photographic paper on wood, padlocks, 66 x 50 x 3 cm
Pablo Accinelli, Materia y memoria (x) [Material and memory (x)], 2016, boxes of whiskey, glass, 63 x 152 x 9,5 cm
Pablo Accinelli, Duración interna, 2016, cards on paper, 67 x 86 cm
Pablo Accinelli, Duración interna (Internal duration), 2016, wooden polka dots, acrylic paint, elastic, 99 x 41 x 3 cm
Pablo Accinelli, Frottage: archivo (Frottage: archive), 2016, frottage on paper, 30 cm x 10,28 m x 3 (14 drawings)
Pablo Accinelli, Frottage: archivo (Frottage: archive), 2016, frottage on paper, 30 cm x 10,28 m x 3 (14 drawings)
Pablo Accinelli, Frottage: archivo (Frottage: archive), 2016, frottage on paper, 30 cm x 10,28 m x 3 (14 drawings)
Pablo Accinelli, Frottage: archivo (Frottage: archive), 2016, frottage on paper, 30 cm x 10,28 m x 3 (14 drawings)
Pablo Accinelli, Frottage: archivo (Frottage: archive), 2016, frottage on paper, 30 cm x 10,28 m x 3 (14 drawings)
Pablo Accinelli, Cae la tarde (Evening falls), 2016, pen and pencil on paper, 38 x 50 x 3 cm
Pablo Accinelli, Duración interna (Internal duration), 2016, wooden rod, 46 x 46 x 24 cm
Pablo Accinelli, Duración interna (Internal duration), 2016, Cement bags, pillow, 210 x 63 x 30 cm
Pablo Accinelli, Internal duration (151,3 cm Ø), 2016, cards, cups, newsprint, marker pen, wood, 151,3 cm Ø x 6 cm
Pablo Accinelli, Internal duration (151,3 cm Ø), 2016, cards, cups, newsprint, marker pen, wood, 151,3 cm Ø x 6 cm
Pablo Accinelli, Internal duration (142,9 cm Ø), 2016, cards, ashtray, wood, 142,9 cm Ø x 6 cm
Pablo Accinelli, Duración externa- duración interna (External duration – internal duration), 2016, wood, grids, glass jugs, 93,5 x 52 x 45 cm
Pablo Accinelli, Duración interna (Internal duration), 2016, cement, wood, 77,5 x 52 x 45 cm
Pablo Accinelli, Duración interna (Internal duration), 2016, cement, wood, 77,5 x 52 x 45 cm
Pablo Accinelli, Duración externa- duración interna (External duration – internal duration), 2016, screws, gauzes, 100 x 14 x 3 cm
Pablo Accinelli, Duración interna (Internal duration), 2016, 2 carpets, 45 cm x 1,65 cm
Pablo Accinelli, Duración interna (Internal duration), 2016, 2 carpets, 45 cm x 1,65 cm
Pablo Accinelli, 10 cm, 2016, stainless steel, broomstick, 140 cm x 14,5 x 14,5 cm
Pablo Accinelli, 20,25,50,100 cm, 2016, stainless steel, broomsticks, 140 x 14,5 x 14,5 cm
Pablo Accinelli, Baldosas, ciudad, paso, pies, campo, tierra (Ricardo Carreira, Poemas,, Editorial Atuel, 1996), 2016, video, Edition: 3 + 1AP, loop
