TICK TACK is proud to announce My People Will Return: In Air, In Water, In Light, a major group exhibition curated by Zayna Al-Saleh, in which the land and body bears witness to ethnic cleansing and genocide – physically and metaphysically – while delicately balancing the dichotomy of what remains and the promise of return. Art in this context becomes a force for resurrection.
The works on view respond to the final verse of the poem The “Red Indian’s” Penultimate Speech to the White Man by the Palestinian poet, Mahmoud Darwish. Here, his words are intended to be read like prophecy and are intersectional to both legacies of erasure. However brazen and violent the attempt of these erasures, traces continue to infinitely exist in our knowledge of the land and its knowledge of us. The terrestrial and other elements are forces beyond the control of our oppressors and are thus indisputable, natural tools for renewal and return – in air, in water, in light.
The show features artists Dima Srouji, Hamada El Kept, Areej Kaoud, Khaled Jarrar, Millie Brown, Emily Jacir, Areen Hassan, Banksy, and filmed readings of the excerpted poem in Arabic and English by Saleh Bakri and Luca Kamleh Chapman. It opens within the week of Thanksgiving—a period often marked by reflection on origins, occupation, and reconciliation.
At sundown, the subject matter extends onto CINEMA TICK TACK, presenting a ‘Palestine Public Cinema Programme’ featuring works by Dima Srouji, Adam Broomberg + Lena Holzer, Steve Sabella, Jumana Manna, Rosalind Nashashibi, Sharon Rose, Mark Wallinger, Larissa Sansour & Søren Lind. The films are projected throughout the night into the public domain, highlighting TICK TACK’s position on the border of the public/private, as well as day/night.
My People Will Return: In Air, In Water, In Light at, exhibition view, Tick Tack, AntwerpMy People Will Return: In Air, In Water, In Light at, exhibition view, Tick Tack, AntwerpMy People Will Return: In Air, In Water, In Light at, exhibition view, Tick Tack, AntwerpMy People Will Return: In Air, In Water, In Light at, exhibition view, Tick Tack, AntwerpMy People Will Return: In Air, In Water, In Light at, exhibition view, Tick Tack, AntwerpMy People Will Return: In Air, In Water, In Light at, exhibition view, Tick Tack, AntwerpMy People Will Return: In Air, In Water, In Light at, exhibition view, Tick Tack, AntwerpMy People Will Return: In Air, In Water, In Light at, exhibition view, Tick Tack, AntwerpSaleh Bakri and Luca Kamleh Chapman, Filmed readings of poem The “Red Indian’s” Penultimate Speech to the White Man by Mahmoud Darwish, 2025, video installationMy People Will Return: In Air, In Water, In Light at, exhibition view, Tick Tack, AntwerpKhaled Jarrar, And some pain will come, 2023, Acrylic on canvas, 223 x 400 cmMy People Will Return: In Air, In Water, In Light at, exhibition view, Tick Tack, AntwerpKhaled Jarrar, And some pain will come, 2023, Acrylic on canvas, 223 x 400 cmKhaled Jarrar, And some pain will come, 2023, Acrylic on canvas, 223 x 400 cmAreej Kaoud, Clean Kill, 2024, Screenprint on Nabulsi soap, Royal blue on olive oil soap, 7 x 7 cm per soapAreej Kaoud, Clean Kill, 2024, Screenprint on Nabulsi soap, Royal blue on olive oil soap, 7 x 7 cm per soapAreej Kaoud, Clean Kill, 2024, Screenprint on Nabulsi soap, Royal blue on olive oil soap, 7 x 7 cm per soapMy People Will Return: In Air, In Water, In Light at, exhibition view, Tick Tack, AntwerpMy People Will Return: In Air, In Water, In Light at, exhibition view, Tick Tack, AntwerpMy People Will Return: In Air, In Water, In Light at, exhibition view, Tick Tack, AntwerpMy People Will Return: In Air, In Water, In Light at, exhibition view, Tick Tack, AntwerpMy People Will Return: In Air, In Water, In Light at, exhibition view, Tick Tack, AntwerpAreen Hassan, Rug, 2018, silkscreen printing, embroidery and unravelling, 90 x 60 cmAreen Hassan, Rug, 2018, silkscreen printing, embroidery and unravelling, 90 x 60 cmEmily Jacir, Untitled (servees), 2008, audio installation. This audio work was commissioned by Al-Ma’mal Foundation, JerusalemEmily Jacir, Untitled (servees), 2008, audio installation. This audio work was commissioned by Al-Ma’mal Foundation, JerusalemEmily Jacir, Untitled (servees), 2008, audio installation. This audio work was commissioned by Al-Ma’mal Foundation, JerusalemBanksy, Visit Historic Palestine, 2018, Embossed stamp The Walled Off Hotel® (lower left), two authenticity stamps on verso. Accompanied by original Certificate of Authenticity and receipt, The Walled Off Hotel®, Bethlehem Screenprint on paper, 59 × 42 cm (unframed)My People Will Return: In Air, In Water, In Light at, exhibition view, Tick Tack, AntwerpMy People Will Return: In Air, In Water, In Light at, exhibition view, Tick Tack, AntwerpMy People Will Return: In Air, In Water, In Light at, exhibition view, Tick Tack, AntwerpBanksy, BALLOON DEBATE, 2018, enhanced polymer resin, hand painted details, stone plinth, 12 x 6 cmBanksy, BALLOON DEBATE, 2018, enhanced polymer resin, hand painted details, stone plinth, 12 x 6 cmBanksy, BALLOON DEBATE, 2018, enhanced polymer resin, hand painted details, stone plinth, 12 x 6 cmAreej Kaoud, Resistance Is The Deepest Form Of Love, 2023, Diamine blue ink on cotton paper, 15 x 10 cmMillie Brown, Light Upon Light, 2024, performance film 1 min 16 seconds (on loop)Millie Brown, Light Upon Light, 2024, performance film 1 min 16 seconds (on loop)Millie Brown, Light Upon Light, 2024, performance film 1 min 16 seconds (on loop)Millie Brown, Light Upon Light, 2024, performance film 1 min 16 seconds (on loop)Millie Brown, Light Upon Light, 2024, performance film 1 min 16 seconds (on loop)Millie Brown, Light Upon Light, 2024, performance film 1 min 16 seconds (on loop)Millie Brown, Light Upon Light, 2024, performance film 1 min 16 seconds (on loop)Millie Brown, Light Upon Light, 2024, performance film 1 min 16 seconds (on loop)Dima Srouji, A Crack in the Water Followed by Return, 2024, Video projection, acrylic bathtub, 60 x 76 x 170 cmDima Srouji, A Crack in the Water Followed by Return, 2024, Video projection, acrylic bathtub, 60 x 76 x 170 cmDima Srouji, A Crack in the Water Followed by Return, 2024, Video projection, acrylic bathtub, 60 x 76 x 170 cmDima Srouji, A Crack in the Water Followed by Return, 2024, Video projection, acrylic bathtub, 60 x 76 x 170 cmDima Srouji, A Crack in the Water Followed by Return, 2024, Video projection, acrylic bathtub, 60 x 76 x 170 cmMy People Will Return: In Air, In Water, In Light at, exhibition view, Tick Tack, AntwerpMy People Will Return: In Air, In Water, In Light at, exhibition view, Tick Tack, Antwerp
Photos: images copyright and courtesy of the artist and Tick Tack, Antwerp