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Mounir Eddib at Z33, Hasselt

Mounir eddib at z33, hasselt 9

Exhibition booklet is available here
z33.be

Z33 presents the first institutional solo exhibition by Mounir Eddib (Genk, °1995). In Taliswoman, Mounir takes visitors on a journey through a landscape of memory and myth. The former mines of Genk appear not only as industrial relics, but as sites haunted by untold stories.

As the grandson of a Moroccan miner, Eddib explores the legacy of migration and labor in the region. He focuses on the invisible and intimate: the mystical, the domestic, and ritual. Taliswoman emphasizes the power of feminized spaces and protective practices that are often passed down by women. Eddib draws on Amazigh and Sahrawi ritual practices to imbue his art with talismanic properties, particularly through the use of traditional protective materials such as lead, tar, and indigo cloth. His work transcends mere documentation and invites you to navigate between presence and absence, between loss and what remains.

The exhibition is a collaboration with Kunstplaats VONK.

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Mounir Eddib, Taliswoman, installation view at Z33 House for Contemporary Art, Design and Architecture, Hasselt (BE)
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Mounir Eddib, Taliswoman, installation view at Z33 House for Contemporary Art, Design and Architecture, Hasselt (BE)
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Mounir Eddib, Taliswoman, installation view at Z33 House for Contemporary Art, Design and Architecture, Hasselt (BE)
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Mounir Eddib, Taliswoman, installation view at Z33 House for Contemporary Art, Design and Architecture, Hasselt (BE)
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Mounir Eddib, Rachid, 2025, Oil, lead, tin, Indian ink, blast furnace slag and tar on canvas. Z33 House for Contemporary Art, Design and Architecture, Hasselt (BE). Courtesy the artist and Galerie Ron Mandos, Amsterdam
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Mounir Eddib, Rachid, 2025, Oil, lead, tin, Indian ink, blast furnace slag and tar on canvas. Z33 House for Contemporary Art, Design and Architecture, Hasselt (BE). Courtesy the artist and Galerie Ron Mandos, Amsterdam
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Mounir Eddib, We belong (series), 2025, India ink on unbleached cotton paper, black oak frame. Z33 House for Contemporary Art, Design and Architecture, Hasselt (BE). Courtesy the artist and Galerie Ron Mandos, Amsterdam
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Mounir Eddib, We belong, 2025, India ink on unbleached cotton paper, black oak frame. Z33 House for Contemporary Art, Design and Architecture, Hasselt (BE). Courtesy the artist and Galerie Ron Mandos, Amsterdam
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Mounir Eddib, Taliswoman, 2025, Silver ring, lead, tin, wood and indigo cloth. Z33 House for Contemporary Art, Design and Architecture, Hasselt (BE). Courtesy the artist and Galerie Ron Mandos, Amsterdam
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Mounir Eddib, Taliswoman, installation view at Z33 House for Contemporary Art, Design and Architecture, Hasselt (BE)
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Mounir Eddib, Scorpionic Dream, 2025, Oil, India ink, tin. Z33 House for Contemporary Art, Design and Architecture, Hasselt (BE). Courtesy the artist and Galerie Ron Mandos, Amsterdam
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Mounir Eddib, Taliswoman, installation view at Z33 House for Contemporary Art, Design and Architecture, Hasselt (BE)
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Mounir Eddib, He ain’t heavy, he’s my brother, 2025, Oil, tar, cement, beeswax, lead and blast furnace slag on canvas. Z33 House for Contemporary Art, Design and Architecture, Hasselt (BE). Collection Bonnefantenmuseum, Maastricht
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Mounir Eddib, The house I never built, 2025, Tar on lead. Z33 House for Contemporary Art, Design and Architecture, Hasselt (BE). Courtesy the artist and Galerie Ron Mandos, Amsterdam
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Mounir Eddib, Higher sphere, 2025, Indigo cloth on lead. Z33 House for Contemporary Art, Design and Architecture, Hasselt (BE). Courtesy the artist and Galerie Ron Mandos, Amsterdam
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Mounir Eddib, Taliswoman, installation view at Z33 House for Contemporary Art, Design and Architecture, Hasselt (BE)
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Mounir Eddib, Too blue, too deep, we rise, a talisman ignites, 2025, Indigo cloth, lead and clay. Ceramic beads in collaboration with The Building Genk: Amaryllis Beckx, Hunter Claes, Manca Helena, Millo Op de Beeck, Morena Pascale, Öznur Özturk en Yasmin Gheisari. Z33 House for Contemporary Art, Design and Architecture, Hasselt (BE). Courtesy the artist and Galerie Ron Mandos, Amsterdam
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Mounir Eddib, Too blue, too deep, we rise, a talisman ignites, 2025, Indigo cloth, lead and clay. Ceramic beads in collaboration with The Building Genk: Amaryllis Beckx, Hunter Claes, Manca Helena, Millo Op de Beeck, Morena Pascale, Öznur Özturk en Yasmin Gheisari. Z33 House for Contemporary Art, Design and Architecture, Hasselt (BE). Courtesy the artist and Galerie Ron Mandos, Amsterdam
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Mounir Eddib, We belong (series), 2025, India ink and lead on unbleached cotton paper, black oak frame. Z33 House for Contemporary Art, Design and Architecture, Hasselt (BE). Courtesy the artist and Galerie Ron Mandos, Amsterdam
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Mounir Eddib, We belong, 2025, India ink and lead on unbleached cotton paper, black oak frame. Z33 House for Contemporary Art, Design and Architecture, Hasselt (BE). Courtesy the artist and Galerie Ron Mandos, Amsterdam
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Mounir Eddib, We belong (series), 2025, India ink on unbleached cotton paper, black oak frame. Z33 House for Contemporary Art, Design and Architecture, Hasselt (BE). Courtesy the artist and Galerie Ron Mandos, Amsterdam
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Mounir Eddib, We belong (series), 2025, India ink on unbleached cotton paper, black oak frame. Z33 House for Contemporary Art, Design and Architecture, Hasselt (BE). Courtesy the artist and Galerie Ron Mandos, Amsterdam
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Mounir Eddib, We belong, 2025, India ink on unbleached cotton paper, black oak frame. Z33 House for Contemporary Art, Design and Architecture, Hasselt (BE). Courtesy the artist and Galerie Ron Mandos, Amsterdam

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