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Mon palais, choir at Sans titre

Artists: Aysha E Arar, Robert Brambora, Zuzanna Czebatul, Ezio Gribaudo, Jacent, Paula Kamps, Tanja Nis-Hansen, Johanna Odersky, Hamish Pearch, Jessy Razafimandimby, Agnes Scherer, Yan Xinyue

Exhibition title: Mon palais, choir

Venue: Sans titre, Paris, France

Date: September 16 – October 15, 2022

Photography: Aurélien Mole / all images copyright and courtesy of the artists and Sans titre, Paris

The opening of the new address is taking place on September 16 with an inaugural group exhibition entitled « Mon palais, choir ». It takes the name from a book by Jessy Razafimandimby, published alongside his exhibition a few months ago. The group exhibition is featuring the works of artists represented by the gallery, or who will be the subject of an exhibition during the year 2022 – 2023: Aysha E Arar, Robert Brambora, Zuzanna Czebatul, Ezio Gribaudo, Jacent, Paula Kamps, Tanja Nis-Hansen, Johanna Odersky, Hamish Pearch, Jessy Razafimandimby, Agnes Scherer and Yan Xinyue.

« Mon Palais, choir » refers to the history of the space itself, formerly a Bourbon Restoration-era bar, whose facade is registered as a Historic Monument, one of the last examples of this emblematic architecture. The exhibited works evoke conviviality, communal life; a celebration bringing together practices that illustrate the variety of projects offered by sans titre.

Mon palais, choir, 2022, exhibition view, Sans titre, Paris

Jessy Razafimandimby, L’écarlate emplissait ses narines, 2022, curtain, tieback, found document holder, pencil on paper, variable dimensions, unique & Œil de Mars, 2022, curtain, found bronze handles, variable dimensions

Mon palais, choir, 2022, exhibition view, Sans titre, Paris

Mon palais, choir, 2022, exhibition view, Sans titre, Paris

Johanna Odersky, Series of “Ors”, 2019, screenprint and watercolor on paper, lightbulbs, wiggly eyes

Tanja Nis-Hansen, A twist in my sobriety, 2018, oil and graphite on canvas, 160 x 140 cm

Mon palais, choir, 2022, exhibition view, Sans titre, Paris

Hamish Pearch, The wooden and the true, 2022, bronze, 35 x 30 x 50 cm

Mon palais, choir, 2022, exhibition view, Sans titre, Paris

Ezio Gribaudo, Dinosauri e pesci, 2021, pastel on canvas, 132 x 233 cm

Mon palais, choir, 2022, exhibition view, Sans titre, Paris

Aysha E Arar, The free wrestling, 2022, acrylic and spray on fabric, 207 x 160 cm

Robert Brambora, Simultaneousness, 2022, ceramic, epoxid, 30 x 16 x 5 cm

Yan Xinyue, Give me one more glass #3, 2022, painting on canvas, 27.9 x 76.2 cm & 27.9 x 43.2 cm

Mon palais, choir, 2022, exhibition view, Sans titre, Paris

Jacent, Vanitas, 2022, painted and baked earthenware tiles, plywood, seal, TV mount, watercolour, variable dimensions

Jacent, Vanitas (detail), 2022, painted and baked earthenware tiles, plywood, seal, TV mount, watercolour, variable dimensions

Jacent, Vanitas (detail), 2022, painted and baked earthenware tiles, plywood, seal, TV mount, watercolour, variable dimensions

Mon palais, choir, 2022, exhibition view, Sans titre, Paris

Paula Kamps, Spy, 2022, pigment and glutin on canvas, 40 x 30 cm

Mon palais, choir, 2022, exhibition view, Sans titre, Paris

Agnes Scherer, Little broken, 2022, acrylic on canvas, 86 x 63 x 3 cm (each parts)

Tanja Nis-Hansen, Hungryfestiveoverindulginglaughingsmokingpeersitisstoredinyourbodylikeclutteranddirtallthosecarelessyears, 2022, acrylic and oil on canvas with wooden frame, 50 x 40 cm

Mon palais, choir, 2022, exhibition view, Sans titre, Paris

Zuzanna Czebatul, Gentle Reminder (of the Banality of Power), 2021, concrete, pigments, ⌀ 43 cm

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