Ian Cheng born 1984, Los Angeles is an artist based in New York known for “live simulations” and AI-driven narrative worlds that evolve in real time, drawing from video game design and cognitive science. Solo exhibitions include Leeum Museum of Art (Seoul), The Shed (New York), Serpentine (London), MoMA PS1 (New York), and Julia Stoschek Collection (Berlin), with participation in Venice Biennale and major museum group shows worldwide.
Mark Leckey born 1964, Birkenhead is a London-based artist whose practice spans video, installation, performance, and sound, exploring memory, class, subculture, and the efects of technology on popular culture; he won the Turner Prize in 2008. He has had major solo exhibitions at Tate Britain (London), MoMA PS1 (New York), Julia Stoschek Collection (Berlin), Haus der Kunst (Munich), and Espace Louis Vuitton (Tokyo), and has participated in the Venice Biennale, Carnegie International, and the Gwangju Biennale.
Hanna Lidén born 1976, Stockholm is a New York–based Swedish artist whose work spans photography and sculpture, combining street and studio modes to examine the iconographies of urban life; she has exhibited internationally and is represented by Maccarone (New York/Los Angeles). Recent projects include public installations in New York and exhibitions at Salon 94, Maccarone, and international galleries and fairs.
Klara Lidén born 1979, Stockholm lives and works in Berlin and New York. Trained in architecture (KTH) and at Konstfack, Lidén works across video, performance, sculpture, structural intervention, and installation, often “unbuilding” found urban materials to probe the physical and psychological limits of public and private space. She has presented solo exhibitions at Sadie Coles HQ (London), Reena Spaulings (New York), Galerie Neu (Berlin), Secession (Vienna), Moderna Museet (Stockholm), and the New Museum (New York), with works in major public collections including MoMA, Centre Pompidou, Hammer Museum, Moderna Museet, Astrup Fearnley, and Stedelijk.
Michael E. Smith born 1977, Detroit; lives and works in Providence makes pared-down installations and sculptures from repurposed everyday and natural materials, probing cycles of consumption, entropy, and the uneasy tension between emptiness and form. He has held solo exhibitions at Kunst Museum Winterthur, Henry Moore Institute (Leeds), Pinakothek der Moderne (Munich), Secession (Vienna), Kunsthalle Basel, SMAK (Ghent), SculptureCenter (New York), and participated in the Venice Biennale and Whitney Biennial; represented by Andrew Kreps Gallery (New York).
