Artists: Chris Dorland, Hanna Hur, Alex Morrison, Adrianne Rubenstein, Corin Sworn, Zin Taylor
Exhibition title: Hybrid Objects
Venue: L’INCONNUE, Montreal, Canada
Date: October 21 – December 17, 2016
Photography: all images copyright and courtesy of the artists and L’INCONNUE, Montreal
Note: Press release can be found here
Chris Dorland, Untitled (circuit trader), 2016, Ultrachrome ink, UV gel on canvas, 22”x14”, Courtesy of the Artist and SUPER DAKOTA, Brussels
Chris Dorland, Untitled (decades, parasite), 2016, Ultrachrome ink, UV gel on canvas, 19”x24”, Courtesy of the Artist and SUPER DAKOTA, Brussels
Chris Dorland, Untitled (céline dion carbide composite), 2016, Ultrachrome ink, UV gel on canvas, 34”x26”, Courtesy of the Artist and SUPER DAKOTA, Brussels
Hanna Hur, Death, 2015
China marker, colored pencil, linen, 30” x 40”
Hanna Hur, Endless Spring V, 2015
Watercolor, china marker, colored pencil, linen, 30” x 40”
Hanna Hur, Venus, 2015-2016
Hand cut and shaped copper, variable dimensions
Alex Morrison, Lucent Signals and the Warm Comfort of the Orangerie (Lantern II), mdf, latex paint, gouche, plexiglass, chavant clay, plastic beads, variable dimensions
Alex Morrison, Lucent Signals and the Warm Comfort of the Orangerie (Lantern II), mdf, latex paint, gouche, plexiglass, chavant clay, plastic beads, variable dimensions
Alex Morrison, Lucent Signals and the Warm Comfort of the Orangerie (Lantern II), mdf, latex paint, gouche, plexiglass, chavant clay, plastic beads, variable dimensions
Alex Morrison, Lucent Signals and the Warm Comfort of the Orangerie (Lantern II), mdf, latex paint, gouche, plexiglass, chavant clay, plastic beads, variable dimensions
Alex Morrison, Lucent Signals and the Warm Comfort of the Orangerie (Table), mdf, latex paint, gouche, plexiglass, chavant clay, plastic beads, variable dimensions
Alex Morrison, Lucent Signals and the Warm Comfort of the Orangerie (Table), mdf, latex paint, gouche, plexiglass, chavant clay, plastic beads, variable dimensions
Alex Morrison, Lucent Signals and the Warm Comfort of the Orangerie (Table), mdf, latex paint, gouche, plexiglass, chavant clay, plastic beads, variable dimensions
Adrianne Rubenstein, Enchanted Broccoli Forest, 2016
Oil on panel, 34”x23”
Adrianne Rubenstein, “B” Painting, 2016
Oil on panel, 38”x26”
Corin Sworn, Meditation Generators, 2016
Courtesy of the Artist and Koppe Astner, Glasgow
Zin Taylor, A Stripe of Thought Navigating a Void of Haze I, 2015, Wood, cotton, ink, 47 ¼” x 47 ¼” x 1 1/8”, Courtesy of the Artist and Supportico Lopez, Berlin
Zin Taylor, A Stripe of Thought Navigating a Void of Haze IV, 2015, Wood, cotton, ink, 47 ¼” x 47 ¼” x 1 1/8”, Courtesy of the Artist and Supportico Lopez, Berlin
Zin Taylor, A haze of influence choreographed into an arm #2, 2011, Plaster, paint, wood, 5 ½”, 1 1/8”, 7/8”, Courtesy of the Artist and Supportico Lopez, Berlin
Zin Taylor, A haze of influence choreographed into an arm #2, 2011, Plaster, paint, wood, 5 ½”, 1 1/8”, 7/8”, Courtesy of the Artist and Supportico Lopez, Berlin
Zin Taylor, A haze of influence choreographed into an arm #2, 2011, Plaster, paint, wood, 5 ½”, 1 1/8”, 7/8”, Courtesy of the Artist and Supportico Lopez, Berlin
