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Édouard Nardon at The Address, Brescia

Édouard Nardon At The Address, Brescia 20

“It is a hidden stone and buried in a deep fountain
And cast in the ways and covered with dirt
This one stone hath all names
This stone is a stone and no stone
It is a bird and no bird
It is Jupiter, Mars, Sol, Venus,
And Luna
Now silver, now gold, and now an element
Now water, now wine, now blood
Now virgin’s milk, now spume of the sea, or vinegar
Now sal gemme, now common salt
Now auri pigmentum
Now the purged sea purified with sulphur
And thus they figure it because they would not reveal it to the ignorant
Nor conceal it from those that are wise
And that the copper which is handled be not distributed to fools
This only Luna is called by all names.”

Softly, in the silent evening, hidden by the shadows of a soundproof fortress,
the long invisible hand slowly unlocks the tinted window.

EN — Los Angeles, 2025

Édouard Nardon (b. Bordeaux, 1978) is a visual artist living and working between Los Angeles and New York City.

His artistic practice spans painting and sculpture, characterized by a cryptic interplay between abstraction and figuration. His creative process often begins with precise compositions rooted in personal fixations. These initial forms are then methodically deconstructed, as Nardon employs his distinctive logic of alteration that involves layering materials such as marble dust, gypsum, and pigments.

This approach allows him to transcend mere representation, turning his work into a dialogue between conscious and unconscious creation. The result invites the viewer to explore complex dimensions where memory, materiality, and symbolism converge, revealing a richly textured visual language that coalesces both the visible and the invisible.

Édouard Nardon At The Address, Brescia 1
Édouard Nardon, The long invisible hand slowly unlocks the tinted window, 2025, exhibition view, The Address, Brescia
Édouard Nardon At The Address, Brescia 2
Édouard Nardon, The long invisible hand slowly unlocks the tinted window, 2025, exhibition view, The Address, Brescia
Édouard Nardon At The Address, Brescia 3
Édouard Nardon, The long invisible hand slowly unlocks the tinted window, 2025, exhibition view, The Address, Brescia
Édouard Nardon At The Address, Brescia 4
Édouard Nardon, The long invisible hand slowly unlocks the tinted window, 2025, exhibition view, The Address, Brescia
Édouard Nardon At The Address, Brescia 5
Édouard Nardon, The long invisible hand slowly unlocks the tinted window, 2025, exhibition view, The Address, Brescia
Édouard Nardon At The Address, Brescia 6
Édouard Nardon, The long invisible hand slowly unlocks the tinted window, 2025, exhibition view, The Address, Brescia
Édouard Nardon At The Address, Brescia 7
Édouard Nardon, The long invisible hand slowly unlocks the tinted window, 2025, exhibition view, The Address, Brescia
Édouard Nardon At The Address, Brescia 8
Édouard Nardon, The long invisible hand slowly unlocks the tinted window, 2025, exhibition view, The Address, Brescia
Édouard Nardon At The Address, Brescia 9
Édouard Nardon, The long invisible hand slowly unlocks the tinted window, 2025, exhibition view, The Address, Brescia
Édouard Nardon At The Address, Brescia 10
Édouard Nardon, The long invisible hand slowly unlocks the tinted window, 2025, exhibition view, The Address, Brescia
Édouard Nardon At The Address, Brescia 11
Édouard Nardon, The long invisible hand slowly unlocks the tinted window, 2025, exhibition view, The Address, Brescia
Édouard Nardon At The Address, Brescia 12
Édouard Nardon, The long invisible hand slowly unlocks the tinted window, 2025, exhibition view, The Address, Brescia
Édouard Nardon At The Address, Brescia 13
Édouard Nardon, The long invisible hand slowly unlocks the tinted window, 2025, exhibition view, The Address, Brescia
Édouard Nardon At The Address, Brescia 14
Édouard Nardon, The long invisible hand slowly unlocks the tinted window, 2025, exhibition view, The Address, Brescia
Édouard Nardon At The Address, Brescia 15
Édouard Nardon, ‘One thousand biceps brachii contractions, under the guidance of ten soaring phalanxes’, 2025, Gesso, marble dust, pigments, acrylic, linseed oil on canvas, 204 x 173 cm
Édouard Nardon At The Address, Brescia 16
Édouard Nardon, ‘One thousand biceps brachii contractions, under the guidance of ten soaring phalanxes’, 2025, Gesso, marble dust, pigments, acrylic, linseed oil on canvas, 204 x 173 cm
Édouard Nardon At The Address, Brescia 17
Édouard Nardon, ‘What remains of me? The imperfect body that is converted into the first matter, a single gaze staring at nothing’, 2024, Gesso, marble dust, pigments, acrylic, linseed oil on canvas, 202 x 175 cm
Édouard Nardon At The Address, Brescia 18
Édouard Nardon, ‘What remains of me? The imperfect body that is converted into the first matter, a single gaze staring at nothing’, 2024, Gesso, marble dust, pigments, acrylic, linseed oil on canvas, 202 x 175 cm
Édouard Nardon At The Address, Brescia 19
Édouard Nardon, ‘In the axis of a total dance, the vivid water where the thirsty comes to drink’, 2024, Gesso, marble dust, pigments, acrylic, linseed oil on canvas, 199 x 170 cm
Édouard Nardon At The Address, Brescia 20
Édouard Nardon, ‘The eyes of the celestial body are white with black pupils, like those of the two figures it overhangs in the purified land’, 2024, Gesso, marble dust, pigments, acrylic, linseed oil on canvas, 190 x 173 cm
Édouard Nardon At The Address, Brescia 21
Édouard Nardon, ‘The eyes of the celestial body are white with black pupils, like those of the two figures it overhangs in the purified land’, 2024, Gesso, marble dust, pigments, acrylic, linseed oil on canvas, 190 x 173 cm
Édouard Nardon At The Address, Brescia 22
Édouard Nardon, ‘The eyes of the celestial body are white with black pupils, like those of the two figures it overhangs in the purified land’, 2024, Gesso, marble dust, pigments, acrylic, linseed oil on canvas, 190 x 173 cm
Édouard Nardon At The Address, Brescia 23
Édouard Nardon, ‘They cannot be transmuted unless they are reduced into their first matter, and then they are transmuted into another form than that which they had before’, 2025, Gesso, marble dust, pigments, acrylic, linseed oil on canvas, 201 x 174 cm
Édouard Nardon At The Address, Brescia 24
Édouard Nardon, ‘They cannot be transmuted unless they are reduced into their first matter, and then they are transmuted into another form than that which they had before’, 2025, Gesso, marble dust, pigments, acrylic, linseed oil on canvas, 201 x 174 cm
Édouard Nardon At The Address, Brescia 25
Édouard Nardon, ‘You will cross the river of demented impulses, and once purified, reach the region where everything grows effortlessly’, 2025, Gesso, marble dust, pigments, acrylic, linseed oil on canvas, 198 x 173 cm
Édouard Nardon At The Address, Brescia 26
Édouard Nardon, ‘You will cross the river of demented impulses, and once purified, reach the region where everything grows effortlessly’, 2025, Gesso, marble dust, pigments, acrylic, linseed oil on canvas, 198 x 173 cm
Édouard Nardon At The Address, Brescia 27
Édouard Nardon, ‘But the one who becomes entirely pure and concave, who allows her entrance, will begin to dance with her and to say what she says and to dissolve within the ardent jewel of her presence’, 2024, Gesso, marble dust, pigments, acrylic, linseed oil on canvas, 197 x 173 cm
Édouard Nardon At The Address, Brescia 28
Édouard Nardon, ‘But the one who becomes entirely pure and concave, who allows her entrance, will begin to dance with her and to say what she says and to dissolve within the ardent jewel of her presence’, 2024, Gesso, marble dust, pigments, acrylic, linseed oil on canvas, 197 x 173 cm
Édouard Nardon At The Address, Brescia 29
Édouard Nardon, ‘I am the messenger of the permanent impermanence, and at the same time I am the resonance of the first shout’, 2024, Gesso, marble dust, pigments, acrylic, linseed oil on canvas, 198 x 174 cm
Édouard Nardon At The Address, Brescia 30
Édouard Nardon, ‘I am the messenger of the permanent impermanence, and at the same time I am the resonance of the first shout’, 2024, Gesso, marble dust, pigments, acrylic, linseed oil on canvas, 198 x 174 cm

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