BODY, CURTAIN, ADVANCE at LOYAL

Artists: Alake Shilling, Alex Gardner, Bunny Rogers, Carsten Höller, Henry Gunderson, Ivana Basic, Jordan Kasey, Marisa Takal

Exhibition title: BODY, CURTAIN, ADVANCE

Venue: LOYAL, Stockholm, Sweden

Date: September 20 – November 3, 2018

Photography: Fredrik Andersson Andersson / all images copyright and courtesy of the artists and LOYAL, Stockholm

Loyal Gallery inaugurates the new space at Odengatan 3 in Stockholm with two exhibitions on September 20 2018: Mario Ayala’s solo exhibition AUT Of Body and group exhibition BODY, CURTAIN, ADVANCE with works of Los Angeles, New York and Stockholm artists Alake Shilling, Alex Gardner, Bunny Rogers, Carsten Höller, Henry Gunderson, Ivana Basic, Jordan Kasey and Marisa Takal. The event takes place between 6 and 9 PM, to which you are cordially invited.

Los Angeles artist Mario Ayala’s solo show AUT Of Body is a voyeuristic and in-quisitive portrayal of the vehicle as a soulful being. For Ayala, growing up and currently living and working in Los Angeles, the car is an ever present force, fig-uratively and literally indispensable. He is part of a wave of painters using repre-sentative analogy and unconventional combinations of motives to echo a discur-sive reality. The auto body shop as subject is calling to mind an operating room repairing, replacing and manipulating organs, tendons, muscles and features. By conflating the terms auto body and out of body, Ayala conjures an idea of the obtainable epitome of strength. How an individual can transcend the limits of the body to gain great reach and shield oneself from imposed restraints. The works contain object symbols, imagery that Ayala places throughout the compositions which refer to elements close to the artist, specific to his home city. If you know, you know.

Ayala’s use of airbrush as painting technique connotes personalization of vehi-cles specifically present within the lowrider culture in Los Angeles. Emerged in the 1950’s, especially prevalent in the Latino community, drivers custom orna-ment their vehicles, lower them and install hydraulic suspensions. Lowriders are functional sculptures, moving art displays enhancing the identity of their owners, meant to be adored by the public eye. Ayala is bridging different worlds with his choice of technique. Airbrushing also being a utilitarian tool in society to effectively cover clothing, houses, signs and automobiles in paint, ultimately makes for a non-hierarchal expression when introduced to the fine arts context.

Ayala explains his own painting process as an out of body experience, where the airbrush tool is an overpass between mind and canvas serving an expulsion of the self onto the work. Painting becomes an extension of the psyche, also transcending the limits of the body. The interdependence of art and its creator is mirrored in the rendering of the intimate relationship between the automobile and its driver, resulting in a multi-layered expression of Ayala’s own geographi-cal and cultural heritage.

Group show BODY, CURTAIN ADVANCE presents the works of Los Angeles, New York and Stockholm artists Alake Shilling, Alex Gardner, Bunny Rogers, Carsten Höller, Henry Gunderson, Ivana Basic, Jordan Kasey and Marisa Takal. The paintings, installations and video works focus on identity beyond the figure through metaphorical imagery, while also indirectly treating the complex idea of existing within the boundaries of physique. The artworks will be installed throughout the eminent building on Odengatan 3, exploring and utilizing its ar-chitectural body.

BODY, CURTAIN, ADVANCE, 2018, exhibition view, LOYAL, Stockholm

Henry Gunderson, The Programming Entity, 2018, Acrylic in canvas, 42 x 36 in, 107 x 91 cm

Alex Gardner, In a Box, 2018, Acrylic on linen, 48 x 36 in, 122 x 91 cm

Jordan Kasey, Ruins, 2018, Oil on canvas, 54 x 84 in, 137 x 213 cm

Alake Shilling, Midnight Delight, 2018, Acrylic on canvas, 30 x 30 in, 76 x 76 cm

Bunny Rogers, Diary, 2012–2014, Digital video, set of 10 videos, Dimensions variable, Edition 7/10

Jordan Kasey, Untitled (Sardinia), 2018, Charcoal on paper, 30 x 22 in, 76 x 56 cm

Ivana Basic, Disintegration in the direction of something other than death #2, 2014, Wax, silk, weight, elastic bands, cushioning, 14 x 16 x 11 in, 35.5 x 41 x 28 cm, (Full height variable)

Ivana Basic, Breath seeps through her tightly closed mouth 16, 2018, Breath, glass, stainless steel torque, marble dust, 7 x 18 x 13 in , 18 x 46 x 33 cm

Ivana Basic, Breath seeps through her tightly closed mouth 17, 2018, Breath, glass, stainless steel torque, marble dust, 7 x 18 x 13 in , 18 x 46 x 33 cm

Jordan Kasey, Untitled (Turkey), 2018, Charcoal on paper, 29 x 22 in, 74 x 56 cm

Jordan Kasey, Untitled (Mexico), 2018, Charcoal on paper, 22 x 26 in, 56 x 66 cm

Carsten Höller, Divisions Square (Egyptian Violet Surface), 2018, Caravaggio linen canvas, Flashe Vinyl paint, 35 x 35 in, 90 x 90 cm

Marisa Takal, Open Processing I, 2018, Oil on canvas, 36 x 48 in, 91 x 122 cm

Marisa Takal, Checking the Mail Turns into Sun Bathing Turns into a Nap Turns into the Day is Over, Ways of Surveilling Productivity Modes of Organization for Work, Time, Self Esteem, Months, Days, Years, 2018, Oil on canvas, 52 x 36 in, 132 x 91 cm