Artists: Jin Han Lee, Xinyu Zhou, Rebecca Halliwell-Sutton, Jenine Marsh
Exhibition title: Alone time
Venue: Union Pacific, London, UK
Date: January 25 – February 24, 2023
Photography: Ollie Hammick / all images courtesy of the artists and Union Pacific, London
Alone time explores introspection from four distinctly differing lenses. Xinyu Zhou and Jin Han Lee use their brushes as a way of depicting moments of quiet contemplation. In Jin’s, abstract painting becomes a language through which she is able to communicate the unspoken emotions of quotidian life and in Zhou’s paintings, she depicts visages of women from her family – the washed out blue palette suggestive of a past she’s gradually uncovering in paint. For Rebecca K Halliwell Sutton and Jenine Marsh, they use sculpture to understand the trails we leave behind. For Rebecca, sheets of aluminium are hammered into organic forms, the marks revealing remnants of her tools at work, and in Jenine’s, she uses objects representative of exchange, here delicately assembled sculptures of flowers and coins become stiffened in synthetic rubber or else melted down, revealing their history.
Alone time, 2023, exhibition view, Union Pacific, London
Alone time, 2023, exhibition view, Union Pacific, London
Alone time, 2023, exhibition view, Union Pacific, London
Alone time, 2023, exhibition view, Union Pacific, London
Alone time, 2023, exhibition view, Union Pacific, London
Alone time, 2023, exhibition view, Union Pacific, London
Alone time, 2023, exhibition view, Union Pacific, London
Alone time, 2023, exhibition view, Union Pacific, London
Jin Han Lee, Meeting at Night, 2022, Oil, Acrylic, Watercolour and spray paint on linen, 150 x 200cm
Jin Han Lee, November Moon, 2022, Oil on linen, 150 x 200cm
Jin Han Lee, Tree Man (yellow moon), 2022, Oil on linen, 116.8 x 91cm
Jin Han Lee, Tree Man (Purple Night), 2022, Oil on linen, 116.8 x 91cm
Jenine Marsh, charm for the remainder (3), 2022, Flowers, wire, coin, synthetic rubber, acrylic UV varnish, nails, 36 x 6 x 6cm
Jenine Marsh, charm for the remainder (4), 2022, Flowers, wire, coin, synthetic rubber, acrylic UV varnish, nails, 13 x 7 x 2cm
Jenine Marsh, charm for the remainder (4), 2022, Flowers, wire, coin, synthetic rubber, acrylic UV varnish, nails, 13 x 7 x 2cm
Jenine Marsh, charm for the remainder (the (re-)construction of fully visible forms, 2022, Flowers, wire, coin, synthetic rubber, acrylic UV varnish, nails, 36 x 6 x 6cm
Jenine Marsh, charm for the remainder (the (re-)construction of fully visible forms, 2022, Flowers, wire, coin, synthetic rubber, acrylic UV varnish, nails, 36 x 6 x 6cm
Jenine Marsh, charm for the remainder (the (re-)construction of fully visible forms, 2022, Flowers, wire, coin, synthetic rubber, acrylic UV varnish, nails, 36 x 6 x 6cm
Jenine Marsh, charm for the remainder (the (re-)construction of fully visible forms, 2022, Flowers, wire, coin, synthetic rubber, acrylic UV varnish, nails, 36 x 6 x 6cm
Jenine Marsh, charm for the remainder (the (re-)construction of fully visible forms, 2022, Flowers, wire, coin, synthetic rubber, acrylic UV varnish, nails, 36 x 6 x 6cm
Rebecca K. Halliwell-Sutton, Cling into snaps of static, 2022, 250 x 260 x 40cm
Rebecca K. Halliwell-Sutton, Cling into snaps of static, 2022, 250 x 260 x 40cm
Rebecca K. Halliwell-Sutton, Cling into snaps of static, 2022, 250 x 260 x 40cm
Rebecca K. Halliwell-Sutton, Cling into snaps of static, 2022, 250 x 260 x 40cm
Rebecca K. Halliwell-Sutton, Motes of us, 2022, Aluminium, concrete, 88 x 77 x 20cm
Rebecca K. Halliwell-Sutton, Motes of us, 2022, Aluminium, concrete, 88 x 77 x 20cm
Xinyu Zhou, When i look into your eyes, 2022, Oil stick on aluminium plate, 65 x 65cm
Xinyu Zhou, Reading. 2, 2022, Acrylic, oil stick on wood, 120 x 150cm
Xinyu Zhou, Gone like a breeze, 2022, Acrylic, pastel, oil stick on paper mounted on board, 50 x 40cm
Xinyu Zhou, Repeat, a page left behind no.1, 2022, Acrylic, oil stick on board, 70 x 90cm
