Artist: Yuki Okumura
Exhibition title: 29,771 days – 2,094,943 steps
Organized by: MISAKO&ROSEN
Venue: LA MAISON DE RENDEZ-VOUS, Brussels, Belgium
Date: February 21 – April 13, 2019
Photography: all images copyright and courtesy of the artist and MISAKO&ROSEN
To make a hole in a day as a nap
before we make the great leap into space
I have a dull pain in my eyes
through the invisible cosmic rays
man walks on the planet earth
A death mask stolen, of James Joyce
The total distance walked during their lives
I make love to the days
Difference between sameness and difference is same
A street, 1000.01 lightyears long
The dead have left their marks
All the Information of Mankind on the Earth
immortalized in the logbook of the past
I didn’t sleep well last night
Man Walks on Moon
when the people will have lost their remembrance
For all those who have lived and died
how empty is this space?
Sameness between difference and sameness is different
A street, 1000.02 lightyears long
I am going to sleep forget it
before mankind once and for all, enters space
I still have a pain in my eyes
raining cosmic rays
it’s all right if you are there
together into something new
Difference between sameness and difference is same
A street, 1000.03 lightyears long
Sameness between difference and sameness is different
A street, 1000.04 lightyears long
Yuki Okumura, 29,771 days – 2,094,943 steps, 2019, exhibition view, LA MAISON DE RENDEZ-VOUS, Brussels, Belgium
Yuki Okumura, 29,771 days – 2,094,943 steps, 2019, Scanned and partly overlaid published photographic image; archival pigment print on paper, image: 38x56cm, frame: 40.1×58.3cm
Yuki Okumura, 29,771 days – 2,094,943 steps, 2019, exhibition view, LA MAISON DE RENDEZ-VOUS, Brussels, Belgium
Yuki Okumura, The Man Who, 2019, Sequenced film fragments of interviews with: Marja Bloem, Michel Claura, Herman Daled, Michèle Didier, Rudi Fuchs, Yves Gevaert, Kasper König, Jean-Hubert Martin, Phillip Van den Bossche
Yuki Okumura, The Man Who, 2019, Sequenced film fragments of interviews with: Marja Bloem, Michel Claura, Herman Daled, Michèle Didier, Rudi Fuchs, Yves Gevaert, Kasper König, Jean-Hubert Martin, Phillip Van den Bossche
Yuki Okumura, The Man Who, 2019, Sequenced film fragments of interviews with: Marja Bloem, Michel Claura, Herman Daled, Michèle Didier, Rudi Fuchs, Yves Gevaert, Kasper König, Jean-Hubert Martin, Phillip Van den Bossche
Yuki Okumura, The Man Who, 2019, Sequenced film fragments of interviews with: Marja Bloem, Michel Claura, Herman Daled, Michèle Didier, Rudi Fuchs, Yves Gevaert, Kasper König, Jean-Hubert Martin, Phillip Van den Bossche
Yuki Okumura, The Man Who, 2019, Sequenced film fragments of interviews with: Marja Bloem, Michel Claura, Herman Daled, Michèle Didier, Rudi Fuchs, Yves Gevaert, Kasper König, Jean-Hubert Martin, Phillip Van den Bossche
Yuki Okumura, The Man Who, 2019, Sequenced film fragments of interviews with: Marja Bloem, Michel Claura, Herman Daled, Michèle Didier, Rudi Fuchs, Yves Gevaert, Kasper König, Jean-Hubert Martin, Phillip Van den Bossche
Yuki Okumura, The Man Who, 2019, Sequenced film fragments of interviews with: Marja Bloem, Michel Claura, Herman Daled, Michèle Didier, Rudi Fuchs, Yves Gevaert, Kasper König, Jean-Hubert Martin, Phillip Van den Bossche
Yuki Okumura, The Man Who, 2019, Sequenced film fragments of interviews with: Marja Bloem, Michel Claura, Herman Daled, Michèle Didier, Rudi Fuchs, Yves Gevaert, Kasper König, Jean-Hubert Martin, Phillip Van den Bossche
Yuki Okumura, The Man Who, 2019, Sequenced film fragments of interviews with: Marja Bloem, Michel Claura, Herman Daled, Michèle Didier, Rudi Fuchs, Yves Gevaert, Kasper König, Jean-Hubert Martin, Phillip Van den Bossche
Yuki Okumura, The Man Who, 2019, Sequenced film fragments of interviews with: Marja Bloem, Michel Claura, Herman Daled, Michèle Didier, Rudi Fuchs, Yves Gevaert, Kasper König, Jean-Hubert Martin, Phillip Van den Bossche
Yuki Okumura, 29,771 days – 2,094,943 steps, 2019, exhibition view, LA MAISON DE RENDEZ-VOUS, Brussels, Belgium
Yuki Okumura, 29,771 days – 2,094,943 steps, 2019, exhibition view, LA MAISON DE RENDEZ-VOUS, Brussels, Belgium
Yuki Okumura, 59, 60 – 29, 30 (“KONZEPT” – KUNST, 1972), 2019, Scanned and overlaid exhibition catalogue pages; archival pigment print on polyethylene film mounted on plexiglass, 29.7x42cm
Yuki Okumura, 59, 60 – 29, 30 (“KONZEPT” – KUNST, 1972), 2019, Scanned and overlaid exhibition catalogue pages; archival pigment print on polyethylene film mounted on plexiglass, 29.7x42cm
Yuki Okumura, 29,771 days – 2,094,943 steps, 2019, exhibition view, LA MAISON DE RENDEZ-VOUS, Brussels, Belgium
Yuki Okumura, 29,771 days – 2,094,943 steps, 2019, exhibition view, LA MAISON DE RENDEZ-VOUS, Brussels, Belgium
Yuki Okumura, 146, 147 – 76, 77 (sonsbeek 71, 1971), 2019, Scanned, partly erased and entirely overlaid exhibition catalogue pages; archival pigment print on polyethylene film mounted on plexiglass, 42×29.7cm
Yuki Okumura, 146, 147 – 76, 77 (sonsbeek 71, 1971), 2019, Scanned, partly erased and entirely overlaid exhibition catalogue pages; archival pigment print on polyethylene film mounted on plexiglass, 42×29.7cm
Yuki Okumura, 29,771 days – 2,094,943 steps, 2019, exhibition view, LA MAISON DE RENDEZ-VOUS, Brussels, Belgium
Yuki Okumura, 29,771 days – 2,094,943 steps, 2019, exhibition view, LA MAISON DE RENDEZ-VOUS, Brussels, Belgium
Yuki Okumura, 21 – 48 (18 PARIS IV. 70, 1970), 2019, Scanned, partly erased and entirely overlaid exhibition catalogue pages; archival pigment print on polyethylene film mounted on plexiglass, 16.3×10.1cm
Yuki Okumura, 21 – 48 (18 PARIS IV. 70, 1970), 2019, Scanned, partly erased and entirely overlaid exhibition catalogue pages; archival pigment print on polyethylene film mounted on plexiglass, 16.3×10.1cm
Yuki Okumura, 29,771 days – 2,094,943 steps, 2019, exhibition view, LA MAISON DE RENDEZ-VOUS, Brussels, Belgium
Yuki Okumura, 29,771 days – 2,094,943 steps, 2019, exhibition view, LA MAISON DE RENDEZ-VOUS, Brussels, Belgium
Yuki Okumura, 68 – 27 (INFORMATION, 1970), 2019, Scanned, partly erased and entirely overlaid exhibition catalogue pages; archival pigment print on polyethylene film mounted on plexiglass, 27.2×20.3cm
Yuki Okumura, 68 – 27 (INFORMATION, 1970), 2019, Scanned, partly erased and entirely overlaid exhibition catalogue pages; archival pigment print on polyethylene film mounted on plexiglass, 27.2×20.3cm
Yuki Okumura, 397 – 393 (documenta 7, 1982), 2019, Scanned, partly erased and entirely superimposed exhibition catalogue pages; archival pigment print on polyethylene film mounted on plexiglass, 27.2×20.3cm
Yuki Okumura, 397 – 393 (documenta 7, 1982), 2019, Scanned, partly erased and entirely superimposed exhibition catalogue pages; archival pigment print on polyethylene film mounted on plexiglass, 27.2×20.3cm
