Search

Trou Noir at Enhorabuena Espacio, Madrid

Trou Noir At Enhorabuena Espacio, Madrid 22

A black hole: the possibility to bend space and time, where gravity is so strong that nothing can scape it, not even light; a type of death, perhaps.

Trou Noir is a capsule project devised to obscure our perception and betray our senses. Like a drug, it alters our relationship with so-called reality, allowing for beings, objects, and distinct matter to acquire idiosyncratic shapes, thus transfiguring the surrounding world —it may create a black hole, or simply send us into another dimension: a nightmarish state of mind. The unknown, the big Other, or that which is alien to us, they all assume chimeric features endowed with the capacity to instill lust and fear into our thoughts. Alternatively, the stranger, the devious, the perishable, they all brutally affect us, both our beliefs and affections altogether: it could be an aging body, a decaying rose, a hidden source of light or a malfunctioning synapsis.

This exhibition showcases a handful of artworks whose features attempt at reconfiguring the symbolic and tangible world, therefore bringing to light an ensemble of elements that stand in lieu of something else —preexisting entities whose nature has been corrupted, transformed, or simply damaged. Trou Noir also stands in lieu of what cannot be translated, but can be sensed, intuit, imagined— a portal to inner worlds, into darkness and beyond the dome of reason.

Trou Noir At Enhorabuena Espacio, Madrid 11
Trou Noir, 2025, exhibition view, Enhorabuena Espacio, Madrid
Trou Noir At Enhorabuena Espacio, Madrid 10
Trou Noir, 2025, exhibition view, Enhorabuena Espacio, Madrid
Trou Noir At Enhorabuena Espacio, Madrid 27
Trou Noir, 2025, exhibition view, Enhorabuena Espacio, Madrid
Trou Noir At Enhorabuena Espacio, Madrid 28
Trou Noir, 2025, exhibition view, Enhorabuena Espacio, Madrid
Trou Noir At Enhorabuena Espacio, Madrid 29
Luiz Roque, “Clube Amarelo, 2024”, HD video and 16mm film transferred to digital, 7’ 12”.
Trou Noir At Enhorabuena Espacio, Madrid 24
Elena Narbutaite, “Limitless Thoughts Box,2022”, Laser Box, 18 x 15 x 27 cm.
Trou Noir At Enhorabuena Espacio, Madrid 7
Elena Narbutaite, “Limitless Thoughts Box,2022”, Laser Box, 18 x 15 x 27 cm.
Trou Noir At Enhorabuena Espacio, Madrid 8
Trou Noir, 2025, exhibition view, Enhorabuena Espacio, Madrid
Trou Noir At Enhorabuena Espacio, Madrid 9
Trou Noir, 2025, exhibition view, Enhorabuena Espacio, Madrid
Trou Noir At Enhorabuena Espacio, Madrid 1
Sahatsa Jauregi, “Perfume fuerte, 2023”, Steel tubes and plates, perfume, magnifying glasses, plastic display stands. 325 x 35 x 20 cm.
Trou Noir At Enhorabuena Espacio, Madrid 2
Sahatsa Jauregi, “Perfume fuerte, 2023”, Steel tubes and plates, perfume, magnifying glasses, plastic display stands. 325 x 35 x 20 cm.
Trou Noir At Enhorabuena Espacio, Madrid 6
Sahatsa Jauregi, “Perfume fuerte, 2023”, Steel tubes and plates, perfume, magnifying glasses, plastic display stands. 325 x 35 x 20 cm.
Trou Noir At Enhorabuena Espacio, Madrid 25
Sahatsa Jauregi, “Perfume fuerte, 2023”, Steel tubes and plates, perfume, magnifying glasses, plastic display stands. 325 x 35 x 20 cm.
Trou Noir At Enhorabuena Espacio, Madrid 16
Juan Diego Tobalina, “Corchea (circa 1990), 2025”, Iron, plaster, transfer on wood, mirrors, fabric, 25 x 27 x 33 cm.
Trou Noir At Enhorabuena Espacio, Madrid 15
Juan Diego Tobalina, “Corchea (circa 1990), 2025”, Iron, plaster, transfer on wood, mirrors, fabric, 25 x 27 x 33 cm.
Trou Noir At Enhorabuena Espacio, Madrid 17
Juan Diego Tobalina, “Corchea (circa 1990), 2025”, Iron, plaster, transfer on wood, mirrors, fabric, 25 x 27 x 33 cm.
Trou Noir At Enhorabuena Espacio, Madrid 3
Juan Diego Tobalina, “Corchea (circa 1990), 2025”, Iron, plaster, transfer on wood, mirrors, fabric, 25 x 27 x 33 cm.
Trou Noir At Enhorabuena Espacio, Madrid 4
Juan Diego Tobalina, “Corchea (circa 1990), 2025”, Iron, plaster, transfer on wood, mirrors, fabric, 25 x 27 x 33 cm.
Trou Noir At Enhorabuena Espacio, Madrid 23
Juan Diego Tobalina, “Corchea (circa 1990), 2025”, Iron, plaster, transfer on wood, mirrors, fabric, 25 x 27 x 33 cm.
Trou Noir At Enhorabuena Espacio, Madrid 5
Matheus Rocha Pitta, “Allegory of Bad Government # 2, 2025”, Ceramic, concrete, and paper. 21 x 30 x 10 cm.
Trou Noir At Enhorabuena Espacio, Madrid 14
Matheus Rocha Pitta, “Allegory of Bad Government # 2, 2025”, Ceramic, concrete, and paper. 21 x 30 x 10 cm.
Trou Noir At Enhorabuena Espacio, Madrid 18
Matheus Rocha Pitta, “Allegory of Bad Government # 2, 2025”, Ceramic, concrete, and paper. 21 x 30 x 10 cm.
Trou Noir At Enhorabuena Espacio, Madrid 19
Matheus Rocha Pitta, “Allegory of Bad Government # 2, 2025”, Ceramic, concrete, and paper. 21 x 30 x 10 cm.
Trou Noir At Enhorabuena Espacio, Madrid 12
Trou Noir, 2025, exhibition view, Enhorabuena Espacio, Madrid
Trou Noir At Enhorabuena Espacio, Madrid 13
Trou Noir, 2025, exhibition view, Enhorabuena Espacio, Madrid
Trou Noir At Enhorabuena Espacio, Madrid 20
Ilê Sartuzi, “dedinhos, 2021”, Polyester resin, Durepoxi, iron, metal drill bit, and seal. 18 x 9.6 x 11 cm.
Trou Noir At Enhorabuena Espacio, Madrid 21
Ilê Sartuzi, “dedinhos, 2021”, Polyester resin, epoxy resin, modeling clay, and metal drill bit. 10.5 x 15 x 2.5 cm.
Trou Noir At Enhorabuena Espacio, Madrid 22
Ilê Sartuzi, “dedinhos, 2022”, Polyester resin, polyurethane resin, epoxy resin, burned fuse. 5.8 x 5.2 x 2.4 cm.
Trou Noir At Enhorabuena Espacio, Madrid 26
Anna Costa e Silva, “Letter to My Mother”, 2018, Audio with headphones, 6:48 min, Translation – Jamille Pinheiro Dias, Sound mix – Mino Alencar

↳Related Posts