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Tout sera oublié et rien ne sera réparé at Dvir Gallery, Paris

Tout Sera Oublié Et Rien Ne Sera Réparé At Dvir Gallery, Paris 7

“Everything will be forgotten and nothing will be repaired.”
The Joke (1975), Milan Kundera

Through this reflection, Milan Kundera sheds light on his disillusioned view of both individual and collective history, where justice, whether in the form of vengeance or forgiveness, gives way to the erosion of memory.

Nothing will be able to close the wounds of the past; oblivion, like a historical and existential inevitability, will be the only form of possible repair.

Only time will act as an anesthetic; the wounds and resentments will fade only when we have forgotten them, and through an inescapable mechanism over which we have no control, life will eventually render any attempt at repair obsolete.

After this demystification of the permanence of memory and the possibility of a salvatory repair, we are left with the task of accepting our tragic fate and perhaps sublimating it through derision…

Or, perhaps, should we interpret it another way? Could this pessimistic conclusion also be a call to persevere without despair or resignation, and, indeed, to imagine a better future despite everything? A way to shake minds awake to the urgency of transcending ourselves, without which we cannot bear the tragedies of the present, and which may, perhaps, bring about some form of repair?

–Edwige Benamou

Tout Sera Oublié Et Rien Ne Sera Réparé At Dvir Gallery, Paris 2
Tout sera oublié et rien ne sera réparé, 2025, exhibition view, Dvir Gallery, Paris
Tout Sera Oublié Et Rien Ne Sera Réparé At Dvir Gallery, Paris 1
Tout sera oublié et rien ne sera réparé, 2025, exhibition view, Dvir Gallery, Paris
Tout Sera Oublié Et Rien Ne Sera Réparé At Dvir Gallery, Paris 3
Tout sera oublié et rien ne sera réparé, 2025, exhibition view, Dvir Gallery, Paris
Tout Sera Oublié Et Rien Ne Sera Réparé At Dvir Gallery, Paris 4
Tout sera oublié et rien ne sera réparé, 2025, exhibition view, Dvir Gallery, Paris
Tout Sera Oublié Et Rien Ne Sera Réparé At Dvir Gallery, Paris 5
Tout sera oublié et rien ne sera réparé, 2025, exhibition view, Dvir Gallery, Paris
Tout Sera Oublié Et Rien Ne Sera Réparé At Dvir Gallery, Paris 6
Tout sera oublié et rien ne sera réparé, 2025, exhibition view, Dvir Gallery, Paris
Tout Sera Oublié Et Rien Ne Sera Réparé At Dvir Gallery, Paris 7
MÓNICA MAYS, Lubes, fat, fillers, 2025, taxonomical boxes, agricultural machine parts, vellum, fur, wax, gesso, steel, wood, cardboard, 35.5 x 43.5 x 150 cm
Tout Sera Oublié Et Rien Ne Sera Réparé At Dvir Gallery, Paris 9
ADEL ABDESSEMED, Outside, 2022, aluminum, 52.5 x 52.5 x 21 cm
Tout Sera Oublié Et Rien Ne Sera Réparé At Dvir Gallery, Paris 8
ADEL ABDESSEMED, Landscape, 2017, black chalk on paper, 60 x 80 cm
Tout Sera Oublié Et Rien Ne Sera Réparé At Dvir Gallery, Paris 10
DANNI JIANG, Untitled, 2025, oil on wood, 14 x 18 cm
Tout Sera Oublié Et Rien Ne Sera Réparé At Dvir Gallery, Paris 11
DANNI JIANG, Untitled, 2025, oil on wood, 16 x 22 cm
Tout Sera Oublié Et Rien Ne Sera Réparé At Dvir Gallery, Paris 12
DANNI JIANG, Untitled, 2025, oil on wood, 16 x 22 cm
Tout Sera Oublié Et Rien Ne Sera Réparé At Dvir Gallery, Paris 13
DANNI JIANG, Untitled, 2025, oil on canvas, 40 x 28 cm
Tout Sera Oublié Et Rien Ne Sera Réparé At Dvir Gallery, Paris 14
DANNI JIANG, Untitled, 2025, oil on canvas, 105 x 150 cm
Tout Sera Oublié Et Rien Ne Sera Réparé At Dvir Gallery, Paris 15
LATIFA ECHAKHCH, Farmer Sorrow (P.E, 2012, Lithographic stone, printing ink, varnish, steel angles, 23 x 33 x 5.5 cm
Tout Sera Oublié Et Rien Ne Sera Réparé At Dvir Gallery, Paris 17
SIGALIT LANDAU, Mask corset, 2017, handmade corset coated in salt crystals, 49 x 40 x 44 cm
Tout Sera Oublié Et Rien Ne Sera Réparé At Dvir Gallery, Paris 16
SIGALIT LANDAU, Mask corset, 2017, handmade corset coated in salt crystals, 49 x 40 x 44 cm
Tout Sera Oublié Et Rien Ne Sera Réparé At Dvir Gallery, Paris 18
MATHILDE ZAMOUR, Ayeka, 2025, 6 prints on dibond, 70 x 145 cm
Tout Sera Oublié Et Rien Ne Sera Réparé At Dvir Gallery, Paris 20
MÓNICA MAYS, Lubes, fat, fillers, 2025, taxonomical boxes, agricultural machine parts, vellum, fur, wax, gesso, steel, wood, cardboard, 35.5 x 43.5 x 150 cm

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September 9, 2017