Tom Forkin at Someday

Artist: Tom Forkin

Exhibition title: The Electrician

Venue: Someday, New York, US

Date: February 19 – March 19, 2022

Photography: all images copyright and courtesy of the artist and Someday, New York

Someday is happy to announce “The Electrician,” a solo exhibition of new work by Tom Forkin, on view February 19 – March 19, 2022.

Six large sculptures, six small watercolors, six main sources of electrical energy. The sculptures – paper-skinned mushrooms shaped from mire mesh – are staged in a frozen choreography. The watercolors depict the warm glow of street lamps, composed with a snapshot vernacular and repeated obsessively from diﬀerent perspectives.

There are many forms of illumination – industrial, chemical, intellectual, spiritual. A lot of the built world mimics sources of light seen in nature. Most mushrooms are known for their superior light-absorption capabilities – able to soak up and store large amounts of vitamin D from the sun. Some species are inherently bioluminescent. Molecules and light-emitting enzymes within the hyphae of colonizing fungi produce a distinct glow beneath translucent membranes. In Gifu Japan, a region dense with luciferin fungi, fireflies, and other bioluminescent organisms, artisans have perfected the craft of hand-made lanterns formed from rice paper and bamboo, that seek to similarly capture the weightlessness of light.

Other species of fungi appeal to a diﬀerent kind of illumination – capable of breaking down the rational mind, dissolving the ego, and stimulating spiritual enlightenment. Psilocybin can be identified by a set of distinct physical characteristics: plump, golden caps; purple gills; bluish flesh and stems that, once dried, appear flakey, like strands of hair when observed under a microscope. These special mushrooms were once seen as a threat to systems of power and sociopolitical norms. Now, psychedelics are less a countercultural weapon than a means to increase focus and productivity within the workplace. The brain unclenches, becomes porous, absorbing information like a fungus siphoning sunlight. A new type of visionary; illumination in the form of fabricating markets, increasing capital.

While the sun is a primary source of metabolic energy, continually emitting fodder down to us gasping, earth-bound cells, it is just one of six primary sources of electrical energy, along with heat, friction, pressure, magnetism and chemical. Street Lamps can be seen as mini-monuments to the rise of urban electrical systems in the 19th century. Humans seek continually-new ways to illuminate the world, warping the definition and application of “enlightenment” to suit various needs.

But the more we are able to see, the less we know. Our first telescopic peaks into outer space don’t clarify anything – they only generate more questions. Sophisticated mirrors and lenses, able to capture and reflect huge amounts of light to illuminate our solar system, betray the earth is just a tiny, ancient rock, spinning around an impossibly hot and rapidly-aging star.

Tom Forkin (b. 1986) lives and works in New York. Recent solo exhibitions include “The Thoroughfare,” LY, Los Angeles; “Manhattan,” Shoot the Lobster, New York and “Brooklyn,” Motel, New York. Forkin’s work has been included in numerous group exhibitions, such as: “Survey,” Bureau, New York (organized by FR MoCA); “Group Show III,” The Museum of Contemporary Art, Fall River, MA; “Heaven’s Tab,” AD, New York; “Soul Is A Four-Letter Word,” Museum Gallery, New York; “Will You,” Pratt Institute, New York (curated by Jenni Crain and Nick Fusaro) and “Charmed,” Shoot the Lobster, New York (organized by Tamara Gonzales and Maggie Lee).

Tom Forkin, The Electrician, 2022, exhibition view, Someday, New York

Tom Forkin, Silvery Burr Hole, 2022, Metal, paper, watercolor, 101 x 29 x 10” / 256.5 x 73.6 x 25.4cm

Tom Forkin, Double Illuminated, 2022 Watercolor on paper, 6 x 10.5 x .75” (15.2 x 26.7 x 2cm)

Tom Forkin, Night Walk, 2022, Watercolor on paper, 10.5 x 6 x .75″ (267.2 x 15.2cm)

Tom Forkin, Winter ’22, 2022, Watercolor on paper, 8 x 12 x .75” (20.3 x 30.5 x 2cm)

Tom Forkin, Worm, 2022, Wire, paper, watercolor, 70 x 14.5 x 13” / 177.8 x 36.8 x 33cm

Tom Forkin, Desiccated Light, 2022, Wire, paper, watercolor, 68 x 29 x 12” / 172.7 x 73.66 x 30cm

Tom Forkin, Velvet Shank, 2022, Wire, paper, watercolor, 93 x 25 x 18” / 236.2 x 90 x 48.2cm

Tom Forkin, Age of Reason, 2022, Wire, paper, watercolor, 102 x 25 x 26.5” / 295 x 63.5 x 26.5cm

Tom Forkin, Vision, 2022, Watercolor on paper, 12 x 8 x .75” (30.5 x 20.3 x 2cm)

Tom Forkin, Nostalgia, 2022, Watercolor on paper, 12 x 8 x .75” (30.5 x 20.3 x 2cm)

Tom Forkin, Frostbite, 2022, Watercolor on paper, 10.5 x 6 x .75″ (267.2 x 15.2cm)

Tom Forkin, The Electrician, 2022, Wire, paper, watercolor, 92 x 26 x 16” / 233.7 x 66 x 40.6cm