Riley Harmon – Art Viewer

SPECIAL FEATURE: Selection of works at Art Rotterdam

February 11, 2018February 11, 2018

Featured Artists: Yair Callender, Anne de Vries, Maurice Meewisse, Bruno Zhu, Rachel de Joode, Korakrit Arunanondchai, Martin Belou, Catherine Biocca, Niek Hendrix, Alexander Gorlizki, Erik de Bree, Nora Turato, Ceel Mogami de Haas, Pauline Curnier Jardin, Marianne Vierø, Nikita Alexeev, Maria Arendt, Amalia Pica, Rafael Ortega, Iris van Dongen, David Ben White, Juliette Blightman, David Jablonowski, Sven Kroner, Maria Roosen, Saskia Noor van Imhoff, Théophile Blandet, Tom Volkaert, Thomas Hämén, Sander Breure & Witte van Hulzen, Rien Schelleschoot & Gijs Satermans, Leyla Aydoslu, Serge Attukwei Clottey, Charlotte Schleiffert, Leyla Gediz, Daniel Arsham, Levi van Veluw, Konrad Wyrebek, Christian Hidaka, Farah Atassi, Michèle Matyn, Katleen Vinck, Gregory Forstner, Thorsten Brinkmann, Fang Lijun, Eckart Hahn, Tim Ellis, Pennacchio Argentato, Hidenori Mitsue, Hadassah Emmerich, Anton Cotteleer, Jessica Lajard, Vivien Zhang, Luís Lázaro Matos, Mary-Audrey Ramirez, Paulo Arraiano, Goiffon & Beauté, Ted Larsen, Alex Hamilton, Johan de Wit, Sam Samiee, Fillip Vervaet, Theis Wendt, Lennart Lahuis, Sybren Renema, Lieven Segers, Riley Harmon, Janine van Oene, Anna Sophie de Vries, Romy Muijrers, Thomas van Rijs, Hanae Wilke, Sander van Noort

Venue: Art Rotterdam, Rotterdam, The Netherlands

Featured Exhibitors: Artlead.net, Roger Katwijk, Martin Kudlek, Juliette Jongma, Ellen de Bruijne Projects, Galerie Iragui, Stigter van Doesburg, l’étrangère, Fons Welters, Rod Barton, tegenboschvanvreden, Marion de Cannière, GNYP, AKINCI, Ron Mandos, Michel Rein, Base-Alpha, Galerie Zink, Pablo’s Birthday, FOLD Gallery, Acappella, Francis Boeske Projects, The White House Gallery, Irène Laub Gallery, House of Egorn, MADRAGOA, Martinez, Hawaii Lisbon, Galerie Eva Meyer, Private View, Kristof De Clercq Gallery, (re)D., Cinnnamon, PSM, Dürst Britt & Mayhew,

Date: February 8 –11, 2018

Photography: images courtesy of the artists, galleries, Art Rotterdam and Art Viewer

Ghost Flowers at Herrmann Germann Contemporary

March 24, 2017January 29, 2017

Artists: Riley Harmon, Marie von Heyl, Anna K. E. & Florian Meisenberg, Maude Léonard-Contant, Katharina Ludwig, Nora Mertes

Exhibition title: Ghost Flowers

Curated by: Lea Schleiffenbaum

Venue: Herrmann Germann Contemporary, Zurich, Switzerland

Date: November 12, 2016 – January 27, 2017

Photography: all images copyright and courtesy of the artists and Herrmann Germann Contemporary, Zurich

JUMANJI at Soft Focus Institute

March 20, 2018March 19, 2016

Artists: Audrey Cottin, Adam Cruces, Marijke De Roover, Eleanor Duffin, John Finneran, Riley Harmon, Sophie Jung, Jóhanna Kristbjörg Sigurðardóttir, Hannah Lees, Kris Lemsalu, Nancy Lupo, Ria Pacquée, Angelo Plessas, Mike Pratt, Mathias Prenen, Marthe Ramm Fortun, R&F F&R, Eric Sidner, Sibran Sampers, Hayley Aviva Silverman, Birde Vanheerswynghels, Tamara Van San

Exhibition title: JUMANJI

Venue: Soft Focus Institute, Ghent, Belgium

Date: February 27 – March 26, 2016

Photography: all images copyright and courtesy of the artists and Soft Focus Institute, Ghent

SPECIAL FEATURE: De Appel Curatorial Programme

March 22, 2017July 5, 2015

The final project of the Curatorial Programme 2014 – 2015 at de Appel arts centre opened with two exhibitions: Spell to Spelling ** Spelling to Spell and Your Time Is Not My Time.

Spell to Spelling ** Spelling to Spell emerges in the spaces between the linguistic and associative relations of the notions of the spell and the spelling. The exhibition investigates various facets and rituals dealing with voluntary, involuntary and removed memory of the author, the visitors and the artworks themselves. Many ways of unfolding references, sources, stories and histories behind the objects are explored within the exhibition.

Your Time Is Not My Time lays the question of blurred boundaries between viewer, author and user within the current habitual fear of missing out and hyper-circulation of images. The exhibition uncovers a thorough pace and tacit admission within the changing lexicon of the public sphere, data-driven economies and forms of usership.