METAHAVEN at Tick Tack
Artists: METAHAVEN
Exhibition title: Autopoiesis
Venue: Tick Tack, Antwerp, Belgium
Date: September 15 – October 28, 2023
Photography: all images copyright and courtesy of the artist and Tick Tack, Antwerp
Metahaven
Transparencies at Kunstverein Nürnberg
Artists: Neïl Beloufa, Juliette Blightman, Ryan Gander, Calla Henkel & Max Pitegoff, David Horvitz, Metahaven, Katja Novitskova, Yuri Pattison
Exhibition title: Transparencies, The ambivalence of a new visibility
Curated by: Simone Neuenschwander, Thomas Thiel
Venue: Kunstverein Nürnberg, Nürnberg, Germany
Date: November 21, 2015 – January 31, 2016
Photography: Annette Kradisch, images copyright and courtesy of the artists and Kunstverein Nürnberg
Transparencies at Bielefelder Kunstverein
Artists: Neïl Beloufa, Juliette Blightman, Ryan Gander, Calla Henkel & Max Pitegoff, David Horvitz, Metahaven, Katja Novitskova, Yuri Pattison
Exhibition title: Transparencies, The ambivalence of a new visibility
Curated by: Simone Neuenschwander, Thomas Thiel
Venue: Bielefelder Kunstverein, Bielefelder, Germany
Date: November 7, 2015 – January 17, 2016
Photography: Philipp Ottendörfer, images copyright and courtesy of the artists and Bielefelder Kunstverein
SPECIAL FEATURE: De Appel Curatorial Programme
The final project of the Curatorial Programme 2014 – 2015 at de Appel arts centre opened with two exhibitions: Spell to Spelling ** Spelling to Spell and Your Time Is Not My Time.
Spell to Spelling ** Spelling to Spell emerges in the spaces between the linguistic and associative relations of the notions of the spell and the spelling. The exhibition investigates various facets and rituals dealing with voluntary, involuntary and removed memory of the author, the visitors and the artworks themselves. Many ways of unfolding references, sources, stories and histories behind the objects are explored within the exhibition.
Your Time Is Not My Time lays the question of blurred boundaries between viewer, author and user within the current habitual fear of missing out and hyper-circulation of images. The exhibition uncovers a thorough pace and tacit admission within the changing lexicon of the public sphere, data-driven economies and forms of usership.
