Parterre at Kunstscenen.xyz

Artists: Amalie Smith, Astrid Myntekær, Cecilie Skov, Jan S . Hansen, Lulu Refn, Morten Skrøder Lund, Sebastian Hedevang & Andreas Rønholt Schmidt, Sandra Vaka, Torben Ribe, Tove Storch

Exhibition title: Parterre

Curated by: Magnus Thorø Clausen and Kåre Frang

Venue: Kunstscenen.xyz, Copenhagen, Denmark

Date: May 31 – July 14, 2019

Photography: Kåre Frang / all images copyright and courtesy of the artists and Kunstscenen.xyz

The word Parterre comes from the French and literally translated means “on the ground”. Since the 16th century the word was used to refer to a formal, ornamental garden. By the mid-17th century and onwards it also refers to the inexpensive ground level of a theatre.
The first parterre gardens originated in the gardens of the French Renaissance and often had the form of knot gardens. Later, in the 17th century Baroque garden, they gradually became more elaborate and stylised. The French parterre reached its greatest development at the Palace of Versailles. A typical parterre garden consists of plant beds and hedges in symmetrical patterns, which are separated and connected by paths. The patterns require a level substrate and are designed to be viewed from a raised vantage point, as for example from a terrace or balcony. During the 18th century parterre gardens lost favour and were gradually superceded by English landscape gardens. However they have since been revived in new styles. In the victorian era they reappear in flower beds fashioned as emblems. In the theater system the word parterre is used interchangeably to refer to the ground level (also known as “the pit”) and to designate the audience of that space. The cheap parterre tickets drew a high number of lower-level professionals and commercial labourers such as artists, students, journalists, lawyers, prostitutes and petty criminals. The parterre was a noisy, often boisterous place, where talking, whistling, drunken brawls, hissing, even dancing and singing was common behaviour and where people reacted on the stage performance with applause or booing or by pelting the stage with oranges. Some historians see in the parterre an early form of the public sphere as we know it today. A forum where power and authority could be openly criticized. Where the gap between representation and common people had disappeared.

Parterre, 2019, exhibition view, Kunstscenen.xyz, Copenhagen

Jan S. Hansen, Untitled, Mannequin feet, earthworms

Jan S. Hansen, Untitled, Mannequin feet, earthworms

Cecilie Skov, Bittersweet, Epoxy resin (LKR), fiber glass, leaves, bubble plast, dragon eye, road salt, copper coin

Cecilie Skov, Bittersweet, Epoxy resin (LKR), fiber glass, leaves, bubble plast, dragon eye, road salt, copper coin

Cecilie Skov, Bittersweet, Epoxy resin (LKR), fiber glass, leaves, bubble plast, dragon eye, road salt, copper coin

Parterre, 2019, exhibition view, Kunstscenen.xyz, Copenhagen

Amalie Smith, Humanoid, Inkjet on paper

Amalie Smith, Humanoid, Inkjet on paper

Jan S. Hansen, Untitled, Coffee machine, door handles, epoxy

Jan S. Hansen, Untitled, Coffee machine, door handles, epoxy

Jan S. Hansen, Untitled, Coffee machine, door handles, epoxy

Sandra Vaka, Thirsty, Acrylic glass

Sandra Vaka, Thirsty, Acrylic glass

Parterre, 2019, exhibition view, Kunstscenen.xyz, Copenhagen

Sebastian Hedevang & Andreas Rønholt Schmidt, Here They Come, Clay

Parterre, 2019, exhibition view, Kunstscenen.xyz, Copenhagen

Torben Ribe, Light Sculpture (unplugged), tall, Neon tubes, light fittings, collage, plastic strip

Torben Ribe, Light Sculpture (unplugged), tall, Neon tubes, light fittings, collage, plastic strip

Parterre, 2019, exhibition view, Kunstscenen.xyz, Copenhagen

Morten Skrøder Lund, Strip pom pom, Brackets, locks, strips, acrylic emulsion, wooden, frame, canvas, oil

Morten Skrøder Lund, Strip pom pom, Brackets, locks, strips, acrylic emulsion, wooden, frame, canvas, oil

Morten Skrøder Lund, Strip pom pom, Brackets, locks, strips, acrylic emulsion, wooden, frame, canvas, oil

Parterre, 2019, exhibition view, Kunstscenen.xyz, Copenhagen

Parterre, 2019, exhibition view, Kunstscenen.xyz, Copenhagen

Parterre, 2019, exhibition view, Kunstscenen.xyz, Copenhagen

Sebastian Hedevang & Andreas Rønholt Schmidt, The Chocolate Wagon: Bosch Tower, Clay, funnel; The Chocolate Wagon: Nightmen Goblet, Clay, wood

Sebastian Hedevang & Andreas Rønholt Schmidt, The Chocolate Wagon: Bosch Tower, Clay, funnel

Sebastian Hedevang & Andreas Rønholt Schmidt, Here They Come, Clay

Sebastian Hedevang & Andreas Rønholt Schmidt, Here They Come, Clay

Parterre, 2019, exhibition view, Kunstscenen.xyz, Copenhagen

Parterre, 2019, exhibition view, Kunstscenen.xyz, Copenhagen

Parterre, 2019, exhibition view, Kunstscenen.xyz, Copenhagen

Lulu Refn, Spectre, Chrome spray paint

Parterre, 2019, exhibition view, Kunstscenen.xyz, Copenhagen

Astrid Myntekær, Biophilia, Felt, plastic

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