Artists: Maria Cozma, Harm van den Dorpel, Daniel Ferstl, Titania Seidl, Lukas Thaler, Rita Vitorelli, Eugen Wist
Exhibition title: MAUVE at Club Pro
Venue: Club Pro, Los Angeles, US
Date: October 21 – November 13, 2016
Photography: all images copyright and courtesy of the artists and MAUVE, Vienna and Club Pro, Los Angeles
MAUVE is an artist run space based in Vienna, Austria. Since the inaugural show in 2012, MAUVE’s mission has been to explore experimental ways of curating, thereby connecting the artistic scene in Vienna to the rest of the world. Always closely collaborating with the artists involved in the exhibitions, MAUVE strives to bring artistic production, discourse and various modes of curating closer together. The MAUVE team creates their program in relationship to their own artistic practice. MAUVE is Daniel Ferstl, Titania Seidl and Lukas Thaler.
The show MAUVE developed for Club Pro, L.A. deals mainly with the idea of the series. It will contain works by Maria Cozma, Harm van den Dorpel, Daniel Ferstl, Titania Seidl, Lukas Thaler, Rita Vitorelli and Eugen Wist. The exhibition will be accompanied by a fanzine including commissioned texts by Paul Becker, Birke Gorm and Nicholas Hoffman.
The project is kindly supported by the The Arts and Culture Division of the Federal Chancellery of Austria and the Austrian Consulate General, Los Angeles.
Lukas Thaler, Collier (Lukas / I love my dayjob), 2016, Pigmented resin, chain, keyrings, LED- strip, powerbank
Daniel Ferstl, I can be the lead singer no.9, 2016, Pencil, paper, acrylic glass, elastic band
Daniel Ferstl, Collier (meant to be lived in), 2016, Pigmented resin, clay, wire, chain, keyrings
Harm van den Dorpel and Rita Vitorelli, LA Mix, 2016, Digital drawings by Rita Vitorelli, programmed by Harm van den Dorpel, Infinite loop
Eugen Wist, Vibrant monologs no.1, 2016, Tin, thistle
Maria Cozma, Transformation of a water lily, 2016, Silk paper, hay, Dimensions variable
Titania Seidl, The painter & the rectangle (It will be good for you, they said, you will learn what the surface is and what it isn’t), 2016, Oil on molino
