Search

Marthe Ramm Fortun at Munchmuseet

MRF_05_ATRIUM

Artist: Marthe Ramm Fortun

Exhibition title: Stones to the Burden

Curated by: Jenny Kinge and Natalie Hope O’Donnell

Venue: Munchmuseet (Munchmuseet on the Move), Oslo, Norway

Date: May 19 – November 24, 2016

Photography: Andrea Galiazzo, The Munch Museum, all images copyright and courtesy of the artist and Munchmuseet

Marthe Ramm Fortun has created a multifaceted, site-specific project for Munchmuseet on the Move, consisting of sculpture, performance, painting, text and an enduring presence in the Munch Museum’s neighbourhood of Tøyen. Using portable artwork as a formal platform to engage passers-byes, Fortun invites action and speech that test the limits of behaviour and merge utterings from disparate sources.

Marthe Ramm Fortun’s mixed-media installation has been on display in the internal, outdoor atrium at the Munch Museum since May. As the title, Stones to the Burden, indicates, stones – carved marble tablets – form the core of her project. The large stone tablet is inscribed with a quote from Norwegian poet Gunvor Hofmo (1921–1995): “Friend, give me soul and mouth!” The poem evokes the loss of her lover Ruth Maier, who was deported from Oslo to Auschwitz during the German occupation of Norway in 1942. The stone fits neatly within the suitcase that holds it, affixed with fluorescent straps to a metal fence. A newspaper and a bunch of flowers also peek out of the suitcase; it is flanked by smaller stone tablets cut to the measurements of the artist’s notebook, and adorned with her created symbols for soul and mouth, respectively.

Over the spring and summer, Marthe Ramm Fortun has removed the stone tablets from the Munch Museum and taken them to nearby Tøyen Torg, the square formed between several tower blocks, erected in the 1960. In a series of unannounced and intimate exchanges, she invited bystanders to handle the tablets while the she sat and painted watercolours across broadsheet newspapers, occasionally engaging in conversation. The actions she performs range from the absurd to the mundane, such as arranging her body and the sculptures in assemblage with the modernist architecture of the square or painting fresh flowers from the local shop on the front page of the international edition of the New York Times. With such ephemeral actions, Fortun hopes to create an interface between the quotidian and overarching political realities.

A synthesis of the actions at Tøyen Torg are presented as cut-up-poetry in a public performance on the number 20 bus route, a journey that traverses the city of Oslo from Skøyen in the west to Tøyen in the east. The journey ends at the Munch Museum, where Marthe Ramm Fortun’s publication Stein til Byrden is launched. The decorated newspapers are on display at the metro station at Tøyen. The performance has been filmed and Stein til Byrden will be screened at the Munch Museum on 24 November.

***

Marthe Ramm Fortun (b. 1978) is an artist living and working in Oslo. She traverses the city with site-specific works that assemble polyphonic stories, such as in Inverted Sky at Performa, New York (2013); Skrive byen, skrive den om at UKS Gallery in Oslo (2014); and I saw my future in your eyes at BOZAR as part of Performatik in Brussels (2015). Her project Stein til Byrden/Stones to the Burden was commissioned for Munchmuseet on the Move 2016, and curated by Jenny Kinge and Natalie Hope O’Donnell.

Munchmuseet on the Move (2016-2019) is an off-site curatorial project that continues and develops the work of the Stenersen Museum in Vika (1994-2015), now part of the Munch Museum. Munchmuseet on the Move includes a series of contemporary art commissions, shown in the area between the current Munch Museum at Tøyen and the new museum, opening in Bjørvika in 2020. The aim of the contemporary art programme is to establish relationships with the neighbourhoods the Munch Museum will be moving through on its one-mile journey down to the waterfront of Bjørvika.

MRF_01_ATRIUM

MRF_02_ATRIUM

MRF_03_ATRIUM

MRF_04_ATRIUM

MRF_05_ATRIUM

MRF_06_READING

MRF_07_READING

MRF_10_TORG

MRF_11_TORG

MRF_12_TORG

MRF_13_TORG

MRF_14_TORG

MRF_14B_TORG

MRF_15_Avis_1

MRF_16_Avis_2

MRF_17_Avis_3

MRF_18_Avis_4

MRF_19_Avis_5

MRF_20_Avis_6

MRF_21_Avis_7

MRF_22_Avis_8

MRF_23_Avis_9

MRF_24_Avis_10

MRF_25_Avis_11

MRF_27_Avis_12

MRF_29_Avis_13b

MRF_31_Avis_14b

MRF_32_Avis_15

MRF_33_Avis_16

MRF_34_Avis_17

MRF_35_Avis_18

MRF_35B

MRF_36A_T_BANE

MRF_36B_T_BANE

MRF_37_T_BANE

MRF_38_T_BANE

MRF_39_T_BANE

MRF_40_T_BANE

MRF_41_T_BANE

MRF_43_BUS

MRF_44_BUS

MRF_45_BUS

MRF_46_BUS

MRF_47_BUS

MRF_48_BUS

MRF_49_BUS

MRF_50_BUS

MRF_51_BUS

MRF_52_BUS

MRF_53_BUS

MRF_54_BUS

MRF_55_BUS

MRF_56_BUS

MRF_57_BUS

MRF_58_BUS

MRF_59_BUS

MRF_60_BUS

MRF_61_BUS

MRF_62_BUS

MRF_63_BUS

MRF_64_BUS

MRF_66_TRYKK

MRF_67_TRYKK

MRF_68_TRYKK

MRF_69_TRYKK

MRF_70_TRYKK

MRF_71_TRYKK

MRF_72_TRYKK

MRF_73_TRYKK

↳Related Posts

September 3, 2024