Artist: Lee “Scratch” Perry
Exhibition title: MIRROR MASTER FUTURES YARD
Curated with: Lorenzo Bernet
Venue: Swiss Institute, New York, US
Date: April 19 – June 2, 2019
Photography: all images copyright and courtesy of the artist and Swiss Institute, New York
Swiss Institute is pleased to present MIRROR MASTER FUTURES YARD, the first ever institutional exhibition of artwork by Lee “Scratch” Perry. The show will feature a newly commissioned sculptural installation, as well as works produced in Perry’s legendary Black Ark studio in Kingston, Jamaica in the late 1990’s and in his Blue Ark studio in Einsiedeln, Switzerland, where he now lives.
Lee “Scratch” Perry is renowned for his pioneering role in the development of reggae and dub music, along with his spectacular presence as a self-proclaimed prophet donning mirror-jeweled hats and painted boots lined with bible pages. Ever since he hand-painted stripes onto newly-produced Heart of the Congos record covers in 1977, Perry’s artistic output has gradually developed into a multidisciplinary practice that expands over the rooms he inhabits, the clothes and accessories he wears, and the totemic structures he erects outside his homes.
The walls of the gallery at SI feature works and pictorial material from Perry’s studios, where a collection of images has accumulated over time into a Byzantine patchwork of symbols and signs. In the Jamaican tradition of the yard show, the site-specific floor installation takes the form of a spiritual home ground that Perry has arranged ritualistically with rocks and stones gathered from the shores of the island of Manhattan and basins filled with water from the Hudson and Harlem Rivers. Characteristic of Perry’s Gesamtkunstwerk style, figurines of the Black Madonna of the rural alpine Abbey of Einsiedeln are placed among laptop computers, printed out stacks of poetry, dug-up notebooks filled with spiritual graffiti, mirror balls and CDs, along with a plethora of other materials,
Perry’s mode of art making is process-oriented and informed by music production techniques such as re-mixing, re-versioning and modulating existing materials. At Swiss Institute, the installation includes signs that he has commissioned and painted over, collages made collaboratively, and fan art. It combines the objects that he relentlessly collects, such as microphone cables, international currency, shiny stickers with the face of Haile Selassie, stuffed animals, and octagonal mirrors, as well as video recordings of his daily life. Deeply influenced by a fusion of religious beliefs and practices, including the Yoruba tradition of Ettu, Obeah, Rastafarianism, and Christianity, Perry transforms these materials by burning, painting, layering, collaging, gluing, exposing to sun, wind and rain, and burying. In this way, Perry incorporates them into a never-complete artistic cosmos untethered from notions of linear space and time.
On the occasion of Lee “Scratch” Perry: MIRROR MASTER FUTURES YARD, Swiss Institute is pleased to present a public program including a reasoning and listening by Ishion Hutchinson and Sheldon Shepherd on Friday, April 26 and a conversation between Diedrich Diederichsen and Nicole Smythe-Johnson on Wednesday, May 1. See swissinstitute.net for further details.
Lee “Scratch” Perry: MIRROR MASTER FUTURES YARD is made possible in part through the support of the Canton of Schwyz. Swiss Institute gratefully acknowledges Sister City as Hotel Sponsor and extends its deepest gratitude to the lenders to the exhibition: Christopher James Durning and XL Recordings. Special thanks to Mireille Perry, Noel Perry, Papa-Son, Ulrike and Giulano Bernet, Lady Nigel Butterfly, Paul Graham Siegel, Andrea Lewis, David Katz, Annie Paul, Haus Zur Liebe, Invernomuto, Volker Schaner, Ishion Hutchinson, Alyssa Davis, Isis Semaj-Hall and Till Neumann.
Lee “Scratch” Perry OD (b. 1936 in Kendal, Jamaica) lives and works between Einsiedeln, Switzerland and Negril, Jamaica. He has worked with artists including Bob Marley and the Wailers, Junior Murvin, the Beastie Boys, and The Clash, among many others, and was awarded a Grammy for Best Reggae Album in 2003. Recent projects include Lee “Scratch” Perry at Haus zur Liebe, Schaffhausen, Switzerland (2018) and Jamaica Jamaica! at Philharmonie de Paris, France (2017).
Lorenzo Bernet (b. 1986 in Zürich, Switzerland) studied at Akademie der Bildenden Künste, Vienna and Zürcher Hochschule der Künste. He is a co-founder.
Lee “Scratch” Perry: MIRROR MASTER FUTURES YARD, installation view
Lee “Scratch” Perry, By ABCDEFG, Mirror Master (Black Ark) with installation, 1999-2019. Marker on paper, framed, column with photograph, CDs, stickers, printed pages, additional mixed media
Lee “Scratch” Perry: MIRROR MASTER FUTURES YARD, installation view
Lee “Scratch” Perry: MIRROR MASTER FUTURES YARD, installation view
Lee “Scratch” Perry: MIRROR MASTER FUTURES YARD, installation view
Lee “Scratch” Perry: MIRROR MASTER FUTURES YARD, installation view
Lee “Scratch” Perry: MIRROR MASTER FUTURES YARD, installation view
Lee “Scratch” Perry, Jamaica (Black Ark) with Installation, ca. 2010-2019, detail. Collage, wood, mirror, mixed media
Lee “Scratch” Perry, God Dreams Orders, 2018. Collage, acrylic and oilstick on canvas. On pedestal: Teac (Black Ark), ca. 1979-2019. Teac A-3440 4-Channel Multitrack Tape Deck, charcoaled wood, hat, stickers
Lee “Scratch” Perry: MIRROR MASTER FUTURES YARD, installation view
Lee “Scratch” Perry, Mirror Master Futures Yard, 2019. Installation of mirror doors on rocks with materials from Black Ark, rocks, artist’s hat, madonna figurines, sunglasses, magnifying glass, floppy disks, monkey figurines, water basin, printed materials, markers, stuffed animal, children’s book, microphone cable, additional mixed media
Lee “Scratch” Perry, Mirror Master Futures Yard, 2019. Installation of mirror doors on rocks with materials from Black Ark, rocks, artist’s hat, madonna figurines, sunglasses, magnifying glass, floppy disks, monkey figurines, water basin, printed materials, markers, stuffed animal, children’s book, microphone cable, additional mixed media
Lee “Scratch” Perry: MIRROR MASTER FUTURES YARD, installation view
Lee “Scratch” Perry, Laptop, ca. 2012. Mixed Media on laptop
Lee “Scratch” Perry: MIRROR MASTER FUTURES YARD, installation view
Lee “Scratch” Perry, TV Sculpture, 2019. Flatscreen TV, cloth, rocks, driftwood, shells, stickers, feathers, ginger, aluminium crosses, additional mixed media. Selected recordings from the Archive of Volker Schaner
Lee “Scratch” Perry, Lord Krishna (Black Ark), ca. 2000, detail. Collage and cardboard, framed
Lee “Scratch” Perry: MIRROR MASTER FUTURES YARD, installation view
Lee “Scratch” Perry: MIRROR MASTER FUTURES YARD, installation view
Lee “Scratch” Perry, Marcus Garvey (Black Ark) with Installation, 2010-2019. Acrylic on painted sign, printed pages, light ornament, ribbon, hammer, nail, feathers, tape, rocks, crate, artist book, bible, shells, mirrors, lion statue, mirror balls, chordless phone, TV, mixer, globe, paintbrush, water bottles, bananas, limes, additional mixed media
Lee “Scratch” Perry, Marcus Garvey (Black Ark) with Installation, 2010-2019. Acrylic on painted sign, printed pages, light ornament, ribbon, hammer, nail, feathers, tape, rocks, crate, artist book, bible, shells, mirrors, lion statue, mirror balls, chordless phone, TV, mixer, globe, paintbrush, water bottles, bananas, limes, additional mixed media