Artist: Indrikis Gelzis
Exhibition title: Yawn holding fields
Venue: Tatjana Pieters, Ghent, Belgium
Date: March 12 – April 17, 2022
Photography: Dirk Pauwels / all images copyright and courtesy of the artist and Tatjana Pieters
Yawning is a mostly an involuntary reflex: the mouth is wide open, the lungs take in a lot of air. A slow exhale follows. Meanwhile, the eardrums crackle and, for a moment, a tear blurs the vision while the eyes are half-closed. The hypothalamus, which is hidden under the thalamus just above the brainstem, plays an important role in the process of yawning. Various neurotransmitters, such as dopamine, as well as neuropeptides, induce yawning. Perhaps, however, Edvard Munch’s Scream, the eardrums crackling painfully and clutching his ears with hands, is a deep and magnetic chest-filling breath that turns into a deep yawn inhaling emptiness.
As an instrumental figure of false facts and intimidation tactics, causing confusion about the actual circumstances, Slavoj Žižek’s words keep repeating in my head about the human subject as a unique tear in the fabric of the universe, a case in which something has gone terribly wrong. According to him, the appearance of the human subject is an ontological catastrophe. Since the beginning of 2020, when the world was hit by a wave of the pandemic, we have experienced physical distancing and social isolation, integrating humanity as a more permanent player in cyberspace. Information flow has never before been more sensitive, with data running through the earth’s crust, through urban and rural buildings, stretching along highways, flowing through the air and connecting not only the sky to the earth but also people’s minds through various technological devices. An error in the factual information leaks like black ink into the water. Transparency disappears with every drop of ink in it: the potential for misinformation and disorientation takes hold.
Compared to the chest of a body or, more precisely, the parameters of the respiratory system, there is no capacity for the information world and cyberspace. The yawn of the information flow is infinite and ceaseless, with an inability to reach the desired dopamine mark. Whether it is a scream full of anxiety and despair or a heavy black yawn full of fatigue, in this case, it does not matter. The figure, which is exposed and connected to the nerves of information, is what matters.
Information wires turn into blood vessels.
Blood vessels turn into information wires.
INDRIKIS GELZIS (b. 1988, Riga, Latvia) lives and works in Riga, Latvia, graduated from the HISK (Hoger Instituut voor Schone Kunsten) Higher Institute for Fine Arts, in Ghent, Belgium (2016). Solo exhibitions include: “Daily Charts”, Suprainfinit Gallery, Bucharest, 2021; “Still life of a still life”, Tatjana Pieters Gallery, Ghent, 2020; “Figure of Everything”, Castor gallery, Londond, UK, 2018; “Pause for the cause”, Cinnnamon Gallery, Rotterdam, 2019; “TABLEAU”, ASHES/ASHES, New York, 2019; “Skeleton of the wind”. Together with Viktor Timofeev. Suprainfinit Gallery, Bucharest, 2018; “The Man in the Moon” together with Adja Yunkers, Belenius gallery, Stockholm, Sweden, 2018. Group exhibitions include: “Force[d]Majeure”, kim? Contemporary art center, Riga, 2020; “Dark Mode”, ASHES/ASHES, New York, 2019; “Doors of Paradise”, Union Pacific gallery, London, 2018; “Heavy metal”, Jerome Pauchant gallery, Paris, 2018; “NNN”, National Art Museum of Latvia, Riga, 2017.
Indrikis Gelzis, Limbs between non-stepping stairs Steel, textile, MDF, veneer, metal primer, varnish, 200cm x 150cm x 30cm, 2022
Indrikis Gelzis, Yawn holding fields, 2022, exhibition view, Tatjana Pieters, Ghent
Indrikis Gelzis, Low hanging 4, Steel, textile, MDF, veneer, metal primer, varnish, 200cm x 150cm x 30cm, 2022
Indrikis Gelzis, Yawn holding fields, 2022, exhibition view, Tatjana Pieters, Ghent
Indrikis Gelzis, Vertical sea of false gestures, Steel, textile, MDF, veneer, metal primer, varnish, 200cm x 150cm x 30cm, 2022
Indrikis Gelzis, Vertical sea of false gestures, Steel, textile, MDF, veneer, metal primer, varnish, 200cm x 150cm x 30cm, 2022
Indrikis Gelzis, Yawn holding fields, 2022, exhibition view, Tatjana Pieters, Ghent
Indrikis Gelzis, Screaming throat, Steel, textile, MDF, veneer, metal primer, varnish, 200cm x 150cm x 30cm, 2022
Indrikis Gelzis, Screaming throat, Steel, textile, MDF, veneer, metal primer, varnish, 200cm x 150cm x 30cm, 2022
Indrikis Gelzis, False self, Steel, textile, MDF, veneer, metal primer, varnish, 220cm x 160cm x 90cm, 2022
Indrikis Gelzis, Yawn holding fields, 2022, exhibition view, Tatjana Pieters, Ghent
Indrikis Gelzis, Office of the sunrise, Steel, textile, MDF, veneer, metal primer, varnish, 200cm x 150cm x 30cm, 2022
Indrikis Gelzis, Office of the sunrise, Steel, textile, MDF, veneer, metal primer, varnish, 200cm x 150cm x 30cm, 2022
Indrikis Gelzis, Yawn holding fields, 2022, exhibition view, Tatjana Pieters, Ghent
Indrikis Gelzis, Unknown developers, Steel, textile, MDF, veneer, metal primer, varnish, 200cm x 150cm x 30cm, 2022
Indrikis Gelzis, Yawn holding fields, 2022, exhibition view, Tatjana Pieters, Ghent
Indrikis Gelzis, Yawn holding fields, 2022, exhibition view, Tatjana Pieters, Ghent
Indrikis Gelzis, Yawn holding fields, 2022, exhibition view, Tatjana Pieters, Ghent
Indrikis Gelzis, Mealy mouth, Steel, textile, MDF, veneer, metal primer, varnish, 200cm x 150cm x 30cm, 2022
Indrikis Gelzis, Yawn holding fields, 2022, exhibition view, Tatjana Pieters, Ghent
Indrikis Gelzis, Mealy mouth, Steel, textile, MDF, veneer, metal primer, varnish, 200cm x 150cm x 30cm, 2022
Indrikis Gelzis, Horizontal sea of false gestures, Steel, textile, MDF, veneer, metal primer, varnish, 200cm x 150cm x 30cm, 2022
Indrikis Gelzis, Yawn holding fields, 2022, exhibition view, Tatjana Pieters, Ghent
Indrikis Gelzis, Soft cage, Steel, textile, MDF, veneer, metal primer, varnish, 230cm x 110cm x 100cm, 2022
Indrikis Gelzis, Seated solitude, Steel, textile, MDF, veneer, metal primer, varnish, 200cm x 150cm x 30cm, 2022
Indrikis Gelzis, Yawn holding fields, 2022, exhibition view, Tatjana Pieters, Ghent
Indrikis Gelzis, Yawn holding fields, 2022, exhibition view, Tatjana Pieters, Ghent
Indrikis Gelzis, Unconscious mind in the office island, Steel, textile, MDF, veneer, metal primer, varnish, 200cm x 150cm x 30cm, 2022
Indrikis Gelzis, Unconscious mind in a lonely place, Steel, textile, MDF, veneer, metal primer, varnish, 200cm x 150cm x 30cm, 2022
Indrikis Gelzis, Yawn holding fields, 2022, exhibition view, Tatjana Pieters, Ghent
Indrikis Gelzis, A breaths chance in a wind, Steel, textile, MDF, veneer, metal primer, varnish, 200cm x 150cm x 30cm, 2022
Indrikis Gelzis, A breaths chance in a wind, Steel, textile, MDF, veneer, metal primer, varnish, 200cm x 150cm x 30cm, 2022
Indrikis Gelzis, Yawn holding fields, 2022, exhibition view, Tatjana Pieters, Ghent
Indrikis Gelzis, Maps in the limbs, Stainless steel, 42cm x 28cm x 3cm, 2022
Indrikis Gelzis, Maps in the limbs, Stainless steel, 42cm x 28cm x 3cm, 2022
Indrikis Gelzis, Limbs in the maps, Stainless steel, 42cm x 28cm x 3cm, 2022
Indrikis Gelzis, Limbs in the maps, Stainless steel, 42cm x 28cm x 3cm, 2022