↳ Exhibitions

Guan Xiao at ICA

May 3, 2016

Artist: Guan Xiao

Exhibition title: Flattened Metal

Curated by: Katharine Stout

Venue: ICA, London, UK

Date: April 20 – June 19, 2016

Photography: Mark Blower, all images copyright and courtesy of the artist, ICA, London, K11 Art Foundation, Hong Kong, Kraupa-Tuskany Zeidler, Berlin, and Antenna Space, Shanghai

Guan Xiao explores how present ways of seeing are influenced by digital image and information circulation, which have become an increasingly dominant source of knowledge exchange. In various sculptures, videos and installations Guan expands the aesthetic and cognitive possibilities for how meanings and identities are assigned and understood. Without seeking to compartmentalise or fix definitions, her work is occupied with our incomprehension of the past, and the way in which the unknown gives rise to intriguing discussion in the present. She juxtaposes references from the past and present (or future), weaving together both appropriated and originated visual and audio material, digital rendering techniques and found objects to create distinct and evocative installations that integrate so-called primitive and high-tech elements.

At the ICA, Guan Xiao’s first solo exhibition in the UK includes a new installation comprising five large printed screens, in front of which are placed sculptures made up of various materials, including muted speakers. As with previous works such as Documentary: Geocentric Puncture, 2012 and Documentary: From National Geographic to BBC, 2015, Guan optically merges the colour spectrum for the printed background screens (of the kind usually found in photographic studios) with the tonal range of the customised objects placed in front. The printed repetitive patterns are often taken from natural camouflaging phenomena such as animal or snake skins that are also reproduced artificially for clothing or accessories. Just as Guan is interested in finding formal equivalences rather than difference between the second and third dimensions in her object works, she sets out to explore the interdependent connections and flow between different ways of understanding the world and our place within it. For the first time, Guan Xiao will include text excerpts from other writers on the printed screens, such as quotes from the British anthropologist and systems theorist Gregory Bateson (1904 – 80) whose theoretical work embraced psychology, behavioural biology, evolution, systems theory, and cybernetics, as he worked toward a theoretical synthesis he referred to as “an ecology of mind.” For example, in his book Mind and Nature he asked, “What pattern connects the crab to the lobster and the orchid to the primrose and all the four of them to me? And me to you?”

The show also includes a recent video triptych, Action, 2014, that suggests open and fluid connections between sound, image and text as video clips sourced from a range of online sources including home movies, advertising and promotional videos are rhythmically juxtaposed across the three screens. Guan Xiao comments on the work, “For me, rhythm means all the intersections of sense. It’s a way I understand the associations between things. It helps me to try and transfer action, see listen, think about interactions and freely build a link between them.”

Guan Xiao (b. 1983, Chongqing; lives and works in Beijing) received her BA in Directing at the Communication University of China in 2006 and has exhibited internationally including at the OCT Contemporary Art Terminal, Shenzhen, the V&A Museum, London, the National Museum of Contemporary Art, Korea, Seoul; the Shanghai Art Museum and the Art Museum of Nanjing University of Art. Selected exhibitions include: the shortlisted exhibition of Hugo Boss Asia Art Award, Rockbund Art Museum, Shanghai, 2015; Basic Logic, Antenna Space, Shanghai, 2015, 13th Biennale de Lyon: La vie modern, Lyon, 2015, 2015 Triennial: Surround Audience, New Museum, New York, 2015, From a Poem to the Sunset, Daimler Contemporary Berlin, 2015; Rare Earth, Thyssen-Bornemisza Art Contemporary, Vienna, 2015; Degeneration, ACAF, Sydney, 2014; Don’t You Know Who I Am? Art After Identity Politics, M HKA Museum, Antwerp, 2014; Something Happened Like never Happened, Kraupa-Tuskany Zeidler, Berlin, 2014; Film Section, Basel Hong Kong, Agnes B Cinema, Hong Kong, 2014; Die 8 Wege, Uferhallen, Berlin, 2013.