Artists: Moyra Davey, Ella Gonzales, Brian Groombridge, Jens Haaning, Brennan Kelly, Nestor Krüger, HaeAhn Kwon, Euan Macdonald, Ella Dawn McGeough, José Andrés Mora, Andrew Reyes, Sally Späth, Dustin Wilson
Exhibition title: goodtime
Curated by: John Goodwin
Venue: the plumb, Toronto, Canada
Date: October 21 – November 20, 2022
Photography: Alison Postma / all images copyright and courtesy of the artists and the plumb, Toronto
goodtime is an exhibition that continues and expands on activities ongoing at goodwater gallery (@goodwatercorktown / www.goodwatergallery.com) for the past 4 years. This long term, often-changing exhibition – Tools ’n’ Shit – is run and lived-in by John Goodwin. In its fourth phase, the ongoing show is currently interrupted by the plumb exhibition. goodtime and Tools’ n’ Shit explore artist experimentation, correspondence, accumulation, storytelling, time, and inviting failure. Also a nod to Diana Balton, the Lower East Side, Multiples, Mail Art and the Underground. Projects that have unfolded throughout multi-part Goodwater exhibitions have been slow, long-durational, extended experiments, co-conspired with John. The goodtime exhibition at the plumb is a one-month mutant that seeks to continue the stories and celebrate John and his ongoing activities.
Brian Groombridge, Tubes, 2022, 5 stainless steel 3/4” tubes, various lengths, installed throughout goodtime
goodtime, 2022, exhibition view, the plumb, Toronto
goodtime, 2022, exhibition view, the plumb, Toronto
goodtime, 2022, exhibition view, the plumb, Toronto
HaeAhn Kwon, Credit Card – VISA, 2018, Unique work cast in brass, 3” x 2”
Sally Späth, Five Acts, 2022, Paint and graphite on Mylar, 4’ x 8’
Andrew Reyes, Daily Mailer, May 18, 2019-ongoing, Paper, binders, MDF, cinder blocks & Favourite Circles Study, 2022, pen on canvas, 231” x 60”
Andrew Reyes, Daily Mailer, May 18, 2019-ongoing, Paper, binders, MDF, cinder blocks & Favourite Circles Study, 2022, pen on canvas, 231” x 60”
Andrew Reyes, Daily Mailer, May 18, 2019-ongoing, Paper, binders, MDF, cinder blocks & Favourite Circles Study, 2022, pen on canvas, 231” x 60”
Andrew Reyes, Daily Mailer, May 18, 2019-ongoing, Paper, binders, MDF, cinder blocks & Favourite Circles Study, 2022, pen on canvas, 231” x 60”
Dustin Wilson, Local Tree Study (tree no longer there), 2022, Graphite on paper, 5’ x 4’
Dustin Wilson, Local Tree Study (tree no longer there), 2022, Graphite on paper, 5’ x 4’
goodtime, 2022, exhibition view, the plumb, Toronto
Sally Späth, Five Acts, Paint and graphite on Mylar, 2022, 19’ x 3’
goodtime, 2022, exhibition view, the plumb, Toronto
goodtime, 2022, exhibition view, the plumb, Toronto
Moyra Davey, Light (Paris), 2009, Mailed photograph edition, published by goodwater, 17” x 12”
Sally Späth, Five Acts, Paint and graphite on Mylar, 2022
Sally Späth, Five Acts, Paint and graphite on Mylar, 2022
Sally Späth, Five Acts, Paint and graphite on Mylar, 2022
goodtime, 2022, exhibition view, the plumb, Toronto
Ella Dawn McGeough, The Witch_1942, Production assistance: Melissa Bleeker, 2019-2022, Copper, grape-vine charcoal, 18” x 22” x18”
Ella Dawn McGeough, The Witch_1942, Production assistance: Melissa Bleeker, 2019-2022, Copper, grape-vine charcoal, 18” x 22” x18”
Euan Macdonald, Two Stars, 2020, Charcoal on paper, 39½”x 25½”
Euan Macdonald, Two Stars, 2020, Charcoal on paper, 39½”x 25½”
Ella Dawn McGeough, The Witch_1942, grape ink (detail)
Nestor Krüger, SHACK, 2022, Lumber, OSB, Ramboard, 47” x 70½” x 83”
YAMMY Clock prototype, 2022, Plywood, LEDs, sensors, electronics, 24” x 16” x 7”
Joseph LaBine, Goodwater Colophon, 2022, poem on stollen legal pad
Ella Dawn McGeough, The Witch_1942, cooking tools (detail)
Ella Gonzales, Study for a painting at goodwater, 2022, Gouache on folded silk, 68” x 17½”
Ella Gonzales, Study for a painting at goodwater, 2022, Gouache on wrap paper, 81” x88”
Ella Gonzales, Study for a painting at goodwater, 2022, Gouache on wrap paper, 81” x88”
Sally Späth, Five Acts, Paint and graphite on Mylar, 2022, 19’ x 3’
Sally Späth, Five Acts, Paint and graphite on Mylar, 2022, 19’ x 3’
Sally Späth, Five Acts, Paint and graphite on Mylar, 2022, 19’ x 3’
Ella Dawn McGeough, Witch Broom (detail)
José Andrés Mora, Eight Foot VAT, 2022, OSB, water, rubber, paint, mesh strip, traveling mechanism, words, 7 1/4” x 96 5/8” x 13”
José Andrés Mora, Eight Foot VAT, 2022, OSB, water, rubber, paint, mesh strip, traveling mechanism, words, 7 1/4” x 96 5/8” x 13”
Jens Haaning, Baghdad Time, 2005, Wall clock, 14” x 14”
