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G.B. Jones at COOPER COLE

Artist: G.B. Jones

Organized by: Kunstverein Toronto in collaboration with D St-Amour

Venue: COOPER COLE, Toronto, Canada

Date: August 16 – September 10, 2022

Photography: all images copyright and courtesy of the artist and COOPER COLE, Toronto

G.B. Jones is recognized for many accomplishments: for the success of her post-punk band Fifth Column (1981-2002), the widespread influence of the many queer punk zines she co-authored, including J.D.s, Double Bill and Hide, her coining of the term “queercore,” and her prolific work as a “no-budget” filmmaker, scene photographer and visual artist. Her drawing series, “Tom Girls,” originally published in J.D.s, replaced Tom of Finland’s iconic, “hyper-virile studs” with bold, uncompromising leather dykes, co-opting Finland’s objectified, male-on-male erotica and presenting a world of “nasty female role models.”[1]

In 1994, Feature Inc. and the publishing imprint Instituting Contemporary Idea in New York released G.B. Jones, a monograph, edited and designed by Steve Lafreniere compiled Jones’ “Tom Girls” drawings alongside show and film posters, record covers, comics and commissioned writing. As part of a campaign by the Canadian Border Services agency against allegedly pornographic or immoral materials in the 1990s, copies of Jones’ book were seized by the Canada Border Services Agency and barred from entering the country on the charge of depicting “bondage.” Jones was later informed that the seized copies had been burned by Border Control agents.

Twenty-seven years later, in collaboration with Jones, Kunstverein Toronto is putting G.B. Jones back in circulation in Canada. A re-publication of the book will launch on August 6 at Cooper Cole alongside an exhibition of related drawings, photographs, posters, ephemera and tributes that reflect the reach and influence of Jones’ heterogenous practice, both at the time of the original release of G.B. Jones, and today.

G.B. Jones (b. 1965 Bowmanville, Ontario, Canada) is an artist, filmmaker, musician, and publisher of zines. Jones’ drawings first received notoriety when published in the

Toronto-based queer punk zine J.D.s that she ran with Bruce LaBruce. Her prolific drawing series Tom Girls is widely recognized, and reimagines Tom of Finland’s drawings by replacing all the hyper-masculine subjects with women, subverting the intent into a contribution to third-wave feminist art. In 2002, Jones began a series of collaborative collages with Paul P., many of which were published in the book A Queer Anthology of Rage. Jones’ spray-painted images of Ionian columns— one of which is permanently installed at Cooper Cole— references her post-punk band Fifth Column (1981–2002) and suggests the weaving together of her music and drawing practice.

Jones has exhibited her art nationally and internationally since the early 1990s, in spaces such as Columbus Museum of Art, Columbus; Participant Inc., New York; Mercer Union, Toronto; The Power Plant, Toronto; Kunsthalle Exnergasse, Vienna; White Columns, New York; AKA Artist Run Space, Winnipeg; Muncher Kunstverein, Munich; and Schwules Museum, Berlin. She was included in the 2012 exhibition This Will Have Been: Art, Love, and Politics in the 1990s, which was curated by Helen Molesworth for the MCA Chicago and subsequently travelled to the Walker Art Center, Minneapolis, and the ICA Philadelphia. She has also exhibited at national and international galleries including David Zwirner, New York; Cooper Cole, Toronto; Paul Petro Contemporary Art, Toronto; Feature, New York; Galerie Clark, Montreal; and Or Gallery, Vancouver. G.B. Jones lives and works in Toronto, Ontario, Canada.

Kunstverein Toronto is a curatorial and publishing platform operating alongside its partners in Amsterdam, Aughrim, Milan and New York. Moveable in both time and space, Kunstverein Toronto is dedicated to experimentation, discussion and hospitality in art, exhibition and publication practices. Fundamentally, Kunstverein Toronto seeks to foster exchange between local and international conversations, contexts and generations. Kunstverein Toronto was founded in 2014 by Kara Hamilton and Kari Cwynar. We program in dialogue with a local advisory board as well as an international group of artists, curators, thinkers and enthusiasts.

D St-Amour is a writer, curator and book maker currently located in Tio’tia:ke – Mooniyang (Montreal).

[1] “Dodie Bellamy on G.B. Jones’s Nasty Female Role Models” Frieze Issue 200, Jan 9, 2019.

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