Artists: Fiona Connor, Oscar Enberg, Tom Holmes, Dianna Molzan, Amy O’Neill, Libby Rothfeld, Michael Queenland
Exhibition title: Condo New York 2018: Bureau hosting Kristina Kite Gallery and Hopkinson Mossman
Venue: Bureau, New York, US
Date: June 29 – July 27, 2018
Photography: all images copyright and courtesy of the artists, Bureau, New York, Kristina Kite Gallery, Los Angeles, and Hopkinson Mossman, Auckland/Wellington
Condo New York 2018: Bureau hosting Kristina Kite Gallery and Hopkinson Mossman, 2018, exhibition view, Bureau, New York
Condo New York 2018: Bureau hosting Kristina Kite Gallery and Hopkinson Mossman, 2018, exhibition view, Bureau, New York
Condo New York 2018: Bureau hosting Kristina Kite Gallery and Hopkinson Mossman, 2018, exhibition view, Bureau, New York
Condo New York 2018: Bureau hosting Kristina Kite Gallery and Hopkinson Mossman, 2018, exhibition view, Bureau, New York
Condo New York 2018: Bureau hosting Kristina Kite Gallery and Hopkinson Mossman, 2018, exhibition view, Bureau, New York
Condo New York 2018: Bureau hosting Kristina Kite Gallery and Hopkinson Mossman, 2018, exhibition view, Bureau, New York
Condo New York 2018: Bureau hosting Kristina Kite Gallery and Hopkinson Mossman, 2018, exhibition view, Bureau, New York
Condo New York 2018: Bureau hosting Kristina Kite Gallery and Hopkinson Mossman, 2018, exhibition view, Bureau, New York
Condo New York 2018: Bureau hosting Kristina Kite Gallery and Hopkinson Mossman, 2018, exhibition view, Bureau, New York
Amy O’Neill, I Wanna Be Your Dog 1, 2018, Watercolor, ink and pencil on paper in artist’s frame, 20.25 × 14.5 in.
Amy O’Neill, I Wanna Be Your Dog 3, 2018, Watercolor, ink and pencil on paper in artist’s frame, 20 ¼ × 14 ½ in.
Amy O’Neill, Bionic Woman, 2018, Halloween costume and mask, cloud vapor, thread waste, canvas, vinyl, silkscreen, carpe, 34 × 34 × 13 in.
Amy O’Neill, MASH 4077, 2018, Halloween costume, military bag, vinyl, silkscreen, AstroTurf, 34 × 34 × 18 in.
Dianna Molzan, Untitled, 2018, Oil on canvas, 33 × 11.5 × 3.75 in.
Fiona Connor, Closed Down Clubs, Tonic, 2018, Commercial aluminum-frame glass doors, silk screen on coated aluminum foil, surface coatings, 63 × 83 × 2 in.
Fiona Connor, Closed Down Clubs, Tonic, 2018, Commercial aluminum-frame glass doors, silk screen on coated aluminum foil, surface coatings, 63 × 83 × 2 in.
Fiona Connor, Community Notice Board (Essex Street Market), 2018, Custom bulletin board, silkscreen and UV print on aluminum, vinyl, pins, surface coatings, 36 × 36 × 1 in.
Libby Rothfeld, Travel, 2018, Charcoal, plaster, tape, ziplock bag, digital print, stretch wrap, 24 × 19.5 × 3.5 in.
Libby Rothfeld, June (What to Cook This Week), 2018, Tile, concrete, inkjet print, towel, tape, tacks, ceramic, permanent marker, pencil, 21.75 × 24.5 × 7.5 in.
Libby Rothfeld, May (What to Cook Right Now), 2018, Tile, concrete, inkjet print, teapot, tape, tack, permanent marker, 23 × 24.5 × 6 in.
Michael Queenland, Untitled (twin maize), 2018, Hardware cloth, non-GMO maize/corn kernels, laminated inkjet print, Post Oreo O’s Breakfast Cereal (Corn Flour, Sugar, Whole Grain Oat Flour, Cocoa, Canola Oil, Corn Syrup, Unbleached Enriched Flour, Salt, Degermed Corn Meal, Natural and Artificial Flavor, Cornstarch, Palm Oil, Titanium Dioxide, Chocolate Liquor, High Fructose Corn Syrup, Leavening, Soy Lecithin, BHT), 17 × 15.25 × 3.75 in.
Oscar Enberg, domestic hygiene or the contented cuckold, 2018, Damascus steel, deer antler, sterling silver fixtures, stain and handmade lace, 12.25 × 9.875 × 3.125 in.
Oscar Enberg, When the cream cannot be churned into butter, and is bewitched, one should take it from the churn, boil it and chop it with knives and swords. The witch will then come to borrow something. If you don’t lend, the spell is broken, 2018, Damascus steel, cow horn, sterling silver and brass fixtures, stain, pigmented cast epoxy, 10.5 × 5 × 14 in.
Tom Holmes, untitled Arrangement, 2018, Acrylic ink, acrylic paint, flashe, sumi ink on inkjet printed canvas, 74.75 × 62.5 inches