Cerith Wyn Evans (b. 1958 in Wales, UK) lives and works in London, United Kingdom. Recent exhibitions include: MCA, Sydney (forthcoming, 2025); Centre Pompidou-Metz, Metz (2024); Karlskirche Contemporary Arts, Vienna (2024); Espace Louis Vuitton Tokyo (2023); Marian Goodman Gallery, New York, Paris (2023); Mostyn, LIandudno (2022); White Cube, Hong Kong (2022); Aspen Art Museum, Aspen (2021); Pirelli Hangar Bicocca, Milan (2019); Museo Tamayo, Mexico City (2018); Haus Konstruktiv, Zurich (2017); Museion, Bolzano (2015); Skulpturprojekte Münster (2017); Biennale de Lyon (2017); La Biennale di Venezia (2017).
Kitty Kraus (b. 1976 in Heidelberg, DE) lives and works in Berlin, Germany. Recent exhibitions include: 15th Baltic Triennial, Vilnius (2024); Galerie Neu, Berlin (2022); Halle für Kunst Lüneburg (2021); Parapet Real Humans, St. Louis, US (2016); CAC, Vilnius (2016); Kestnergesellschaft, Hannover (2013); Foksal Gallery Foundation, Warsaw (2012); Hamburger Bahnhof, Berlin (2012); White Cube, London (2011); Guggenheim Museum, New York (2009).
Jonathan Okoronkwo (b. 1993 in Aflao, GH) lives and works in Accra, Ghana. Recent exhibitions include: Kunsthalle Zurich (2023); KNUST Museum, Kumasi (2022); Gallery 1957, Accra (2022); Kunstmuseum Bonn (2022); Kunstverein Freiburg (2019); Acasa Triennial, Accra (2017).
Clamour, 2025, exhibition view, Galerie Neu, BerlinClamour, 2025, exhibition view, Galerie Neu, BerlinClamour, 2025, exhibition view, Galerie Neu, BerlinClamour, 2025, exhibition view, Galerie Neu, BerlinClamour, 2025, exhibition view, Galerie Neu, BerlinClamour, 2025, exhibition view, Galerie Neu, BerlinClamour, 2025, exhibition view, Galerie Neu, BerlinClamour, 2025, exhibition view, Galerie Neu, BerlinCerith Wyn Evans, Phase Shift V, 2025, stainless steel, 2 car windscreens, 280 x Ø 260 cmCerith Wyn Evans, Phase Shift V, 2025, stainless steel, 2 car windscreens, 280 x Ø 260 cmCerith Wyn Evans, Phase Shift (after David Tudor) VII, 2025, stainless steel, 3 car windscreens, 300 x Ø 380 cmCerith Wyn Evans, Phase Shift (after David Tudor) VII, 2025, stainless steel, 3 car windscreens, 300 x Ø 380 cmCerith Wyn Evans, Phase Shift (after David Tudor) VI, 2025, stainless steel, 2 car windscreens, 300 x Ø 240 cmCerith Wyn Evans, Phase Shift (after David Tudor) VI, 2025, stainless steel, 2 car windscreens, 300 x Ø 240 cmJonathan Okoronkwo, The Machine Make Diiiiiin (Mechanical Silence), 2024, Used motor oil and liquefied steel on ply wood, 150 x 120 x 3 cmJonathan Okoronkwo, The Machine Make Diiiiiin (Mechanical Silence), 2024, Used motor oil and liquefied steel on ply wood, 150 x 120 x 3 cmJonathan Okoronkwo, The Machine Make Diiiiiin (Mechanical Silence), 2024, Used motor oil and liquefied steel on ply wood, 150 x 120 x 3 cmJonathan Okoronkwo, The Machine Make Diiiiiin (Mechanical Silence), 2024, Used motor oil and liquefied steel on ply wood, 150 x 120 x 3 cmJonathan Okoronkwo, We no go hear am sing again (Promise of unheard Symphonies), 2024, Used motor oil and liquefied steel on ply wood, 150 x 120 x 3 cmJonathan Okoronkwo, We no go hear am sing again (Promise of unheard Symphonies), 2024, Used motor oil and liquefied steel on ply wood, 150 x 120 x 3 cmJonathan Okoronkwo, We no go hear am sing again (Promise of unheard Symphonies), 2024, Used motor oil and liquefied steel on ply wood, 150 x 120 x 3 cmJonathan Okoronkwo, We no go hear am sing again (Promise of unheard Symphonies), 2024, Used motor oil and liquefied steel on ply wood, 150 x 120 x 3 cmKitty Kraus, Untitled, 2025, shutter pieces, 560 x 180 x 50 cmKitty Kraus, Untitled, 2025, shutter pieces, 560 x 180 x 50 cmKitty Kraus, Untitled, 2025, shutter pieces, 560 x 180 x 50 cmKitty Kraus, Untitled, 2025, shutter pieces, 560 x 180 x 50 cmKitty Kraus, Untitled, 2025, shutter pieces, 560 x 180 x 50 cm
Photos: Courtesy the artist and Galerie Neu, Berlin
