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Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles

Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles

alone (adj., adv.)
“unaccompanied, solitary; without companions,” c. 1300, a contraction of all ane, from Old English all ana “unaccompanied, all by oneself,” literally “wholly oneself,” from all “all, wholly” (see all) + an “one” (see one). It preserves the old pronunciation of one.

Similar compounds are found in German (allein) and Dutch (alleen). The sense of “and nothing else” is from c.1200, as in “Man does not live by bread alone” (Matthew iv.4, KJV; there Tyndale has “man shall not lyve by brede onlye”). Related: Aloneness. Adverbial alonely seems to have become obsolete 17c.

This exhibition examines the relationship between connection and withdrawal, and the mix of distance and immediacy that structures contemporary living. Loneliness has become ambient rather than exceptional: life is shaped by numbing connectivity, terminally online habits, and the accelerating drift toward isolation even within spaces and platforms nominally designed for togetherness. Desire both sharpens and stalls as communication filters through avatars and algorithms, which promise intimacy while reinforcing its scarcity. Closeness has become a provisional state, felt more as anticipation than encounter.

Ramsey Alderson (b. 1991, San Pedro, CA) lives and works in Los Angeles, CA. Previous solo exhibitions include Up, Column #3 at Giselle’s Books, Marseille, FR (2026); D’or at Tiffany’s Door, Los Angeles, CA (2025); Sleep at Commercial Street, Los Angeles, CA (2023); Heaven on Earth at Gaylord Fine Arts, Los Angeles, CA (2023). Recent and previous group exhibitions include Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles, CA (2026); Tom’s Stretch at David Kordansky Gallery, Los Angeles, CA (2026); Afternoon of a Faun at Timeshare, Los Angeles, CA (2026); I did it myself at Amity, Los Angeles, CA (2026); Art Isn’t Fair at Clementine Seedorf, Cologne, DE (2024); Summer Group Show at Soldes, Los Angeles, CA (2024). Alderson is currently attending the Graduate Fine Arts program at ArtCenter in Pasadena, CA.

Ella Fleck (b. 1993, London, UK) lives and works in London, UK. Fleck received her BA in English Literature from the University of Exeter in 2014 and is currently completing an MFA at Goldsmiths, University of London for 2026. Solo exhibitions include Training Material at Frieze London with Ehrlich Steinberg, London, UK (upcoming); Spray at Season 4 Episode 6, London, UK (2025); NADA House at New Art Dealers Alliance, Governors Island, NY (2024). Selected group exhibitions include 15th Kaunas Biennial, Kaunas, LT (2025); Return of the Repressed, curated by Toby Ziegler, London, UK (2025); Solid, Liquid, Gas at St Margaret’s House Chapel, London, UK (2025); La Petite Mort at APT Gallery, London, UK (2024); Mirror Stage at Shipton Gallery, London, UK (2023); Think Before You Print at Galerie von Empfangshalle, Munich, DE (2023); Jumper at Harkawik, New York, NY (2021); SUNSCREEN at 4649, Tokyo, JP (2020). Fleck’s work has been reviewed in publications including i-D, Twin Magazine, Plaster, The White Pube, The Toe Rag, and Modern Weekly Style. Her writing has appeared in Frieze, Montez Press, Art Et Al., JuneArt.io, Emergent Magazine, and All Inclusive.

Ant Łakomsk (b. 2001, Toruń, PL) lives and works in Warsaw, PL. Łakomsk received her MFA from Academy of Fine Arts in Warsaw in 2025. Her solo exhibitions include Brunette at Brunette Coleman, London, UK (2026) and Camille at Turnus, Warsaw, PL (2025). Selected group exhibitions include Adolescence at Zachęta National Gallery of Art, Warsaw, PL (2026); Adaptacja at Marcelle Alix, Paris, FR (2026); Correspondences at François Ghebaly, Los Angeles, CA (2025); STEADYSTATE at Zero…, Milan, IT (2025). In 2025, she was awarded the ING Polish Art Foundation Prize and the Paszport Polityki Award. In the fall of 2026, Łakomsk will present a solo project as part of the Emergence section of Art Basel Paris with Stereo, Warsaw.

Erin Calla Watson (b. 1993, Los Angeles, CA) lives and works in Los Angeles, CA. She received her MFA from California Institute of the Arts in 2023. Previous solo exhibitions include Nymph at Ehrlich Steinberg, Los Angeles, CA (2025); Laddy Daddy Dah at Rinde am Rhein, Dusseldorf, DE (2024); (Untitled) n.d. at Foxy Production, New York, NY (2023); KYLE at Larder, Los Angeles, CA (2022). Selected group exhibitions include Everything looks dark now at Bel Ami, Los Angeles, CA (2026); Display at Ehrlich Steinberg, Los Angeles, CA; Proof of Concept: Photography at Briefing Room, Brussels, BE (2024); Unto Dust at Fitzpatrick Gallery, Paris, FR (2023); Video Store at Foxy Production, New York, NY (2023); a somewhat thin line at In Lieu, Los Angeles, CA; At Land at Foxy Production, New York, NY (2022); The Conspiracy of Art: Part II at Chateau Shatto, Los Angeles, CA (2020). Calla Watson’s work has been featured in publications including Artforum, Artillery, CARLA, Cultured, Mousse, Numero, Objectiv, Section, and STUDIO Magazine. The artist is included in the upcoming group exhibition GAG: The Art of Comic Trouble at the George Eastman Museum, Rochester, NY (2026).

Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Alone, Alone, All, All Alone exhibition at Ehrlich Steinberg Gallery, featuring Ramsey Alderson, Ella Fleck, Ant Łakomsk, Erin Calla Watson, photograph Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Alone, Alone, All, All Alone exhibition at Ehrlich Steinberg Gallery, featuring Ramsey Alderson, Ella Fleck, Ant Łakomsk, Erin Calla Watson, photograph Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Ramsey Alderson, Fascination, 2026. Oil on canvas, 72 x 24 in. (183 x 61 cm). Image courtesy of the artist and Ehrlich Steinberg, Los Angeles. Photo: Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Ramsey Alderson, Fascination, 2026. Oil on canvas, 72 x 24 in. (183 x 61 cm). Image courtesy of the artist and Ehrlich Steinberg, Los Angeles. Photo: Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Ramsey Alderson, Stroll In Your Crypt, 2026. Oil on canvas, 72 x 24 in. (183 x 61 cm). Image courtesy of the artist and Ehrlich Steinberg, Los Angeles. Photo: Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Ramsey Alderson, Stroll In Your Crypt, 2026. Oil on canvas, 72 x 24 in. (183 x 61 cm). Image courtesy of the artist and Ehrlich Steinberg, Los Angeles. Photo: Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Ramsey Alderson, Quicksand, 2026. Oil on canvas, 72 x 24 in. (183 x 61 cm). Image courtesy of the artist and Ehrlich Steinberg, Los Angeles. Photo: Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Ramsey Alderson, Quicksand, 2026. Oil on canvas, 72 x 24 in. (183 x 61 cm). Image courtesy of the artist and Ehrlich Steinberg, Los Angeles. Photo: Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Ant Łakomsk, Egyptian Wing, 2026. Oil and shellac ink on canvas, 55 x 59 in. (140 x 150 cm). Image courtesy of the artist and Ehrlich Steinberg, Los Angeles. Photo: Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Ant Łakomsk, Egyptian Wing, 2026. Oil and shellac ink on canvas, 55 x 59 in. (140 x 150 cm). Image courtesy of the artist and Ehrlich Steinberg, Los Angeles. Photo: Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Ant Łakomsk, Egyptian Wing, 2026. Oil and shellac ink on canvas, 55 x 59 in. (140 x 150 cm). Image courtesy of the artist and Ehrlich Steinberg, Los Angeles. Photo: Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Ant Łakomsk, Egyptian Wing, 2026. Oil and shellac ink on canvas, 55 x 59 in. (140 x 150 cm). Image courtesy of the artist and Ehrlich Steinberg, Los Angeles. Photo: Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Ant Łakomsk, Egyptian Wing 2, 2026. Oil and shellac ink on canvas, 55 x 47.25 in. (140 x 120 cm). Image courtesy of the artist and Ehrlich Steinberg, Los Angeles. Photo: Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Ant Łakomsk, Egyptian Wing 2, 2026. Oil and shellac ink on canvas, 55 x 47.25 in. (140 x 120 cm). Image courtesy of the artist and Ehrlich Steinberg, Los Angeles. Photo: Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Ant Łakomsk, Egyptian Wing 2, 2026. Oil and shellac ink on canvas, 55 x 47.25 in. (140 x 120 cm). Image courtesy of the artist and Ehrlich Steinberg, Los Angeles. Photo: Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Ant Łakomsk, Egyptian Wing 2, 2026. Oil and shellac ink on canvas, 55 x 47.25 in. (140 x 120 cm). Image courtesy of the artist and Ehrlich Steinberg, Los Angeles. Photo: Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Alone, Alone, All, All Alone exhibition at Ehrlich Steinberg Gallery, featuring Ramsey Alderson, Ella Fleck, Ant Łakomsk, Erin Calla Watson, photograph Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Alone, Alone, All, All Alone exhibition at Ehrlich Steinberg Gallery, featuring Ramsey Alderson, Ella Fleck, Ant Łakomsk, Erin Calla Watson, photograph Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Erin Calla Watson, Clear Creek Canyon above the Forks, 2023. Chromogenic print, edition 1/3 + 2 AP, image size: 14 x 11.5 in. (35.6 x 29.4 cm); framed size: 18 x 20 in (45.7 x 50.1 cm). Image courtesy of the artist and Ehrlich Steinberg, Los Angeles. Photo: Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Erin Calla Watson, Clear Creek Canyon above the Forks, 2023. Chromogenic print, edition 1/3 + 2 AP, image size: 14 x 11.5 in. (35.6 x 29.4 cm); framed size: 18 x 20 in (45.7 x 50.1 cm). Image courtesy of the artist and Ehrlich Steinberg, Los Angeles. Photo: Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Erin Calla Watson, West Avenue, Great Barrington, 2023. Chromogenic print, edition 1/3 + 2 AP, image size: 11.25 x 14 in. (28.2 x 35.6 cm); framed size: 18 x 29 in. (45.7 x 50.1 cm). Image courtesy of the artist and Ehrlich Steinberg, Los Angeles. Photo: Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Erin Calla Watson, West Avenue, Great Barrington, 2023. Chromogenic print, edition 1/3 + 2 AP, image size: 11.25 x 14 in. (28.2 x 35.6 cm); framed size: 18 x 29 in. (45.7 x 50.1 cm). Image courtesy of the artist and Ehrlich Steinberg, Los Angeles. Photo: Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Alone, Alone, All, All Alone exhibition at Ehrlich Steinberg Gallery, featuring Ramsey Alderson, Ella Fleck, Ant Łakomsk, Erin Calla Watson, photograph Evan Walsh

Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Ella Fleck, a zombie resurrected by a ghost, 2026. Glass cabinet, 100 borosilicate glass vials filled with Acetone (C₄H₈O), hair (keratin, α-helix polypeptide chains), saliva (aqueous mucin suspension, pH 6.2–7.6), urine-saturated cellulose substrate, chlorhexidine gluconate (C₂₂H₃₀Cl₂N₁₀ · 2C₆H₁₂O₇), coffea arabica aqueous extract, prunus amygdalus dulcis oil, androstenone (C₁₉H₂₈O), acetic acid (CH₃COOH), masticated polyisobutylene, mica (KAl₂(AlSi₃O₁₀)(OH)₂), MAC Retro Matte Lipstick (hydrogenated polyisobutene, pentaerythrityl tetra-di-t-butyl hydroxyhydrocinnamate, CI 15850, CI 77491), eyebrow hair (vellus keratin filament), polyethylene terephthalate fibre (PET, C₁₀H₈O₄)n, galaxolide 50 (1,3,4,6,7,8-hexahydro-4,6,6,7,8,8-hexamethylcyclopenta[g]-2-benzopyran, C₁₈H₂₆O, in isopropyl myristate carrier), γ-octalactone (C₈H₁₄O₂), santalum album oil, velvione (15-pentadecanolide, C₁₅H₂₈O₂), α-ionone (C₁₃H₂₀O), methyl salicylate (C₈H₈O₃), cadaverine (pentane-1,5-diamine, C₅H₁₄N₂), hedione (methyl dihydrojasmonate, C₁₃H₂₂O₃), pogostemon cablin extract, citrus sinensis essence, Wild rose hand cream (aqua, glycerin, helianthus annuus seed oil, rosa canina fruit oil, parfum), Baby powder fragrance oil (geraniol C₁₀H₁₈O, phenylethyl alcohol C₈H₁₀O, lilial C₁₄H₂₀O, ethyl vanillin C₉H₁₀O₃, coumarin C₉H₆O₂, galaxolide C₁₈H₂₆O), Almond Milk & Honey fragrance oil (γ-undecalactone C₁₁H₂₀O₂, methyl anthranilate C₈H₉NO₂, phenylacetic acid C₈H₈O₂, benzyl benzoate C₁₄H₁₂O₂, ethyl maltol C₇H₈O₃, coumarin C₉H₆O₂, vanillin C₈H₈O₃), White Musk fragrance oil (iso E super C₁₆H₂₄O, habanolide C₁₆H₂₈O₂, ambroxan C₁₆H₂₈O, benzyl acetate C₉H₁₀O₂, methyl dihydrojasmonate C₁₃H₂₂O₃, coumarin C₉H₆O₂, indole C₈H₇N), Sweet Brazilian fragrance oil (ethyl vanillin C₉H₁₀O₃, γ-nonalactone C₉H₁₆O₂, coumarin C₉H₆O₂, tonalide C₁₈H₂₆O, δ-decalactone C₁₀H₁₈O₂, benzyl salicylate C₁₄H₁₂O₃, iso E super C₁₆H₂₄O), dried Gypsophila, pressed Narcissi, dimensions variable; cabinet: 59.5 x 13.25 x 12 in. (151 x 33.5 x 30.5 cm). Image courtesy of Ehrlich Steinberg, Los Angeles. Photo: Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Ella Fleck, a zombie resurrected by a ghost, 2026. Glass cabinet, 100 borosilicate glass vials filled with Acetone (C₄H₈O), hair (keratin, α-helix polypeptide chains), saliva (aqueous mucin suspension, pH 6.2–7.6), urine-saturated cellulose substrate, chlorhexidine gluconate (C₂₂H₃₀Cl₂N₁₀ · 2C₆H₁₂O₇), coffea arabica aqueous extract, prunus amygdalus dulcis oil, androstenone (C₁₉H₂₈O), acetic acid (CH₃COOH), masticated polyisobutylene, mica (KAl₂(AlSi₃O₁₀)(OH)₂), MAC Retro Matte Lipstick (hydrogenated polyisobutene, pentaerythrityl tetra-di-t-butyl hydroxyhydrocinnamate, CI 15850, CI 77491), eyebrow hair (vellus keratin filament), polyethylene terephthalate fibre (PET, C₁₀H₈O₄)n, galaxolide 50 (1,3,4,6,7,8-hexahydro-4,6,6,7,8,8-hexamethylcyclopenta[g]-2-benzopyran, C₁₈H₂₆O, in isopropyl myristate carrier), γ-octalactone (C₈H₁₄O₂), santalum album oil, velvione (15-pentadecanolide, C₁₅H₂₈O₂), α-ionone (C₁₃H₂₀O), methyl salicylate (C₈H₈O₃), cadaverine (pentane-1,5-diamine, C₅H₁₄N₂), hedione (methyl dihydrojasmonate, C₁₃H₂₂O₃), pogostemon cablin extract, citrus sinensis essence, Wild rose hand cream (aqua, glycerin, helianthus annuus seed oil, rosa canina fruit oil, parfum), Baby powder fragrance oil (geraniol C₁₀H₁₈O, phenylethyl alcohol C₈H₁₀O, lilial C₁₄H₂₀O, ethyl vanillin C₉H₁₀O₃, coumarin C₉H₆O₂, galaxolide C₁₈H₂₆O), Almond Milk & Honey fragrance oil (γ-undecalactone C₁₁H₂₀O₂, methyl anthranilate C₈H₉NO₂, phenylacetic acid C₈H₈O₂, benzyl benzoate C₁₄H₁₂O₂, ethyl maltol C₇H₈O₃, coumarin C₉H₆O₂, vanillin C₈H₈O₃), White Musk fragrance oil (iso E super C₁₆H₂₄O, habanolide C₁₆H₂₈O₂, ambroxan C₁₆H₂₈O, benzyl acetate C₉H₁₀O₂, methyl dihydrojasmonate C₁₃H₂₂O₃, coumarin C₉H₆O₂, indole C₈H₇N), Sweet Brazilian fragrance oil (ethyl vanillin C₉H₁₀O₃, γ-nonalactone C₉H₁₆O₂, coumarin C₉H₆O₂, tonalide C₁₈H₂₆O, δ-decalactone C₁₀H₁₈O₂, benzyl salicylate C₁₄H₁₂O₃, iso E super C₁₆H₂₄O), dried Gypsophila, pressed Narcissi, dimensions variable; cabinet: 59.5 x 13.25 x 12 in. (151 x 33.5 x 30.5 cm). Image courtesy of Ehrlich Steinberg, Los Angeles. Photo: Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Ella Fleck, a zombie resurrected by a ghost, 2026. Glass cabinet, 100 borosilicate glass vials filled with Acetone (C₄H₈O), hair (keratin, α-helix polypeptide chains), saliva (aqueous mucin suspension, pH 6.2–7.6), urine-saturated cellulose substrate, chlorhexidine gluconate (C₂₂H₃₀Cl₂N₁₀ · 2C₆H₁₂O₇), coffea arabica aqueous extract, prunus amygdalus dulcis oil, androstenone (C₁₉H₂₈O), acetic acid (CH₃COOH), masticated polyisobutylene, mica (KAl₂(AlSi₃O₁₀)(OH)₂), MAC Retro Matte Lipstick (hydrogenated polyisobutene, pentaerythrityl tetra-di-t-butyl hydroxyhydrocinnamate, CI 15850, CI 77491), eyebrow hair (vellus keratin filament), polyethylene terephthalate fibre (PET, C₁₀H₈O₄)n, galaxolide 50 (1,3,4,6,7,8-hexahydro-4,6,6,7,8,8-hexamethylcyclopenta[g]-2-benzopyran, C₁₈H₂₆O, in isopropyl myristate carrier), γ-octalactone (C₈H₁₄O₂), santalum album oil, velvione (15-pentadecanolide, C₁₅H₂₈O₂), α-ionone (C₁₃H₂₀O), methyl salicylate (C₈H₈O₃), cadaverine (pentane-1,5-diamine, C₅H₁₄N₂), hedione (methyl dihydrojasmonate, C₁₃H₂₂O₃), pogostemon cablin extract, citrus sinensis essence, Wild rose hand cream (aqua, glycerin, helianthus annuus seed oil, rosa canina fruit oil, parfum), Baby powder fragrance oil (geraniol C₁₀H₁₈O, phenylethyl alcohol C₈H₁₀O, lilial C₁₄H₂₀O, ethyl vanillin C₉H₁₀O₃, coumarin C₉H₆O₂, galaxolide C₁₈H₂₆O), Almond Milk & Honey fragrance oil (γ-undecalactone C₁₁H₂₀O₂, methyl anthranilate C₈H₉NO₂, phenylacetic acid C₈H₈O₂, benzyl benzoate C₁₄H₁₂O₂, ethyl maltol C₇H₈O₃, coumarin C₉H₆O₂, vanillin C₈H₈O₃), White Musk fragrance oil (iso E super C₁₆H₂₄O, habanolide C₁₆H₂₈O₂, ambroxan C₁₆H₂₈O, benzyl acetate C₉H₁₀O₂, methyl dihydrojasmonate C₁₃H₂₂O₃, coumarin C₉H₆O₂, indole C₈H₇N), Sweet Brazilian fragrance oil (ethyl vanillin C₉H₁₀O₃, γ-nonalactone C₉H₁₆O₂, coumarin C₉H₆O₂, tonalide C₁₈H₂₆O, δ-decalactone C₁₀H₁₈O₂, benzyl salicylate C₁₄H₁₂O₃, iso E super C₁₆H₂₄O), dried Gypsophila, pressed Narcissi, dimensions variable; cabinet: 59.5 x 13.25 x 12 in. (151 x 33.5 x 30.5 cm). Image courtesy of Ehrlich Steinberg, Los Angeles. Photo: Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Ella Fleck, a zombie resurrected by a ghost, 2026. Glass cabinet, 100 borosilicate glass vials filled with Acetone (C₄H₈O), hair (keratin, α-helix polypeptide chains), saliva (aqueous mucin suspension, pH 6.2–7.6), urine-saturated cellulose substrate, chlorhexidine gluconate (C₂₂H₃₀Cl₂N₁₀ · 2C₆H₁₂O₇), coffea arabica aqueous extract, prunus amygdalus dulcis oil, androstenone (C₁₉H₂₈O), acetic acid (CH₃COOH), masticated polyisobutylene, mica (KAl₂(AlSi₃O₁₀)(OH)₂), MAC Retro Matte Lipstick (hydrogenated polyisobutene, pentaerythrityl tetra-di-t-butyl hydroxyhydrocinnamate, CI 15850, CI 77491), eyebrow hair (vellus keratin filament), polyethylene terephthalate fibre (PET, C₁₀H₈O₄)n, galaxolide 50 (1,3,4,6,7,8-hexahydro-4,6,6,7,8,8-hexamethylcyclopenta[g]-2-benzopyran, C₁₈H₂₆O, in isopropyl myristate carrier), γ-octalactone (C₈H₁₄O₂), santalum album oil, velvione (15-pentadecanolide, C₁₅H₂₈O₂), α-ionone (C₁₃H₂₀O), methyl salicylate (C₈H₈O₃), cadaverine (pentane-1,5-diamine, C₅H₁₄N₂), hedione (methyl dihydrojasmonate, C₁₃H₂₂O₃), pogostemon cablin extract, citrus sinensis essence, Wild rose hand cream (aqua, glycerin, helianthus annuus seed oil, rosa canina fruit oil, parfum), Baby powder fragrance oil (geraniol C₁₀H₁₈O, phenylethyl alcohol C₈H₁₀O, lilial C₁₄H₂₀O, ethyl vanillin C₉H₁₀O₃, coumarin C₉H₆O₂, galaxolide C₁₈H₂₆O), Almond Milk & Honey fragrance oil (γ-undecalactone C₁₁H₂₀O₂, methyl anthranilate C₈H₉NO₂, phenylacetic acid C₈H₈O₂, benzyl benzoate C₁₄H₁₂O₂, ethyl maltol C₇H₈O₃, coumarin C₉H₆O₂, vanillin C₈H₈O₃), White Musk fragrance oil (iso E super C₁₆H₂₄O, habanolide C₁₆H₂₈O₂, ambroxan C₁₆H₂₈O, benzyl acetate C₉H₁₀O₂, methyl dihydrojasmonate C₁₃H₂₂O₃, coumarin C₉H₆O₂, indole C₈H₇N), Sweet Brazilian fragrance oil (ethyl vanillin C₉H₁₀O₃, γ-nonalactone C₉H₁₆O₂, coumarin C₉H₆O₂, tonalide C₁₈H₂₆O, δ-decalactone C₁₀H₁₈O₂, benzyl salicylate C₁₄H₁₂O₃, iso E super C₁₆H₂₄O), dried Gypsophila, pressed Narcissi, dimensions variable; cabinet: 59.5 x 13.25 x 12 in. (151 x 33.5 x 30.5 cm). Image courtesy of Ehrlich Steinberg, Los Angeles. Photo: Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Ella Fleck, a zombie resurrected by a ghost, 2026. Glass cabinet, 100 borosilicate glass vials filled with Acetone (C₄H₈O), hair (keratin, α-helix polypeptide chains), saliva (aqueous mucin suspension, pH 6.2–7.6), urine-saturated cellulose substrate, chlorhexidine gluconate (C₂₂H₃₀Cl₂N₁₀ · 2C₆H₁₂O₇), coffea arabica aqueous extract, prunus amygdalus dulcis oil, androstenone (C₁₉H₂₈O), acetic acid (CH₃COOH), masticated polyisobutylene, mica (KAl₂(AlSi₃O₁₀)(OH)₂), MAC Retro Matte Lipstick (hydrogenated polyisobutene, pentaerythrityl tetra-di-t-butyl hydroxyhydrocinnamate, CI 15850, CI 77491), eyebrow hair (vellus keratin filament), polyethylene terephthalate fibre (PET, C₁₀H₈O₄)n, galaxolide 50 (1,3,4,6,7,8-hexahydro-4,6,6,7,8,8-hexamethylcyclopenta[g]-2-benzopyran, C₁₈H₂₆O, in isopropyl myristate carrier), γ-octalactone (C₈H₁₄O₂), santalum album oil, velvione (15-pentadecanolide, C₁₅H₂₈O₂), α-ionone (C₁₃H₂₀O), methyl salicylate (C₈H₈O₃), cadaverine (pentane-1,5-diamine, C₅H₁₄N₂), hedione (methyl dihydrojasmonate, C₁₃H₂₂O₃), pogostemon cablin extract, citrus sinensis essence, Wild rose hand cream (aqua, glycerin, helianthus annuus seed oil, rosa canina fruit oil, parfum), Baby powder fragrance oil (geraniol C₁₀H₁₈O, phenylethyl alcohol C₈H₁₀O, lilial C₁₄H₂₀O, ethyl vanillin C₉H₁₀O₃, coumarin C₉H₆O₂, galaxolide C₁₈H₂₆O), Almond Milk & Honey fragrance oil (γ-undecalactone C₁₁H₂₀O₂, methyl anthranilate C₈H₉NO₂, phenylacetic acid C₈H₈O₂, benzyl benzoate C₁₄H₁₂O₂, ethyl maltol C₇H₈O₃, coumarin C₉H₆O₂, vanillin C₈H₈O₃), White Musk fragrance oil (iso E super C₁₆H₂₄O, habanolide C₁₆H₂₈O₂, ambroxan C₁₆H₂₈O, benzyl acetate C₉H₁₀O₂, methyl dihydrojasmonate C₁₃H₂₂O₃, coumarin C₉H₆O₂, indole C₈H₇N), Sweet Brazilian fragrance oil (ethyl vanillin C₉H₁₀O₃, γ-nonalactone C₉H₁₆O₂, coumarin C₉H₆O₂, tonalide C₁₈H₂₆O, δ-decalactone C₁₀H₁₈O₂, benzyl salicylate C₁₄H₁₂O₃, iso E super C₁₆H₂₄O), dried Gypsophila, pressed Narcissi, dimensions variable; cabinet: 59.5 x 13.25 x 12 in. (151 x 33.5 x 30.5 cm). Image courtesy of Ehrlich Steinberg, Los Angeles. Photo: Evan Walsh
Alone, alone, all, all alone at Ehrlich Steinberg, Los Angeles
Ella Fleck, a zombie resurrected by a ghost, 2026. Glass cabinet, 100 borosilicate glass vials filled with Acetone (C₄H₈O), hair (keratin, α-helix polypeptide chains), saliva (aqueous mucin suspension, pH 6.2–7.6), urine-saturated cellulose substrate, chlorhexidine gluconate (C₂₂H₃₀Cl₂N₁₀ · 2C₆H₁₂O₇), coffea arabica aqueous extract, prunus amygdalus dulcis oil, androstenone (C₁₉H₂₈O), acetic acid (CH₃COOH), masticated polyisobutylene, mica (KAl₂(AlSi₃O₁₀)(OH)₂), MAC Retro Matte Lipstick (hydrogenated polyisobutene, pentaerythrityl tetra-di-t-butyl hydroxyhydrocinnamate, CI 15850, CI 77491), eyebrow hair (vellus keratin filament), polyethylene terephthalate fibre (PET, C₁₀H₈O₄)n, galaxolide 50 (1,3,4,6,7,8-hexahydro-4,6,6,7,8,8-hexamethylcyclopenta[g]-2-benzopyran, C₁₈H₂₆O, in isopropyl myristate carrier), γ-octalactone (C₈H₁₄O₂), santalum album oil, velvione (15-pentadecanolide, C₁₅H₂₈O₂), α-ionone (C₁₃H₂₀O), methyl salicylate (C₈H₈O₃), cadaverine (pentane-1,5-diamine, C₅H₁₄N₂), hedione (methyl dihydrojasmonate, C₁₃H₂₂O₃), pogostemon cablin extract, citrus sinensis essence, Wild rose hand cream (aqua, glycerin, helianthus annuus seed oil, rosa canina fruit oil, parfum), Baby powder fragrance oil (geraniol C₁₀H₁₈O, phenylethyl alcohol C₈H₁₀O, lilial C₁₄H₂₀O, ethyl vanillin C₉H₁₀O₃, coumarin C₉H₆O₂, galaxolide C₁₈H₂₆O), Almond Milk & Honey fragrance oil (γ-undecalactone C₁₁H₂₀O₂, methyl anthranilate C₈H₉NO₂, phenylacetic acid C₈H₈O₂, benzyl benzoate C₁₄H₁₂O₂, ethyl maltol C₇H₈O₃, coumarin C₉H₆O₂, vanillin C₈H₈O₃), White Musk fragrance oil (iso E super C₁₆H₂₄O, habanolide C₁₆H₂₈O₂, ambroxan C₁₆H₂₈O, benzyl acetate C₉H₁₀O₂, methyl dihydrojasmonate C₁₃H₂₂O₃, coumarin C₉H₆O₂, indole C₈H₇N), Sweet Brazilian fragrance oil (ethyl vanillin C₉H₁₀O₃, γ-nonalactone C₉H₁₆O₂, coumarin C₉H₆O₂, tonalide C₁₈H₂₆O, δ-decalactone C₁₀H₁₈O₂, benzyl salicylate C₁₄H₁₂O₃, iso E super C₁₆H₂₄O), dried Gypsophila, pressed Narcissi, dimensions variable; cabinet: 59.5 x 13.25 x 12 in. (151 x 33.5 x 30.5 cm). Image courtesy of Ehrlich Steinberg, Los Angeles. Photo: Evan Walsh

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