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Almudena Lobera at CentroCentro, Madrid

Almudena Lobera At Centrocentro, Madrid 29

Take Long Take (Secuencia Plano Secuencia in Spanish) is a site-specific exhibition by Almudena Lobera, conceived for the third floor of CentroCentro in Madrid. Inspired by the symmetrical, horseshoe-shaped architecture of the Palacio de Cibeles, the exhibition offers a mirrored journey, in which visitors move continuously through the space, much like a cinematic long take.

The exhibition explores dualities and repetition, using the unique architecture of the venue as a narrative device. A blue band at neck height runs throughout the entire floor, transforming the space into a metaphorical pool. This visual element connects all the rooms and recalls Lobera’s previous works on liminality and perception.

Themes such as visibility, dual identity, and the subconscious are present throughout the exhibition—from the video La Bellaventura, where palmistry intersects with beauty rituals, to sculptures like Falling and Floating, inspired by the tears of Lewis Carroll’s Alice. The materialization of sound also plays a key role, with the suspended installation Melancholy and Restraint, which visually echoes the song Teardrop by Massive Attack.

A tribute to David Lynch crowns the central space, where a split golden fish alludes to the dive into the depths of consciousness that every act of creation entails. Other works—including installations around the dispersion of light and drawings—further deepen Lobera’s exploration of what lies beneath the surface.

Although some of the pieces revisit recurring themes in Lobera’s practice, all were created specifically for this project, with the aim of constructing an immersive scenography that surprises the viewer and invites them to explore introspective states beyond the visible and the tangible.

Almudena Lobera (Madrid, 1984) is a visual artist with a BFA and MA from Universidad Complutense de Madrid and is a laureate of the Higher Institute for Fine Arts (HISK) in Ghent. She has participated in international residencies at institutions such as UCL Slade (London), Casa de Velázquez (Madrid), the Royal Academy of Spain (Rome), Tokyo Arts and Space, and CCA Andratx (Mallorca). Her work has been shown in solo and group exhibitions across Europe, the Americas, and Asia, including venues like CentroCentro Madrid, Tabacalera, Fundación Juan March, Museo de Arte Abstracto Español, The Bronx Museum of the Arts, and the 6th Moscow Biennale. She has received numerous awards and grants from Fundación BBVA, Fundación Ankaria, VEGAP, Fundación Montemadrid, and the Spanish Ministry of Culture. Among her solo shows, Take Long Take (2025), Stories (2020), and Technical Images (2020) stand out. Lobera’s practice explores the mechanisms of perception and their role in shaping visual and cultural systems. Through site-specific works, drawings, videos, and sculpture, she investigates how reality is constructed and mediated by language, narrative, and the act of seeing itself.

Almudena Lobera At Centrocentro, Madrid 1
Almudena Lobera, Floating and Falling, 2025. Nautical buoys, salt, polyester resin, and white rope
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Almudena Lobera, Floating and Falling, 2025. Nautical buoys, salt, polyester resin, and white rope
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Almudena Lobera, Floating and Falling, 2025. Nautical buoys, salt, polyester resin, and white rope
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Almudena Lobera, Floating and Falling, 2025. Nautical buoys, salt, polyester resin, and white rope
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Almudena Lobera, The Bellaventura, 2025. 4K 16:9 single-channel video, color audio, 25 minutes (Spanish subtitles).
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Almudena Lobera, Take Long Take I, 2025. Pencil on paper. 70 x 50 cm. Grey stained wood frame and anti-reflective glass
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Almudena Lobera, The Bellaventura, 2025. 4K 16:9 single-channel video, color audio, 25 minutes (Spanish subtitles)
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Almudena Lobera, Take Long Take III, 2025. Pencil on paper. 70 x 50 cm. Grey stained wood frame and anti-reflective glass
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Almudena Lobera, The Weight of the Surface, 2025. Installation with oven-painted iron wall sculpture and lifebuoys with a cement finish, on carpet with folds
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Almudena Lobera, The Weight of the Surface, 2025. Detail. Lifebuoys with a cement finish, on carpet with folds
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Almudena Lobera, The Weight of the Surface, 2025. Detail. Lifebuoys with a cement finish, on carpet with folds
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Almudena Lobera, The Weight of the Surface, 2025. Detail. Lifebuoys with a cement finish, on carpet with folds
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Almudena Lobera, The Weight of the Surface, 2025. Detail. Lifebuoys with a cement finish, on carpet with folds
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Almudena Lobera, Melancholy and Restraint, 2025. Detail. Suspended sculpture of oven-painted iron tubes
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Almudena Lobera, Melancholy and Restraint, 2025. Detail. Suspended sculpture of oven-painted iron tubes
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Almudena Lobera, Melancholy and Restraint, 2025. Detail. Suspended sculpture of oven-painted iron tubes
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Almudena Lobera, Melancholy and Restraint, 2025. Suspended sculpture of oven-painted iron tubes on a wooden structure, tiles, and water
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Almudena Lobera, Take Long Take V, 2025. Pencil on paper. 70 x 100 cm. Grey stained wood frame and anti-reflective glass
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Almudena Lobera, Handwoven (Right), 2025. Embroidered towel on stainless steel swimming pool handrail
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Almudena Lobera, Handwoven (Right), 2025. Embroidered towel on stainless steel swimming pool handrail
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Almudena Lobera, Handwoven (Right), 2025. Embroidered towel on stainless steel swimming pool handrail
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Almudena Lobera, Melancholy and Restraint, 2025. Detail. Suspended sculpture of oven-painted iron tubes on a wooden structure, tiles, and water
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Almudena Lobera, The Light in the Shadow is Blue, 2025. Installation of semi-transparent white fabrics printed in color at the bottom, tempered glass, and sand platform
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Almudena Lobera, The Light in the Shadow is Blue, 2025. Installation of semi-transparent white fabrics printed in color at the bottom, tempered glass, and sand platform
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Almudena Lobera, The Light in the Shadow is Blue, 2025. Installation of semi-transparent white fabrics printed in color at the bottom, tempered glass, and sand platform
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Almudena Lobera, Vanishing Point, 2025. Stainless steel shower drain on glossy black acrylic
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Almudena Lobera, Vanishing Point, 2025. Stainless steel shower drain on glossy black acrylic
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Almudena Lobera, Abyssal Golden Reflection, 2025. Detail. Blue velvet curtain
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Almudena Lobera, Abyssal Golden Reflection, 2025. Detail. Sculpture of expanded polystyrene and polyurethane with matte and glossy lacquer finish, circular base, and gathered blue velvet curtain
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Almudena Lobera, Abyssal Golden Reflection, 2025. Detail. Sculpture of expanded polystyrene and polyurethane with matte and glossy lacquer finish, circular base, and gathered blue velvet curtain
Almudena Lobera At Centrocentro, Madrid 31
Almudena Lobera, Abyssal Golden Reflection, 2025. Detail. Sculpture of expanded polystyrene and polyurethane with matte and glossy lacquer finish, circular base, and gathered blue velvet curtain
Almudena Lobera At Centrocentro, Madrid 32
Almudena Lobera, Abyssal Golden Reflection, 2025. Detail. Sculpture of expanded polystyrene and polyurethane with matte and glossy lacquer finish, circular base, and gathered blue velvet curtain
Almudena Lobera At Centrocentro, Madrid 33
Almudena Lobera, Abyssal Golden Reflection, 2025. Detail. Sculpture of expanded polystyrene and polyurethane with matte and glossy lacquer finish, circular base, and gathered blue velvet curtain
Almudena Lobera At Centrocentro, Madrid 34
Almudena Lobera, Abyssal Golden Reflection, 2025. Detail. Sculpture of expanded polystyrene and polyurethane with matte and glossy lacquer finish, circular base, and gathered blue velvet curtain
Almudena Lobera At Centrocentro, Madrid 35
Almudena Lobera, Blue is the Light in the Shadow, 2025. Installation of semi-transparent white fabrics printed in color at the bottom, tempered glass, and sand platform
Almudena Lobera At Centrocentro, Madrid 36
Almudena Lobera, Blue is the Light in the Shadow, 2025. Installation of semi-transparent white fabrics printed in color at the bottom, tempered glass, and sand platform
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Almudena Lobera, Blue is the Light in the Shadow, 2025. Installation of semi-transparent white fabrics printed in color at the bottom, tempered glass, and sand platform
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Almudena Lobera, Blue is the Light in the Shadow, 2025. Installation of semi-transparent white fabrics printed in color at the bottom, tempered glass, and sand platform
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Almudena Lobera, Immersive Reading, 2025. Sculpture of 15 soaked and dyed books with covers drawn in oil pastel and oil on paper, stacked on a glass base
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Almudena Lobera, Immersive Reading, 2025. Sculpture of 15 soaked and dyed books with covers drawn in oil pastel and oil on paper, stacked on a glass base
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Almudena Lobera, Handwoven (Left), 2025. Embroidered towel on stainless steel swimming pool handrail
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Almudena Lobera, Handwoven (Left), 2025. Embroidered towel on stainless steel swimming pool handrail
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Almudena Lobera, Restraint and Melancholy, 2025. Suspended sculpture of oven-painted iron tubes on a wooden structure, tiles, and water
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Almudena Lobera, Take Long Take VI, 2025. Pencil on paper. 100 x 70 cm. Grey stained wood frame and anti-reflective glass
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Almudena Lobera, Restraint and Melancholy, 2025. Suspended sculpture of oven-painted iron tubes on a wooden structure, tiles, and water. Parallel Orbits, 2025. Installation with glass bottles with dyed water, inflatable balls, stainless steel wall sculpture, towels, and printed carpet
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Almudena Lobera, Parallel Orbits, 2025. Detail. Installation with glass bottles with dyed water, inflatable balls, and printed carpet
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Almudena Lobera, Parallel Orbits, 2025. Detail. Installation with glass bottles with dyed water, inflatable balls, and printed carpet
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Almudena Lobera, Parallel Orbits, 2025. Detail. Installation with glass bottles with dyed water, inflatable balls, and printed carpet
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Almudena Lobera, Parallel Orbits, 2025. Detail. Installation with glass bottles with dyed water, inflatable balls, and printed carpet
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Almudena Lobera, Parallel Orbits, 2025. Detail. Installation with glass bottles with dyed water, inflatable balls, and printed carpet
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Almudena Lobera, Parallel Orbits, 2025. Detail. Installation with glass bottles with dyed water, inflatable balls, and printed carpet
Almudena Lobera At Centrocentro, Madrid 52
Almudena Lobera, Take Long Take IV, 2025. Pencil on paper. 70 x 50 cm. Grey stained wood frame and anti-reflective glass
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Almudena Lobera, The Beautifate, 2025. 4K 16:9 single-channel video, color audio, 25 minutes (English subtitles)
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Almudena Lobera, Falling and Floating, 2025. Nautical buoys, salt, polyester resin, and blue rope. / Long Take Sequence IV, 2025. Pencil on paper. 70 x 50 cm. Grey stained wood frame and anti-reflective glass
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Almudena Lobera, Floating and Falling, 2025. Nautical buoys, salt, polyester resin, and blue rope
Almudena Lobera At Centrocentro, Madrid 56
Almudena Lobera, Floating and Falling, 2025. Nautical buoys, salt, polyester resin, and blue rope
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Almudena Lobera, Floating and Falling, 2025. Nautical buoys, salt, polyester resin, and blue rope
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Almudena Lobera, Floating and Falling, 2025. Nautical buoys, salt, polyester resin, and blue rope
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Almudena Lobera, Take Long Take II, 2025. Pencil on paper. 70 x 50 cm. Grey stained wood frame and anti-reflective glass
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Almudena Lobera, Take Long Take, 2025. Exhibition view, CentroCentro, Madrid
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Almudena Lobera, Take Long Take, 2025. Exhibition view, CentroCentro, Madrid
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Almudena Lobera, Take Long Take, 2025. Exhibition view, CentroCentro, Madrid
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Almudena Lobera, Take Long Take, 2025. Exhibition view, CentroCentro, Madrid
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Almudena Lobera, Take Long Take, 2025. Exhibition view, CentroCentro, Madrid

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December 30, 2019