Photography: all images copyright and courtesy of the artist and ADZ Gallery, Lisbon
Alexandru Chira, was born in 1947 in a tiny Transylvanian village near Cluj. He attended art school in Cluj and then the Fine Arts In-stitute in Bucharest. His home village Tăușeni suffered from a long drought. Chira began to intensively develop a quasi-magical system through which extreme weather situations could be acted upon. He withdrew completely into a visionary inner world to design a land-scape monument that would serve as a cosmic-energetic receiving and transmitting station and symbolic totemic arrangement to mys-teriously affect weather phenomena and soil conditions. Completely obsessed with this task, he neglected family and friends to develop a hardly intelligible visual language necessary for it in sketches, drawings, paintings, and sculptures.
In the 1990s, when he was already a university professor and a recognized artist, he succeeded in fulfilling this lifelong dream, which, in his typical narcissistic self-aggrandizement, he considered the biggest and best thing any man or artist had ever dared to tackle. On a hill outside Tăușeni, Alexandru Chira created an ensemble of enigmatic poetic structures reminiscent of a sculpture garden left behind by aliens as a cosmic riddle to earthlings.
His drawings and paintings are completely wrapped around this visionary guiding principle of his life. Chira’s works transport the essence of a compact core of centripetal idiosyncratic condensation of a wide range of ideas from imbued by the far-reaching perime-ter of ufology, shamanism, the esoteric content of religions, from gnosis and practical magic. Some of them are reminiscent of impos-sible metaphysical machines that seem to belong to a very peculiar eccentric space between the earthly and the spiritual.
Chira’s works have been presented in the context of various exhi-bitions, including Stereopoems, fitzpatrick gallery, Paris, 2023, The Lisbon Architecture Triennale, Palácio Sinel de Cordes, Lisbon; The Sao Paolo Biennial Art Exhibition, Sao Paolo; The Visual Arts Museum, Galati; and The National Museum of Contemporary Art (MNAC), Bucharest, which presented a retrospective of the artist in 2015.
The first major publication of Chira’s work was released in De-cember 2022, and features essays in Romanian, with translations in English, by Ionut Cioana, Diana Marincu, Alexandra Titu, Calin Dan, and Marina Ionescu.