Artist: Antonio Ballester Moreno, José Díaz, Stevie Dix, Asger Dybvad Larsen, Valérian Goalec, Secundino Hernández, Daniel Jensen, Gergely Kiss, Nicolás Lamas, Martin Lukáč, Peter Mohall, Bridget Mullen, Jana Schröder, Fabio Viscogliosi, Ian Waelder
Exhibition title: 20cm from the ground
Venue: L21 Gallery, Mallorca, Spain
Date: December 2, 2017 – February 16, 2018
Photography: all images copyright and courtesy of the artist and L21 Gallery, Mallorca
The title ‘20cm from the ground’ denotes a height of a painting when installed in a painters studio, lower than a usual gallery or museum hang. More than the connotation to the process of painting, 20cm represents the transformative experience of both the painter at work and the beholder of their painting: the feeling of being lifted from the ground, becoming lost in another world, an empathetic connection.
Artists in the exhibition are painters in the traditional sense of working with a usually rectangular canvas or fabric onto which they apply, or erase, a pictorial, albeit abstract image. Throughout the works in the exhibition there is a preoccupation with marks, especially those that appear spontaneous, even clumsy or imperfect. While some paintings, such as Valérian Goalec’s employment of a robot to paint for him, and Antonio Ballester Moreno and Peter Mohall’s investigations into almost inhuman marks that are repetitional, most investigate a more human, fluid and freeform of painterly style.
Jana Schröder has described the marks she makes as ‘pure form’: the result of the arm let loose in its socket to create a gesture that seems to replicate a common doodle. This impulse to draw a natural stroke appears widespread in contemporary painting. Contrasted with the confined and considered mechanical marks, the group of painters present polar expressions that could be considered as a response to technologically mediated current affairs.
Despite Duchamp’s vision for a post-pictorial art, and his own abandonment of painting to focus on the power of thought, the medium has remained presiding form, critically, visually and economically. Painting now exists in post-history where content and meaning has plateaued amongst the overload of visual stimulants the modern world engages with daily.
For the exhibition many of the artists were ‘discovered’ through Instagram, and painting, usually a one sided medium, has found an aide in the image sharing medias. ‘20cm from the ground’ presents this plateau of painters 20cm up, scrutinising painting in the 21st century not for their technical skills but for their ability to think and reflect abstractly upon our contemporary reality. The prevalent expression from these artists relates back to the self and the act of creation, whether it was by robotic arm or their own, the individual’s mark, as an extension of their thought, mind and body, which ultimately traverses physical space.
Thank you to the galleries Rolando Anselmi, Björkholmen Gallery, Meessen De Clercq, The Goma, Luce, and T293 for their support.
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
Stevie Dix, Room, 2017, Oil, oil stick, enamel, emulsion and charcoal on canvas, 61 x 46 cm
Martin Lukáč, Yellow #S, 2017, Oil and acrylic on canvas, 180 × 145 cm
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
Bridget Mullen, Notes, 2017, Acrylic paint on linen, 85 x 85 cm
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
Gergely Kiss, Untitled(z), 2016, Emulsion, spray paint and acrylic on canvas, 80x60cm
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
Jana Schröder, Spontacts GO 1, 2017, Copying pencil and oil on canvas, 200 × 160 cm
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
Ian Waelder, A few months later, 2017, Pastel oil, spray paint, marker, pen, pencil, wood, frottage of a shoe, shoelace on linen, 132 x 160 cm
Daniel Jensen, Blue Sock, 2017, oil stick and acrylic ink on linen canvas, 50×40 cm
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
Stevie Dix, Little one, 2016, Oil, oil stick, enamel, emulsion and charcoal on canvas, 35.5 x 30.5 cm
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
Peter Mohall, Untitled (Brushstrokes Painting 1), 2017, Alkyd and acrylic on linen, oak artist’s frame, 161.2 x 121.2 cm
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
José Díaz, P.O.V., 2017, Oil on linen, 192x152cm
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
Nicolás Lamas, Behind the scenes, 2017, Reversed painting, 40 x 30 cm
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
Antonio Ballester Moreno, Lluvia. Noche, 2017, Acrylic on yute, 240 x 180cm
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
Ian Waelder, Shoelace laying on a ledge, 2017, Oil, shoelace, spray paint, wood and scratches on linen, 162 x 130 cm
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
20cm from the ground, 2017-2018, exhibition view, L21 Gallery, Mallorca
