SPECIAL FEATURE: In Light Of 25 Years at Witte de With

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Artists: Özlem Altin, Wineke Gartz, Camille Henrot, Germaine Kruip, Mahony, Raimundas Malašauskas, Zin Taylor, Freek Wambacq, Xu Zhen 

Exhibition title: In Light Of 25 Years

Curated by: Samuel Saelemakers and Defne Ayas

Venue: Witte de With, Center for Contemporary Art, Rotterdam, The Netherlands

Date: January 27, 2015 – January 17, 2016

Photography: images copyright and courtesy the artists and Witte de With

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SPECIAL FEATURE: Selection of works at Art Rotterdam

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Featured Artists: Adam Kokesh, Agnes Maes, Albrecht Schnider, Alek O., Bob Eikelboom, Bram De Jonghe, Carolein Smit, Catherine Parsonage, Christie van der Haak, Dominic Watson, Edward Higgins White, Frohawk Two Feathers, Ina van Zyl, Jenni Tischer, Jérôme Touron, Joachim Coucke, Jonathan Callan, Kareem Lotfy, Lars Morell, Louisa Gagliardi, Magnus Quaife, Martin Assig, Natasja Kensmil, Navine G. Khan-Dossos, Otobong Nkanga, Peter Lamb, Peter Schuyff, Pius Fox, Richard Woods, Sander van Deurzen, Stephen Willats, Steven Aalders, The Oceans Academy of Arts, Tim Hollander, Tinka Pittoors

Venue: Art Rotterdam, Rotterdam, The Netherlands

Featured Exhibitors: AKINCI, Andriesse Eyck, Barbara Seiler, Base-Alpha, Billytown, Boetzelaer Nispen, CINNNAMON, Cokkie Snoei, David Risley, Flatland, Frutta, Gabriel Rolt, Hopstreet, House of Egorn, Jeanine Hofland, Kisterem, Kristof De Clercq, Krobath, Lumen Travo, Martin Kudlek, Maurits van de Laar, Nest, Onrust, P/////AKT, Pablo’s Birthday, Ramakers, Roger Katwijk, Slewe, VIVID, Vleeshal, Works Projects

Date: February 11–14, 2016

Photography: images courtesy of the artists, galleries, Art Rotterdam and Art Viewer

Bob Eikelboom at Boetzelaer Nispen 01
Kareem Lotfy at Boetzelaer Nispen 01

SPECIAL FEATURE: Selection of works at Paris Internationale

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Featured Artists: Jennie Hagevik Bringaker, Erlend Hogstad, Mirak Jamal, Piotr Makowski, Zoe Williams, Hayley A. Silverman, Jason Benson, Sam Lipp, Patrick Berran, Sam Anderson, Martín Soto Climent, Gina Beavers, Jason Matthew Lee, Renaud Jerez, Benoît Maire, Anne Imhof, Florian Germann, Julie Béna, Kate Newby, Ryan McLaughlin, Chantal Peñalosa, Nevine Mahmoud, Patrick Armstrong, Ry Rocklen, Adrien Missika, Stefano Calligaro, Radu Comșa, Halvor Ronning, Ieva Kraule, Jesse Stecklow, Julie Beaufils, Liz Craft, Luca Francesconi, Mathis Collins, Piotr Lakomy, Wojciech Bąkowski, Bettina Samson, Natalie Häusler, Kris Lemsalu, Clémence Seilles, David Raffini, Jennifer Boysen, David Malek, Mathis Altmann

Venue: Paris Internationale, Paris, France

Exhibitors 2015: 1857, Oslo, Antoine Levi, Paris, Bianca D’Alessandro, Copenhagen, Bodega, New York, Carlos/Ishikawa, London, Chapter, New York, Christian Andersen, Copenhagen, Clifton Benevento, New York, Crèvecoeur, Paris, Croy Nielsen, Berlin, Deborah Schamoni, Munich, Emanuel Layr, Vienna, Emmanuel Hervé, Paris, Freymond-Guth Fine Arts, Zurich, Gregor Staiger, Zurich, High Art, Paris, Joseph Tang, Paris, Koppe Astner, Glasgow, LambdaLambdaLambda, Pristina, Laurel Gitlen, New York, La Salle de bains, Lyon, Lulu, Mexico City, Michael Thibault, Los Angeles, Paradise Garage, Los Angeles, Praz-Delavallade, Paris, Proyectos Monclova, Mexico City, Room East, New York, Sabot, Cluj, Samy Abraham, Paris, Sandy Brown, Berlin, Shanaynay, Paris, Stereo, Warsaw, Sultana, Paris, Supplement, London, Supportico Lopez, Berlin, Temnikova & Kasela, Tallinn, Torri, Paris, Treize, Paris, Triple V, Paris, Truth & Consequences, Geneva, Union Pacific, London

Date: October 20–24, 2015

Photography: images courtesy of the artists, galleries, Paris Internationale and Art Viewer

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Truth and Consequences_Mathis Altmann

SPECIAL FEATURE: Selection of shows at 1857

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1857 is an artist-run exhibition space occupying a former lumberyard in Grønland, downtown Oslo. It was founded in 2010 by artists Steffen Håndlykken and Stian Eide Kluge, with graphic designers Eriksen / Brown as essential collaborators.

The space consists of a 280 m2 concrete factory hall, with raw concrete walls and 11 metres to a ceiling with beautiful skylights, which has been joined to an older wooden house with a storefront facing the street.

1857 aims to introduce young international artists to a Norwegian audience, and takes advantage of the high degree of freedom that comes from being an artist-run space in terms of how exhibitions are conceptualised, formulated and presented. There is an on-going conversation that runs through all of the shows about how to challenge or disregard conventions that prevail in institutional exhibition making. This approach has lead 1857 to open-ended collaborations with artists as well as characteristic exhibition designs, press releases and cocktails served on the openings.

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