Tastes Like Headaches at kim?

37 - Indrikis Gelzis - Mission Critical

Artists: Adam Cruces, Indrikis Gelzis, Louisa Gagliardi

Exhibition title: Tastes Like Headaches

Venue: kim? Contemporary Art Centre, Riga, Latvia

Date: February 3 – March 12, 2017

Photography: all images copyright and courtesy of the artists and kim? Contemporary Art Centre, Riga

3

“Fragile reverie bleaches the real and paints over it, washed out, without depth, in thin, contiguous layers, a somnolent world into which the dreamer sinks and is lost,” wrote Jean-Luc Nancy about the dream, the “fine thread” of which “entraps in the way a spider holds prisoner the antennae of an insect caught in its web.” Upon waking you lack edges, as you did in dreams. Were you caught in silk the same way? You wished for landscapes but were short-sighted (or delimited by some non-ontogenical actor). Each meal illuminated by a scrying candle, you wish yourself less porous, because entry and exitways required management, and your work life was overwhelming enough. Your failures named you Pierrot, so you tighten your ruff.

4

A second rider enters your car and chooses the passenger seat. They connect their phone to the car stereo, invoking some fungible barrage of downtempo synths, as if to say, “even my ipseity has a sonic quality to it.” You understand this desire as always already occurring, though it sublimates differently depending on the month or year or sales quotas. Too much time had passed for a lapsarian question to remain. To avoid introspection, you turn your head and fixate on the Pacific, knowing that the silk-bearing spider wishes it were the pelagic Halobates. Aſter all, the Halobates is more altruistic, able to be collected by researchers to serve as testing subjects for oceanic metal pollution. Access to such a vast body––what bliss––to uncover the lie of every Pret a Manger and have each area of Earth as one’s home, to become the terminal cartographer. Instead she is stuck with leaves.

5

Later you find you’ve accumulated foreign metals in your blood, much like the Halobates. Your last chemistry panel in August measured potassium, carbon dioxide, glucose, creatinine and the anion gap, which you tried to calculate yourself using this formula:

[Na+] – [Cl-] – [HCO3-]

Quick attempts at mathematics helped alleviate your consistent brain fog, but now you were reduced to only your garments: bronze frames, 95% cotton denim, dyed lamb’s wool. Wool made you feel like the spider. Your enemies had resigned themselves to geophasia. I thought this ability to morph beneficial to my job prospects? Returning to the scrying candle you find its wax depleted. You return to your resting place in the stage of the amphitheater and capitulate to anonymous limbs under spotlights.

Tastes Like Headaches acknowledges contemporary lifestyle as an assemblage of rickety, fraught conditions and symptoms that are simultaneously viewed and maintained as solutions. Collaborative works by Adam Cruces and Louisa Gagliardi show obscured faces in lightless backgrounds; Cruces’ acrylic painting over Gagliardi’s digital works printed on PVC vinyl present physical interventions over a subject that has succumbed to the blurry, furtive nature of a machinic sociability and economy. Additionally, Cruces’ exhibits works made from mesh, creating outlines made from popcorn. Sculptural works using Elizabethan-era ruff make reference to aristocracy, classical painting and how bourgeois lifestyles are sublimated today through garments. Finally, video works by Cruces yield to quotidian situations in which subjects are resigned to adverse spatio-temporal conditions, using Uber and the spider’s web as examples.

Indriķis Ģelzis’ sculptures made with steel tubes are outfitted with anthropic symbols that interrogate the idea of direct, universal realism and reflexes amongst contemporary art objects. His works read as glyphs that are unable to be decoded using a conventional, inchoate lexicon of mere abstraction. Moreover, the sculptures’ lack of a clear, conceptual telos is a rupturing of the claim that the object’s affectability and creation always already contain a narrative substructure that easily afford understanding.

Text by Kyle Thomas Hinton. A writer and researcher based in Los Angeles.

1

2 - Adam Cruces - Sunday Drive

Adam Cruces, Sunday Drive, 2017, Popcorn in mesh, with strawberries

3

Adam Cruces, Sunday Drive, 2017, Popcorn in mesh, with strawberries

4

Adam Cruces, Sunday Drive, 2017, Popcorn in mesh, with strawberries

5

Adam Cruces, Sunday Drive, 2017, Popcorn in mesh, with strawberries

6

7 - Adam Cruces - Examiner

Adam Cruces, Examiner, 2017, Ruff collar on delivery newspaper

8

Adam Cruces, Examiner, 2017, Ruff collar on delivery newspaper

9 - Adam Cruces and Louisa Gagliardi. Sunday Drive

Adam Cruces & Louisa Gagliardi, Rare, 2017, Acrylic and ink on PVC

10

Adam Cruces & Louisa Gagliardi, Rare, 2017, Acrylic and ink on PVC

11

12

13 - Teenage Endeavour for the Highest Sunrise

Indrikis Gelzis, Teenage Endeavour for the Highest Sunset, 2016, Metal squere tubes, textile, buttons

14

Indrikis Gelzis, Teenage Endeavour for the Highest Sunset, 2016, Metal squere tubes, textile, buttons

15 - Adam Cruces and Louisa Gagliardi - Bowl of Cereal

Adam Cruces & Louisa Gagliardi, Bowl of Cereal, 2017, Acrylic and ink on PVC

16.

Adam Cruces & Louisa Gagliardi, Bowl of Cereal, 2017, Acrylic and ink on PVC

17

18

Adam Cruces, The Sun Also Sets, 2017, Popcorn and wheat in mesh

19

Adam Cruces, The Sun Also Sets, 2017, Popcorn and wheat in mesh

20

Adam Cruces, The Sun Also Sets, 2017, Popcorn and wheat in mesh

21

22 - Adam Cruces - Foul Play

Adam Cruces, Foul Play, 2017, Make-up and ruffled wrist cuff on shirt

23

Adam Cruces, Foul Play, 2017, Make-up and ruffled wrist cuff on shirt

24

Adam Cruces, Foul Play, 2017, Make-up and ruffled wrist cuff on shirt

25

26 Adam Cruces - Presto

Adam Cruces, Presto, 2017, Popcorn in mesh

27

28

Adam Cruces, Tips Appreciated (Uber Mix), 2017, 14:49 min video with sound

Adam Cruces, Heavy Breathing, 2017, 4:59 min video

29

30 - Adam Cruces - Palmarès

Adam Cruces, Palmarès, 2017, Popcorn in mesh, with fortune cookie

31

Adam Cruces, Palmarès, 2017, Popcorn in mesh, with fortune cookie

32

Adam Cruces, Palmarès, 2017, Popcorn in mesh, with fortune cookie

33

Adam Cruces, Palmarès, 2017, Popcorn in mesh, with fortune cookie

34 - Adam Cruces and Louisa Gagliardi - Candlelight

Adam Cruces & Louisa Gagliardi, Candlelight, 2017, Acrylic and ink on PVC

35

Adam Cruces & Louisa Gagliardi, Candlelight, 2017, Acrylic and ink on PVC

36

37 - Indrikis Gelzis - Mission Critical

Indrikis Gelzis, Mission Critical, 2017, Metal squere tubes, textile, buttons

38

Indrikis Gelzis, Mission Critical, 2017, Metal squere tubes, textile, buttons

39

Indrikis Gelzis, Mission Critical, 2017, Metal squere tubes, textile, buttons

40 - Indrikis Gelzis - Shooting the Breeze

Indrikis Gelzis, Shooting the Breeze, Cherries by Adam Cruces, 2016, Metal squere tubes, textile, buttons

41

Indrikis Gelzis, Shooting the Breeze, Cherries by Adam Cruces, 2016, Metal squere tubes, textile, buttons

42

Indrikis Gelzis, Shooting the Breeze, Cherries by Adam Cruces, 2016, Metal squere tubes, textile, buttons

43

Indrikis Gelzis, Shooting the Breeze, Cherries by Adam Cruces, 2016, Metal squere tubes, textile, buttons

44

45

Adam Cruces, Explorer, 2017, Ruff collar and grey hair

46

Adam Cruces, Explorer, 2017, Ruff collar and grey hair

47

48 Indrikis Gelzis - Finder

Indrikis Gelzis, Finder, 2016, Metal squere tubes, textile, buttons

49

Indrikis Gelzis, Finder, 2016, Metal squere tubes, textile, buttons

50

Indrikis Gelzis, Finder, 2016, Metal squere tubes, textile, buttons

51

Indrikis Gelzis, Finder, 2016, Metal squere tubes, textile, buttons

52 - Indrikis Gelzis - Portrait of Parallelism

Indrikis Gelzis, Portrait of Parallelism, 2016, Metal squere tubes, textile, buttons

53

Indrikis Gelzis, Portrait of Parallelism, 2016, Metal squere tubes, textile, buttons

54

Indrikis Gelzis, Portrait of Parallelism, 2016, Metal squere tubes, textile, buttons

55

Indrikis Gelzis, Portrait of Parallelism, 2016, Metal squere tubes, textile, buttons

56 - Indrikis Gelzis - Soft Spot

Indrikis Gelzis, Soft Spot, 2017, Metal squere tubes, textile, buttons

57

Indrikis Gelzis, Soft Spot, 2017, Metal squere tubes, textile, buttons

58

Indrikis Gelzis, Soft Spot, 2017, Metal squere tubes, textile, buttons

59

Indrikis Gelzis, Soft Spot, 2017, Metal squere tubes, textile, buttons

Related Post

Leave a Comment