Artists: Alis/Filliol, Jennifer Allora & Guillermo Calzadilla, Bruno Botella, Miriam Cahn, Jason Dodge, David Douard, Diego Marcon, Guy Mees, David Musgrave, Antoine Nessi, Reto pulfer, Samuel Richardot, pamela Rosenkranz, Sterling Ruby, Michael E. Smith, Benjamin Swaim Exhibition title: Être Chose (Being Thing) Curated by: Gyan Panchal Venue: Centre international d’art et du paysage, Île de Vassivière, Beaumont-du-Lac, France Date: July 5 – November 1, 2015 Photography: Aurélien Mole, images copyright and courtesy of the artists and Centre international d’art et du paysage Different environments, human and non-human, coexist. These environments barely ever meet – when they don’t ignore each other altogether. Working at the boundary of these worlds, the artists of […]
Artists: Alis/Filliol, Jennifer Allora & Guillermo Calzadilla, Bruno Botella, Miriam Cahn, Jason Dodge, David Douard, Diego Marcon, Guy Mees, David Musgrave, Antoine Nessi, Reto pulfer, Samuel Richardot, pamela Rosenkranz, Sterling Ruby, Michael E. Smith, Benjamin Swaim Exhibition title: Être Chose (Being Thing) Curated by: Gyan Panchal Venue: Treignac Projet, Treignac, France Date: July 5 – September 20, 2015 Photography: Aurélien Mole, images copyright and courtesy of the artists and Treignac Projet Different environments, human and non-human, coexist. These environments barely ever meet – when they don’t ignore each other altogether. Working at the boundary of these worlds, the artists of the Being Thing exhibition give substance and form to the […]
Artist: Michael E. Smith Venue: De Appel, Amsterdam, The Netherlands Date: July 11 — August 30, 2015 Photography: Cassander Eeftick Schattenkerk, images copyright and courtesy of the artist and De Appel, Amsterdam It’s unsettling – but what is it?” is the simple question often provoked by the work of Michael E. Smith. Smith makes objects and videos that seem to be reconstructions of distorted emotions. His insinuative shapes define the atmosphere in the space, and often evoke dark and morbid associations. He creates empty urban locations of sorts, with a few surprising remnants of human presence. Smith’s work is redolent of mortality and transience, but at the same time always has […]
The Registry of Promise is a series of exhibitions that reflect on our increasingly fraught relationship with what the future may or may not hold in store for us. These exhibitions engage with and play upon various readings of promise as simultaneously anticipating a future and its fulfillment or lack thereof, as well as a kind of inevitability, either positive or negative. Such polyvalence assumes a particular poignancy in the current historical moment. Given that the technological and scientific notions of progress inaugurated by the Enlightenment no longer have the same purchase they once did, we have long since abandoned the linear vision of the future the Enlightenment once betokened. Meanwhile, what is coming to substitute our former conception would hardly seem to be a substitute at all: the looming specter of global ecological catastrophe. From the anthropocentric promise of modernity, it would seem, we have turned to a negative faith in the post-human. And yet the future is not necessarily a closed book. Far from fatalistic, The Registry of Promise takes into consideration these varying modalities of the future while trying to conceive of possible others. In doing so, it seeks to valorize the potential polyvalence and mutability at the heart of the word promise.
Taking place over the course of approximately one year, The Registry of Promise consists of four autonomous, interrelated exhibitions, which can be read as individual chapters in a book. It was inaugurated by The Promise of Melancholy and Ecology at the Fondazione Giuliani, Rome, followed by The Promise of Multiple Temporalities at Parc Saint Léger, Centre d’art contemporain, Pougues-Les-Eaux and The Promise of Moving Things at Centre d’art contemporain d’Ivry – le Crédac, Ivry-sur-Seine, and will conclude with The Promise of Literature, Soothsaying and Speaking in Tongues at De Kabinetten van De Vleeshal, Middelburg.
Artist: Michael E. Smith Venue: Lulu, Mexico City Date: December 13, 2014 – February 1, 2015 Photography: Martin Soto Climent Lulu is proud to present a solo exhibition of the US-born, Hopkinton-based artist Michael E. Smith. Detroit-native Michael E. Smith has earned a well-deserved reputation as one of the most radical sculptors of his generation for his terse, aesthetic prognostications. An evoker of aftermath, human fragmentation, and urban desolation, he has a strong penchant for unusual materials ranging from everything to plastics, protective gear, automotive components, foams, animal parts, industrially produced comestibles, human bone, and perhaps most importantly, textiles. When not re-contextualizing a given object or quite simply disfiguring it […]