Lonesome Wife at Seventeen

November 1st, 2016|

Vanessa Safavi, No Omelette Without Breaking Eggs (Holding Substitute IV), 2016 (3)

Artists: Victoria Adam, Adriano Amaral, Noah Barker, Luis Miguel Bendaña, Patrizio di Massimo, Justin Fitzpatrick, Lisa Holzer, Isaac Lythgoe, Vanessa Safavi

Exhibition title: Lonesome Wife

Organized by: Attilia Fattori Franchini

Venue: Seventeen, London, UK

Date: September 30 – November 5, 2016

Photography: images copyright and courtesy of the artists and Seventeen, London

Note: Press release can be found here

Lonesome Wife, Seventeen, Installation view 1

Lonesome Wife, Seventeen, Installation view 2

Lonesome Wife, Seventeen, Installation view 3

Lonesome Wife, Seventeen, Installation view 4

Lonesome Wife, Seventeen, Installation view 5

Lonesome Wife, Seventeen, Installation view 6

Lonesome Wife, Seventeen, Installation view 7

Lonesome Wife, Seventeen, Installation view 8

Lonesome Wife, Seventeen, Installation view 9

Lonesome Wife, Seventeen, Installation view 10

Lonesome Wife, Seventeen, Installation view 11

Lonesome Wife, Seventeen, Installation view 12

Lonesome Wife, Seventeen, Installation view 13

Lonesome Wife, Seventeen, Installation view 14

Lonesome Wife, Seventeen, Installation view 15

Lonesome Wife, Seventeen, Installation view 16

Lonesome Wife, Seventeen, Installation view 18

Lonesome Wife, Seventeen, Installation view 19

Lonesome Wife, Seventeen, Installation view 20

Lonesome Wife, Seventeen, Installation view 21

Lonesome Wife, Seventeen, Installation view 22

Victoria Adam, Sleeping eye tutorial, 2016

Victoria Adam, Sleeping eye tutorial, 2016, Plaster polymer, graphite powder, eyeshadow, aluminium, steel rod, metal fixing, (50 x 37 x 10 cm; 19.6 x 14.5 x 4 inches)

Victoria Adam, Lost and sad (Diana), 2016

Victoria Adam, Lost and sad (Diana), 2016, Bearded wheat, wheat, oat, elastic, beeswax, name-on-a-chain, 78 x 16 x 16 cm (30.7 x 6.3 x 6.3 in) / hanging hight variable

Victoria Adam, Lost and sad (Diana), 2016 (detail)

Victoria Adam, Lost and sad (Diana), 2016 (detail), Bearded wheat, wheat, oat, elastic, beeswax, name-on-a-chain, 78 x 16 x 16 cm (30.7 x 6.3 x 6.3 in) / hanging hight variable

Victoria Adam, Sunset bathroom thrifty, 2016 2

Victoria Adam, Sunset bathrooms thrifty, 2016, Ceramic, aromatherapy calming massage oil, body piercing, 21 x 11 x 3 cm (8.2 x 4.3 x 1 in)

Victoria Adam, Sunset bathroom thrifty (saturdays), 2016

Victoria Adam, Sunset bathrooms thrifty (saturdays), 2016, Ceramic, aromatherapy calming massage oil, body piercing, 27 x 17 x 3 cm (10.6 x 6.7 x 1 in)

Victoria Adam, Mermaidoil plumage crease, 2016 2

Victoria Adam, Mermaidoil plumage crease, 2016, Aluminum foil tray, perspex, resin, Jesmonite, glass, Dimensions variable

Victoria Adam, Mermaidoil plumage crease, 2016 1

Victoria Adam, Mermaidoil plumage crease, 2016, Aluminum foil tray, perspex, resin, Jesmonite, glass, Dimensions variable

Victoria Adam, New Coil, 2016 1

Victoria Adam, New Coil, 2016, Jesmonite, wheat, grass, glass, copper wire, dried beans, leather, 33 x 15 x 5.5 cm (13 x 6 x 2.2 in) / hanging hight variable

Victoria Adam, New Coil, 2016 2

Victoria Adam, New Coil, 2016 (detail), Jesmonite, wheat, grass, glass, copper wire, dried beans, leather, 33 x 15 x 5.5 cm (13 x 6 x 2.2 in) / hanging hight variable

Adriano Amaral, Untitled, 2016

Adriano Amaral, Untitled, 2016, Aluminium, aluminium powder, prosthetic rubber, water, 6.5 x 33.5 x 9.5 cm (2.5 x 13 x 3.7 in)

Luis Miguel Bendaña, Installation view

Luis Miguel Bendaña, Rusulka; I've been plunged into the abyss of solitude, 2016

Luis Miguel Bendaña, Rusalka; I’ve been plunged into the abyss of solitude, 2016, Custom machine knit polyester, polyurethane, acrylic, liquid latex on paper ca. 2014, 232 x 75 cm (91.3 x 29.5 in)

Luis Miguel Bendaña, Putrid Flower (Sandinistas), 2015

Luis Miguel Bendaña, Putrid Flower (Sandinistas), 2015, Custom machine knit polyester, polyurethane, Xerox print from 2012, 211 x 69 cm (83 x 27.1 in)

Luis Miguel Bendaña, Kill the Vegetarian (Nicaraguan Flag), 2015

Luis Miguel Bendaña, Kill the Vegetarian (Nicaraguan Flag), 2015, Custom machine knit polyester, polyurethane, oil pastel on animation paper ca. 2014, pen on receipt, 205 x 70.5 cm (80.7 x 27.7 in)

Luis Miguel Bendaña, Daisy, the most frightened rabbit, 2016

Luis Miguel Bendaña, Daisy, the most frightened rabbit, 2016
Custom machine knit polyester, polyurethane, pencil on animation paper circa 2008, 154 x 75.5 cm (60.6 x 29.7 in)

Luis Miguel Bendaña, Cherry, 2016

Luis Miguel Bendaña, Cherry (2016)
Powder coated cast bronze, 7.5 x 2 x 2 cm (3 x 0.7 x 0.7 in)

Patrizio Di Massimo, Inductive Deductive (Mundus Muliebris), 2016

Patrizio Di Massimo, Inductive Deductive (Mundus Muliebris), 2016
63 maiolica tiles, copper oxides, 360 x 280 cm (141 3/4 x 110 1/4 in), each tile: 40 x 40cm (15 3/4 x 15 3/4 in)

Justin Fitzpatrick, 2 guys dirt bike up the digestive tract of a hammerhead shark, 2016

Justin Fitzpatrick, 2 guys dirt bike up the digestive tract of a hammerhead shark, 2016, Silicone and talcum powder on jesmonite, 77 x 73 x 4 cm (30 x 29 x 1.5 in)

Justin Fitzpatrick, 2 guys go camping inside a lab rat, 2016

Justin Fitzpatrick, 2 guys go camping inside a lab rat, 2016, Pigment and lacquer on jesmonite, 84 x 72 x 5 cm (33 x 38 x 2 in)

Justin Fitzpatrick, A rabbit imagines what his inside looks like, 2016

Justin Fitzpatrick, A rabbit imagines what his insides look like, 2016, Acrylic on canvas, 91.5 x 71 cm (36 x 28 in)

Justin Fitzpatrick, Nothing Compares 2 U, 2016

Justin Fitzpatric, Nothing Compares 2 U, 2016, Oil on canvas, 91.5 x 71 cm (36 x 28 in)

Lisa Holzer, Inducement, 2016 3

Lisa Holzer, Inducement, 2016 2

Lisa Holzer, Inducement, 2016, Pigment print on cotton paper, Crystal Clear 202/1 polyurethane on glass, 92 x 72 cm (36 x 28 in)

Lisa Holzer, Inducement, 2016 1

Lisa Holzer, Inducement, 2016, Pigment print on cotton paper, Crystal Clear 202/1 polyurethane on glass, 92 x 72 cm (36 x 28 in)

Isaac Lythgoe, blustery drags on the cigarette, 2016

Isaac Lythgoe, blustery drags on the cigarette, 2016, Perspex, led neon, crampons, 180 x 100 x 40 cm (70.8 x 39.3 x 15.7 in)

Isaac Lythgoe, blustery drags on the cigarette, 2016 - detail 2

Isaac Lythgoe, blustery drags on the cigarette, 2016 (detail), Perspex, led neon, crampons, 180 x 100 x 40 cm (70.8 x 39.3 x 15.7 in)

Isaac Lythgoe, Over ownership, over outsourced opinions, over enigmas, 2016 2

Isaac Lythgoe, Over ownership, over outsourced opinions, over enigmas, 2016, UV print on faux leather, 45 x 140 cm (17.7 x 55 in)

Isaac Lythgoe, Over ownership, over outsourced opinions, over enigmas, 2016 1

Isaac Lythgoe, Over ownership, over outsourced opinions, over enigmas, 2016, UV print on faux leather, 45 x 140 cm (17.7 x 55 in)

Vanessa Safavi, No Omelette Without Breaking Eggs (Holding Substitute IV), 2016 (1)

Vanessa Safavi, No Omelette Without Breaking Eggs (Holding Substitute IV), 2016 (3)

Vanessa Safavi, No Omelette Without Breaking Eggs, (Holding Substitute IV), 2016, metal, paint, soft PVC, cotton straps, foam, ginger biscuit, chop sticks, 98 x 13 x 6 cm (38 x 5 x 2 in)

Vanessa Safavi, So Many Banana Skins in the Pathway (Holding Substitue I), 2016 (2)

Vanessa Safavi, So Many Banana Skins in the Pathway (Holding Substitue I), 2016, Metal, paint, silicone, cotton straps, buckle, 98 x 13 x 6 cm (38 x 5 x 2 in)

Vanessa Safavi, So Many Banana Skins in the Pathway (Holding Substitue II), 2016 (1)

Vanessa Safavi, So Many Banana Skins in the Pathway, (Holding Substitue II), 2016, Metal, paint, cotton straps, buckle, 98 x 13 x 6 cm (38 x 5 x 2 in)

Noah Barker, (Voicecover), 2016

Noah Barker, (Voiceover), 2016, Adapted Press Release, 21 x 29.7 cm (8 x 11.7 in)

Noah Barker, (Courtyard), 2012 (2)

Noah Barker, (Courtyard), 2012, Crushed oyster shell, Dimensions variable

Noah Barker, (Courtyard), 2012 (1)

Noah Barker, (Courtyard), 2012, Crushed oyster shell, Dimensions variable