I call it Lüttgen at Markus Lüttgen

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Artists: Artun Alaska Arasli, Erica Baum, James Beckett, Anna Betbeze, Armin Boehm, Matt Connors, Ger van Elk, Chris Evans, Philipp Gufler, Stefan Hablützel, Diango Hernandez, David Jablonowski, Ryan McLaughlin, Viola Relle – Raphael Weilguni, George Rippon, Matthew Ronay, Matt Stokes, Tristan Wilczek

Exhibition title: I call it Lüttgen

Venue: Markus Lüttgen, Cologne, Germany

Date: June 4 – July 29, 2016

Photography: all images copyright and courtesy of the artists and Markus Lüttgen

The adoption of the space at Elisenstrasse is the development of a collage, an approach to the place.

As of 4 June, at first sight simulating a group show, an incomplete and changeable stocktaking, will open different perspectives and outlooks on the work of the artists and the gallery.

Some positions will be present for the entire adoption of the space, such as Ger van Elk (1941-2014) and his work “Touwsculptuure” 1968/1999. This work with its symbolic and formal solution may be a possible essence of “I call it Lüttgen”.

Works and positions of intense rationality and putatively cool rigour, political dimension, personal and historic reflection, formal and technical aesthetics, performative action and gesture, narrative force and playful approaches will confront and avoid each other and enter in relationships during the course of the show.

An approach as experiment.

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Armin Boehm, Die kleine Berichtigung, 2016
Oil, fabrics, paper on canvas, 115 x 120 cm

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Chris Evans, Double Trophy, 2008
Aqua resin, clay, gouache, Dimensions variable

I-call-it-Luettgen_George-Rippon_v3

George Rippon, Roquefort, 2016
Jesmonite, paper, pigment, peep hole, pine, 53 x 33 cm

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George Rippon, Social Private, 2015
Plaster, allergy tablets, models, epoxy, sparklers, wood, Dimensions variable

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Philipp Gufler, Quilt #02 (Ronald M. Schernikau), 2013
Siebdruck auf Stoff, 80 x 90 cm

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David Jablonowski, No markets left waiting to emerge (Extented 1), 2016
Carbon fibre, glas, cnc cut aluminium, toxidermied birds, linnen on stretcher,Dry Chili, dry loofa, Dimensions variable

I-call-it-Luettgen_David-Jablonowski_2_v3

David Jablonowski, No markets left waiting to emerge (Extented 1), 2016
Carbon fibre, glas, cnc cut aluminium, toxidermied birds, linnen on stretcher,Dry Chili, dry loofa, Dimensions variable

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Tristan Wilczek, Ohne Titel, 2016
Acrylic and Graphit on canvas, 200 x 150 cm

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Tristan Wilczek, Ohne Titel( maximale Verneinung), 2016
Oil and Acrylic on canvas, 135 x 105 cm

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Ger van Elk, Touwsculptuur, 1968 (1999 version)
Nylon cord, hemp, rope, skipping rope, Dimensions variable

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Tristan Wilczek, Formloses und Konkretes Schwarz, 2016
Acrylic and Graphite on canvas, 105 x 135cm

I-call-it-Luettgen_Matt-Connors_v3

Matt Connors, Crimson Reverse Telescope, 2016
Acrylic on paper, colored mat board, colored perspex, artist’s frame, 62,5 x 50 cm

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David Jablonowski, Miniature painting, clouds (Computerized Nummerical Control)
Linen on stretcher, , CNC cut aluminium, LED- light, fazant feathers, 80,5 x 50 cm

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Viola Relle and Raphael Weilguni, Hero, 2016
Keramik glasiert, Glas, Terra Sigellata, Dimension variable

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Viola Relle and Raphael Weilguni, Hero, 2016
Keramik glasiert, Glas, Terra Sigellata, Dimension variable

2016.07.12_MLuettgen-007.web

Viola Relle and Raphael Weilguni, Coffin for Jesus, 2016
Keramik glasiert, Dimension variable

2016.07.12_MLuettgen-008.web

2016.07.12_MLuettgen-009.web

Screenshot CAMBIUM FILMSTILL

Raphael Weilguni & Francois Huber, Cambium, 2016
Video-Loop, 20’07”

Raphael Weilguni & Francois Huber, Cambium, 2016
Video-Loop, 20’07”

2016.07.12_MLuettgen-010.web

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2016.07.12_MLuettgen-012.web

2016.07.12_MLuettgen-013.web

Anna Betbeze, Appalachia, 2016
Wool, acid dyes, ash, india ink, 270 x 135 cm

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David Jablonowski, Replica 7, 2016
linen on stretcher, CNC-cut aluminium, pheasant feathers, 100 x 70 cm

Short_Road_Long_Road

Matthew Ronay, Short Road / Long Road, 2016
Basswood, dye, shallac-based primer, gouache, 52 x 37 x 6,5 cm

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